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You Can See Everything is A24’s documentary about Elizabeth Holmes, directed by Nathan Fielder and Lance Oppenheim. It opens 34 days before Holmes is due to report to prison in May 2023, then follows the people and filmmakers left behind across a three-year project. The 2-hour-55-minute film opened in U.S. theaters on October 16, 2026. Its defining tension is simple to state but difficult to resolve: Holmes offers unusually intimate access and insists on her own account, while Fielder’s questions and the film’s visible cameras keep asking how much any viewer should believe.
What is You Can See Everything about?
The documentary begins inside Holmes’s domestic life during the final month before her prison reporting date. Cameras observe Holmes, her partner Billy Evans and their children as the family prepares for separation. After Holmes leaves, the story broadens to the people and filmmakers who remain, becoming an examination of memory, interpretation and the limits of documentary certainty.
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A24 describes the structure as a journey that starts 34 days before prison and continues over three years. That time span makes the film different from a conventional case recap: the immediate subject is Holmes’s last days at home, while the larger subject is how people construct and defend versions of the past.
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How long is the film?
A24 lists a runtime of 2 hours 55 minutes. It is a feature-length theatrical documentary rather than a short postscript to the Theranos story.
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How did the filmmakers get such unusual access?
Holmes allowed the crew into private domestic spaces that most documentaries would struggle to enter. Co-director Lance Oppenheim told Vulture in 2026: “You get to their house, and her computer’s open. All of her emails are open. Her journal is open on the side of the couch.” The access includes Holmes and Evans speaking directly with the filmmakers, not merely being observed from a distance.
That openness is also the film’s central problem. Access can reveal unguarded behavior, but it can also give a skilled subject greater control over what the audience sees. Oppenheim described the challenge of pursuing vérité observation while filming someone he characterized as “quite possibly the biggest manipulator in the world”; that is his framing, not an independent finding about Holmes.
Why was the production kept secret for three years?
Fielder told WIRED that only a few dozen people knew the project existed. The filmmakers feared publicity would change how Holmes and Evans behaved and might turn the crew itself into the story. A secret production was intended to preserve ordinary interactions rather than performances shaped by an announced documentary.
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The crew consisted of seven people and sometimes filmed for as many as 16 hours a day, according to the 2026 Vulture/New York Magazine interview material. Production began with one camera and moved to a multi-camera setup so reactions would not be missed. Fielder described two zoom cameras and a wide camera. The finished film leaves parts of that apparatus visible, making the act of recording part of what viewers must interpret.
What role does Nathan Fielder play on camera?
Fielder did not remain an unseen interviewer. Holmes and Evans repeatedly addressed him, and his presence developed organically into a skeptical counterweight to their self-presentation. The questions are therefore part of the scene, not a voice-over added later.
In a 2026 WIRED interview, Fielder said, “I still don’t fully understand it.” The admission signals the film’s method: it does not present a neat psychological explanation for Holmes or claim that every contradiction has been solved.
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Does Holmes say she committed fraud?
No. The official trailer includes Fielder asking, “You really feel you did nothing wrong?” Holmes replies, “I did not.” That exchange is a trailer quotation, not a legal adjudication.
Holmes founded Theranos after leaving Stanford, promoted blood testing from a few drops, attracted major investment and was later convicted of fraud. The documentary places her continued insistence against that public record, allowing viewers to compare her self-description with the facts established in court and reported about the company. It does not erase the conviction simply because Holmes disputes wrongdoing on camera.
How is this different from The Dropout and earlier Theranos coverage?
The Dropout, the scripted series starring Amanda Seyfried, reconstructs Holmes’s life as dramatized television. Earlier books and reporting build a retrospective account from documents and interviews. You Can See Everything instead observes Holmes directly near the end of her pre-prison life and shows the filmmakers negotiating with her in real time. Seyfried later appears in this documentary through filmed reactions and reenactments, creating an unusual bridge between dramatization and documentary.
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| Comparison | You Can See Everything | The Dropout or retrospective coverage |
|---|---|---|
| Access | Direct observation of Holmes and Evans, with Holmes addressing the crew | Scripted performance, interviews or reconstructed reporting |
| Time span | Final 34 days before prison plus a three-year filmmaking process | Broad life-and-company history assembled after events |
| Stance | Holmes’s presentation confronted by Fielder’s questions and visible skepticism | Interpretation supplied by writers, actors or journalists |
| Form | Vérité footage, visible cameras, reactions and reenactment | Scripted drama or conventional documentary/reporting structure |
When and where can you watch the documentary?
A24 lists a theatrical release beginning October 16, 2026, with ticket and special-event information on its official film page. The film had a secret Telluride premiere in September; attendees were asked to keep its premise confidential. As of October 28, 2026, A24’s listing did not provide a streaming or digital-home release date, so no service should be assumed.
Box-office coverage from AOL reported approximately US$15.6 million domestically in the opening weekend from 855 theaters. That is a reported opening figure, not a measure of the film’s eventual total or critical value.
What should viewers know before pressing play?
- The film contains discussion of the Theranos fraud case, prison reporting and family separation.
- Its long runtime and observational approach favor sustained attention over a rapid case summary.
- Holmes’s statements are presented alongside a documented conviction; an on-camera denial is not proof that the conviction was wrong.
- The visible cameras and Fielder’s participation are deliberate parts of the film’s argument about evidence and interpretation.
What is the best companion reading?
John Carreyrou’s Bad Blood is the most useful companion account. Fielder read the book before approaching Holmes, and renewed attention around the documentary pushed it back into bestseller conversation. It is a related investigation into Theranos, not official documentary merchandise or a substitute for the film’s firsthand access.
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Frequently Asked Questions
Is Elizabeth Holmes in prison during the documentary?
The opening follows Holmes and her family before she reports to prison in May 2023. The film then shifts toward the people and filmmakers left behind, rather than presenting a prison diary.
Who directed You Can See Everything?
Nathan Fielder and Lance Oppenheim co-directed the A24 documentary. Fielder also appears in the footage because Holmes and Evans repeatedly speak to him.
Was the documentary really filmed without Holmes knowing?
The production was kept secret from the public and limited to a few dozen people for three years. Holmes did know the filmmakers were present and granted them access; secrecy was intended to prevent publicity from changing behavior.
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Is there a streaming date for You Can See Everything?
No streaming or digital-home date was listed by A24 as of October 28, 2026. The confirmed release information is theatrical, beginning October 16, 2026.
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