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Hearts of Coal (Серця з вугілля) is a Ukrainian feature documentary still in production, not a released film. The Docudays UA catalogue describes a 70-minute, Ukrainian-language work targeting a 2027 release. It follows women working 300 metres underground in a Pavlograd mine near Ukraine’s front line, asking how wartime conscription, energy needs and changing job roles are reshaping their lives. No public screening link or final distribution date has been confirmed.
What is Hearts of Coal about?
The film follows three women identified in the official Docudays UA synopsis: Larysa, a geologist; Khrystyna, who operates mining machinery; and Natalia, who transports coal. Their pre-dawn shifts take place in a Pavlograd mine near the front line, where coal production is portrayed as part of Ukraine’s effort to keep homes, critical infrastructure and defenses supplied with energy during Russian attacks.
The documentary connects intimate workplace stories to a national labor disruption. The catalogue says 3,000 men were conscripted and more than 100 women were working underground. Those figures describe the film’s wartime context in the 2025–2027 Docudays UA catalogue; they are not presented as an independently verified national labor survey.
Its central question is whether women’s expanded presence underground is a temporary response to mobilization or evidence of a longer movement toward gender equality. Rather than treating mining only as industrial spectacle, the project uses daily routines, physical risk and family responsibility to examine what survival looks like during a prolonged war.
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Is the film released yet, and when can I watch it?
No. Docudays UA lists Hearts of Coal as a work in progress with a planned 2027 release. A completed premiere, streaming page, television date and territory-by-territory availability have not been announced publicly.
The project has appeared in industry settings rather than a public theatrical or online rollout. The Odesa International Film Festival’s Film Industry Office lists the Ukrainian title Серця з вугілля in its documentary development-pitching programme. Viewers should therefore treat festival, broadcaster or streaming availability as pending until the producers publish a confirmed screening notice.
Who directed and produced Hearts of Coal?
Regina Maryanovska Davidzon and Maksym Melnik are credited as directors. Maryanovska Davidzon is also credited as a producer, alongside Oleksiy Gladushevskyy. Real Pictures is the listed production company.
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Odessa Journal has reported that Real Pictures is co-producing with France’s TS Productions, with ARTE and Suspilne participating. Real Pictures’ own news archive records Ukrainian Cultural Fund support and selection by Suspilne. These broadcaster and co-production details describe the project’s development reporting; final on-screen credits and release arrangements may change before completion.
What is verified about the project?
| Detail | Current information | Qualification |
|---|---|---|
| Format | Feature documentary, work in progress | Listed by Docudays UA |
| Language | Ukrainian | Catalogue listing |
| Runtime | 70 minutes | Docudays UA catalogue, 2025–2027 edition |
| Target release | 2027 | Planned date, not a confirmed premiere |
| Main setting | Pavlograd mine, about 300 metres underground | Setting and depth given in the official synopsis |
| Budget | €250,000 total | Catalogue figure |
| Confirmed financing | €5,000 | Catalogue figure; financing is incomplete |
| Production company | Real Pictures | Catalogue credit |
Are more women working in Ukrainian coal mines because men went to the front?
The film’s synopsis presents wartime conscription as a major reason. With thousands of men serving in the armed forces, women have taken on underground roles that were previously dominated by men. The catalogue’s reference to more than 100 women miners is specific to the film’s context and publication period, so it should not be read as a complete count of women in every Ukrainian mine.
That staffing change does not automatically settle the film’s equality question. Women may be filling vacancies created by war without receiving permanent authority, equal pay, safer conditions or a lasting place in mine management. Conversely, acquiring technical skills and visibility in a traditionally male occupation can challenge assumptions about who belongs underground. The documentary follows that tension through the workers’ own routines rather than declaring in advance that the change is either temporary or permanent.
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Why does the mine matter to the wartime story?
The synopsis says nearby mines have closed while Pavlograd miners continue working. Coal from the mine is framed as practical infrastructure: it helps keep electricity and heat available while attacks threaten Ukraine’s energy system. Descending 300 metres is therefore both a job requirement and a visual measure of the risks workers accept to maintain basic services.
Maryanovska Davidzon has described the workers’ unnoticed acts as a form of heroism that sustains life in difficult circumstances. That framing places the film alongside frontline reporting without making the miners soldiers. Their contribution is shown through extraction, transport, machinery and geological work—forms of labor that become strategically important when energy networks and staffing are under pressure.
Why are different protagonist names appearing in public descriptions?
The official Docudays UA synopsis names Larysa, Khrystyna and Natalia. An Odessa Journal report dated 26 October 2026 describes four protagonists named Viktoriia, Oksana, Maryna and another Oksana. The accounts should not be merged: the catalogue is the authoritative three-name description currently attached to the project, while the four-name list is a later press account from a film still in production.
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Documentary subjects and editorial focus can change during production, especially when a project is presented at development and pitching events. Until the filmmakers publish final credits or an updated synopsis, readers should treat the three-name and four-name descriptions as separate, attributed stages of public reporting.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.How is the film financed and positioned in the documentary industry?
The catalogue lists a €250,000 total budget and €5,000 in confirmed financing, indicating that the project was still seeking substantial funds when the entry was published. Its appearance in Odesa International Film Festival’s development-pitching programme places it in an industry pathway designed to attract partners and complete production, rather than indicating that the film has already secured a finished release.
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Potential participation by ARTE and Suspilne could provide broadcast routes, but neither a final schedule nor territories have been confirmed. The eventual access route may be a festival premiere followed by television or streaming; viewers should rely on an announcement from the producers, a festival, ARTE or Suspilne rather than an unverified listing.
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What should viewers expect from the finished documentary?
- A Ukrainian-language feature of approximately 70 minutes, subject to change before final delivery.
- Observational scenes of underground work, including geology, machinery operation and coal transport.
- Personal accounts set against conscription, attacks on energy infrastructure and the closure of nearby mines.
- An unresolved examination of whether wartime substitution becomes durable gender equality.
- A production whose final protagonist list, credits and distribution plan may differ from early development materials.
Frequently Asked Questions
What does the Ukrainian title Серця з вугілля mean?
It translates as “Hearts of Coal.” The title points to both the mined material and the people whose labor keeps communities functioning during wartime.
Is the 2027 release date guaranteed?
No. It is a target listed for a work in progress. A festival premiere, completed runtime and public release schedule still require confirmation from the filmmakers or a distributor.
Where is the Pavlograd mine located?
Pavlograd is in Ukraine’s Dnipropetrovsk region, an area affected by the wider war. The film describes its mine as near the front line, but it does not publish a more precise facility address.
Will the documentary have subtitles?
The project is listed as Ukrainian-language. Subtitle languages and accessibility versions have not been announced, so viewers should wait for the festival or broadcaster’s finished programme information.
Can journalists or festivals request a screener now?
There is no confirmed public screener link. Professional requests should go through Real Pictures or the project’s eventual festival and distribution contacts once those details are published.
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