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The festival screens seventy music documentaries from October 29 to November 8 at the Mooby Aribau Cinema. A selection from the 24th edition ranges from David Bowie’s final Blackstar period and Marianne Faithfull’s last interview to the Barcelona club anthem “Flying free,” with portraits of critics, photographers, local venues and activist musicians.
What does In-Edit 2026 offer?
ARA’s Xavier Cervantes recommends a cross-section of the 70-documentary programme rather than a single style of music film. The selection moves between artist biography, music criticism, club history, local scenes, social activism and musical geography. It also contrasts concert films, fictional investigations, observational portraits and archival or contextual work.
All dates below refer to screenings at Barcelona’s Mooby Aribau Cinema. Festival schedules can change, so check the official programme before travelling.
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Broken English
Iain Forsyth and Jane Pollard open the festival with a film about Marianne Faithfull. It combines Faithfull’s final interview with a fictional investigation led by Tilda Swinton. Beth Orton performs “As tears go by,” while Courtney Love, Warren Ellis, Thurston Moore and Ed Harcourt contribute to the film. Screenings are scheduled for 29 October at 19:30 and 5 November at 18:30.
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Hex
Maja Holand’s debut follows three women forming the black-metal band Witch Club Satan and reclaiming pagan-witch heritage. Its expressionist colours and shadows frame the film like a trial, making the band’s visual language as important as its music. Screenings: 1 November at 16:45 and 3 November at 21:30.
Bowie: the final act
Jonathan Stiasny focuses on David Bowie’s final stage, with the making of the testamentary 2016 album Blackstar as the documentary’s central point. It is the clearest choice for viewers interested in late-career creation, mortality and the deliberate construction of a final artistic statement. Screenings: 30 October at 21:00 and 8 November at 16:30.
Sixteen moments of my life / Seize moments de ma vie
Albert Serra films Ingrid Caven and the Molforts—Ferran Font, Enric Juncà, Joe Robinson and Marc Verdaguer—performing at Paris’s Théâtre des Bouffes du Nord in 2025. Critic Eulàlia Iglesias describes a shared filmic introspection built around Caven’s sixteen themes. The festival lists screenings on 6 November at 19:00 and 8 November at 21:00; both title forms are used in the programme.
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The Last Critic
This international-competition portrait turns to American music critic Robert Christgau, offering a perspective beyond the festival’s more familiar musician subjects. It is scheduled for 31 October at 17:15 and 4 November at 20:45.
Flying free: History of an anthem (Pont Aeri)
How is an anthem created? Marc Escudero, Rubén Moreno and Marian Dacal are identified with the creation of “Flying free,” and the documentary follows how the track travelled through the màkina scene and Pont Aeri nightlife. The two screenings are 6 November at 21:05 and 7 November at 21:25.
El doble
Carlo Padial’s special project with Jordi Cubino revisits the performer known during the 1980s disco era as David Lyme. It screens once, on 1 November at 21:00.
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23 Robadors
This medium-length film celebrates the Raval club as a refuge for jazz and flamenco. The programme notes that Arca recommended the venue to Madonna, saying: “I know a very good place for flamenco in Barcelona…”. Screening: 30 October at 20:45.
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The fuck you heroes
Glen E. Friedman’s photographic journey begins with late-1970s skateboarding and moves through hardcore punk and early hip-hop. The film includes Jello Biafra, Chuck D., Stacy Peralta, Zack de la Rocha, Henry Rollins and Tony Hawk, with a soundtrack by Fugazi drummer Brendan Canty. Screenings: 30 October at 18:00 and 3 November at 18:30.
But before that there will be thirst
Remei de Ca la Fresca’s concert life is connected to the group’s fight against extractive practices affecting Montseny aquifers. The documentary links performance and environmental activism, with screenings on 1 November at 16:30 and 8 November at 17:15.
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The Magic City: Birmingham according to Sun Ra
Guillaume Maupin and Pablo Guarise travel to Birmingham, Alabama, to connect Sun Ra’s social and political context with his music. It screens on 1 November at 21:30 and 8 November at 20:40.
When are the recommended films screening?
| Film | Screenings at Mooby Aribau Cinema |
|---|---|
| Broken English | 29 Oct, 19:30; 5 Nov, 18:30 |
| Hex | 1 Nov, 16:45; 3 Nov, 21:30 |
| Bowie: the final act | 30 Oct, 21:00; 8 Nov, 16:30 |
| Sixteen moments of my life / Seize moments de ma vie | 6 Nov, 19:00; 8 Nov, 21:00 |
| The Last Critic | 31 Oct, 17:15; 4 Nov, 20:45 |
| Flying free: History of an anthem (Pont Aeri) | 6 Nov, 21:05; 7 Nov, 21:25 |
| El doble | 1 Nov, 21:00 |
| 23 Robadors | 30 Oct, 20:45 |
| The fuck you heroes | 30 Oct, 18:00; 3 Nov, 18:30 |
| But before that there will be thirst | 1 Nov, 16:30; 8 Nov, 17:15 |
| The Magic City: Birmingham according to Sun Ra | 1 Nov, 21:30; 8 Nov, 20:40 |
How should I choose between them?
- For a final-album portrait: choose Bowie: the final act.
- For a hybrid, star-led investigation: choose Broken English.
- For underground club history: choose Flying free, El doble or 23 Robadors.
- For music journalism: choose The Last Critic.
- For photography and subculture: choose The fuck you heroes.
- For music tied to place and politics: choose The Magic City or But before that there will be thirst.
- For performance as experiment: choose Sixteen moments of my life or Hex.
What should I confirm before attending?
Verify the screening time, venue, ticket availability and the festival’s official title translation immediately before attending. The programme information establishes the listed dates and times, but it does not establish post-festival streaming or other distribution plans.
Frequently Asked Questions
Where is In-Edit 2026 held?
The recommended screenings in this selection are at Mooby Aribau Cinema in Barcelona. The festival runs from 29 October to 8 November 2026.
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Is “Sixteen moments of my life” the same film as “Seize moments de ma vie”?
The programme uses both forms for Albert Serra’s film about Ingrid Caven and the Molforts. Check the official listing for the title used on the session you book.
Which In-Edit film focuses on a music critic rather than a performer?
The Last Critic is the international-competition portrait of American critic Robert Christgau. Its listed sessions are on 31 October and 4 November.
Does the programme say where I can watch these films after the festival?
No post-festival streaming or distribution availability is established here. Attendance information should therefore come from the current official In-Edit programme.
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