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Here (2024) turns a single fixed viewpoint into a time machine. Robert Zemeckis’s drama watches the same piece of land across prehistoric eras, domestic history, and the modern age while different families move through the frame. Tom Hanks and Robin Wright lead the main story as Richard and Margaret Young, but the film is deliberately broader than one family saga.
That unusual structure makes Here relevant to documentary-minded viewers: its subject is not a historical event or public figure, but the way a place accumulates memory. It is a fictional feature adapted from Richard McGuire’s graphic novel, not a documentary and not a sequel to Forrest Gump.
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Here (Blu-ray) 2024 [Region A - US] | $14.99 | Buy on Amazon |
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What is Here about?
The film remains anchored to one physical viewpoint. The camera does not follow its characters from room to room or travel with them through different locations. Instead, people, furniture, buildings, landscapes, and historical periods change around the same visual point.
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The story begins long before the Young family arrives. Prehistoric inhabitants, early settlers, and later residents occupy the land in different eras. As the setting develops, the film moves toward a modern house and the families who live there. Richard and Margaret Young become the emotional center, with their relationship observed over many years alongside the ordinary pressures of marriage, parenthood, aging, and memory.
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This means the film is less a conventional plot-driven drama than a series of connected human episodes. Some characters remain in the foreground for extended stretches; others appear briefly, as if the viewer has opened a window onto a different period. The location is the constant protagonist.
The fixed-camera concept
Richard McGuire’s 2014 graphic novel used overlapping panels to show one place at different moments in time. Zemeckis and co-writer Eric Roth expand that idea into a 104-minute live-action feature.
The approach creates a clear formal challenge: the camera cannot simply cut away whenever a scene becomes difficult to stage. Transitions between periods, changes in production design, and the entrances and exits of characters have to do much of the storytelling. A sofa, doorway, window, or section of wall can remain visually stable while decades pass around it.
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Cast and main characters
| Actor | Character | Role in the story |
|---|---|---|
| Tom Hanks | Richard Young | One of the film’s principal characters, followed across different stages of life |
| Robin Wright | Margaret Young | Richard’s partner and the other central figure in the family narrative |
| Paul Bettany | Al Young | A member of the Young family |
| Kelly Reilly | Rose Young | A member of the Young family |
| Michelle Dockery | Mrs. Harter | A resident connected to an earlier period of the location’s history |
| Gwilym Lee | John Harter | Mrs. Harter’s counterpart in that family storyline |
Here reunites Zemeckis, Roth, Hanks, and Wright, the principal creative team behind Forrest Gump. The connection explains why the comparison is so common, but the films are separate works. Here is adapted from McGuire’s graphic novel and has no story continuity with Forrest Gump.
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How the film creates different ages
Hanks and Wright play Richard and Margaret across much of their lives, so the production needed to make the performers appear substantially younger and older. The film used Metaphysic’s Metaphysic Live technology to digitally age and de-age performers during filming. The system drew on archival imagery and facial data to generate altered versions of actors’ faces in real time.
Calling Here an entirely AI-made movie would be inaccurate. Digital facial work was one part of a larger process that also included makeup, hair, prosthetics, lighting, performance, and conventional visual-effects work. Paul Bettany and Kelly Reilly also appear at different ages.
The aging technology is central to the film’s identity because the same performers must occupy the same frame across long stretches of fictional time. It also became one of the main points of discussion around the film: the technique is ambitious, but its visibility can draw attention away from the characters and the fixed-location experiment.
Production and technical details
| Director | Robert Zemeckis |
|---|---|
| Writers | Eric Roth and Robert Zemeckis |
| Source material | Richard McGuire’s 2014 graphic novel Here |
| Production format | Live-action drama; listed as a one-location production |
| Principal filming | London, England |
| Runtime | 104 minutes |
| Language | English |
| Aspect ratio | 1.85:1 |
| Sound formats | Dolby Atmos and Dolby Digital listings |
| U.S. rating | PG-13 for thematic material, some suggestive material, brief strong language, and smoking |
Release and where to watch
Here premiered at AFI Fest on October 25, 2024, before its U.S. wide theatrical release on November 1, 2024, through Sony Pictures. Its digital and home-video release followed on November 26, 2024.
Sony currently lists the film on Blu-ray and Digital, with purchase links including Apple TV, Prime Video, Fandango at Home, Amazon, Target, and Walmart. Rotten Tomatoes’ current U.S. listing also shows it available with a Netflix subscription and available to rent or buy through Fandango. Streaming and rental catalogs vary by country and can change without notice, so the platform listing for your location is the final check.
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Reception and box office
The film’s reception has been divided. Reviews have often concentrated on the difficulty of sustaining a fixed-camera structure, the prominence of digital aging, and the contrast between the film’s large historical idea and its episodic family drama.
As of August 9, 2026, Rotten Tomatoes lists Here at 35% from 187 critics and 59% from more than 1,000 verified audience ratings. Those numbers are not permanent and should not be treated as equivalent: the Tomatometer records the percentage of critics with positive reviews, while the Popcornmeter reflects verified audience ratings.
The Numbers reports a production budget of approximately $50 million and a worldwide theatrical gross of $15,993,629, including $12,237,270 domestically and $3,756,359 internationally. The U.S. opening weekend was $4,875,195 from 2,647 theaters.
Those figures show the film’s reported theatrical performance, but they do not by themselves establish a final profit or loss. Theatrical gross is not the same as distributor revenue, and publicly reported production budgets generally do not include every marketing and distribution expense.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Is Here worth watching?
Here is best approached as a formal experiment as much as a family drama. Viewers who enjoy films built around unusual visual rules, generational storytelling, and the history of lived-in spaces may find its structure rewarding. Those looking for a conventional narrative that follows one protagonist through a sequence of locations may find the repeated viewpoint restrictive.
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Its most distinctive question is simple: what happens when human lives are treated as temporary events in a place that outlasts everyone who inhabits it? The answer is uneven by design, moving between intimate family conflict and a much larger meditation on time, but that tension is the reason the film is more interesting than its familiar reunion of stars and filmmakers might suggest.
FAQ
Is Here a sequel to Forrest Gump?
No. It reunites director Robert Zemeckis, writer Eric Roth, Tom Hanks, and Robin Wright, but it tells a separate story adapted from Richard McGuire’s graphic novel.
Does the entire movie take place in one room?
Not exactly. The film maintains a fixed viewpoint over one particular location, while the land, buildings, furnishings, and surrounding historical context change across different periods.
Was Here made entirely with AI?
No. Metaphysic Live was used for real-time digital aging and de-aging, but the production also relied on live-action performances, makeup, hair, prosthetics, lighting, and conventional visual effects.
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Sony lists it for Blu-ray and Digital purchase through services and retailers including Apple TV, Prime Video, Fandango at Home, Amazon, Target, and Walmart. Rotten Tomatoes’ U.S. listing also shows Netflix availability and rental or purchase through Fandango; availability depends on location and may change.
The Bottom Line
Here is a 104-minute fictional drama about one location observed across prehistoric times, family history, and the modern era. Its fixed viewpoint and digital-aging work are the central attractions—and the main reasons its reception has been divided. It is not a documentary, not a Forrest Gump sequel, and not an entirely AI-generated film; it is a formal experiment that uses a fictional place to examine how briefly each human life occupies it.
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