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Scan for outdated or missing drivers - takes under a minuteDriver Scan →Repair Windows errors before they cause bigger problemsFix Now →The shehnai has not disappeared, but musicians face a squeeze: its association with auspicious ceremonies can limit how it is heard on classical concert stages, while some wedding entertainment has moved away from the traditional sound. A 2022 report from Scroll.in describes that tension through the experiences of Old Delhi performers, classical players and Varanasi instrument makers—not as proof that the instrument is vanishing across India.
Why is the shehnai fighting for survival?
The concern is about the livelihoods and visibility of some shehnai musicians, rather than the instrument’s literal disappearance. In her 2022 Scroll.in feature, Malini Nair reported pressure across several settings: local ceremony and seasonal bookings in Old Delhi, recognition on the classical concert circuit, and the work of instrument makers in Varanasi. The report’s central tension is that the shehnai can be treated as too ceremonial for some concert contexts, yet too traditional for some contemporary wedding entertainment. Read the feature.
The figures in that article are interviewees’ recollections, not a census. Old Delhi musician Kanta Prashad remembered a booking area where “from 9 am till dusk, the whole area used to buzz” and said 25–30 artistes could once be found there. In 2022, he estimated that 60–70 performers remained scattered across several Old Delhi districts, and said he had received about a dozen requests as the wedding season approached. Those estimates describe his experience and the community he knew; they do not establish a current or national count.
Why is the shehnai associated with ceremonies?
The instrument’s ceremonial role is rooted in the naubat tradition. As Nair’s feature recounts, drum-and-pipe ensembles marked time and important events at royal or religious sites. The sound’s association with auspicious occasions became culturally meaningful, but that meaning can also confine expectations about where the instrument belongs.
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Classical player Sanjeev Shankar told Scroll.in: “The shehnai is still recognised mostly for its mangal dhwani (auspicious music) – and it is a hard mindset to break.” This is the reported experience of a musician, not evidence that all concert programmers or listeners hold the same view.
How did the shehnai become a classical instrument?
The move from open-air ceremonial performance to indoor and classical settings required adaptation. Nair’s account describes players training with Hindustani vocalists and experimenting with reeds to extend the instrument’s range. The shehnai was therefore not simply transferred unchanged from a procession into a concert hall: musicians developed technique and altered the instrument’s playing possibilities to support a broader repertoire and setting.
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Its physical construction helps explain why the reed matters. The Government of India’s Development Commissioner (Handicrafts) describes the Banaras shehnai as having a wooden body, a flared metal bell and cane reeds. The Banaras Sehnai craft page documents the instrument as a craft product, though it does not provide a current count of makers or an assessment of their earnings.
Why is the shehnai rarely featured in music festivals?
The 2022 feature suggests that ceremonial associations are one obstacle to broader concert recognition, but it does not provide festival-programming data or establish how often shehnai is booked nationally. The instrument’s history as music intended for open spaces may also contrast with indoor concert expectations; the feature quotes curator John Levy describing the naubat tradition as “intended to be heard in the open”. That context helps explain the shift in performance setting, but it does not prove that the shehnai is inherently unsuitable for a hall or festival.
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There is evidence of continuing concert activity: The Indian Music Archive lists a shehnai recital at the 150th Harivallabh Sangeet Sammelan on 26 December 2025. The archive’s shehnai page is a dated example of performance, not a measure of festival access or the profession’s overall health.
Is the shehnai only a wedding instrument?
No. Weddings are an important source of work for some performers, and the instrument has a classical concert tradition as well as its ceremonial role. But the 2022 report describes a difficult position in both wedding and concert settings: some wedding clients may favour newer entertainment, while classical players can find the instrument’s auspicious image hard to move beyond. These are distinct pressures, not evidence that every wedding or concert excludes shehnai.
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The difference between the settings matters. A procession or outdoor ceremony often values the shehnai’s association with auspicious sound; a classical recital asks listeners and programmers to hear it as a concert instrument. The musician may be skilled in both contexts, but the booking networks, audience expectations and performance demands are not interchangeable.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.What makes learning and performing the shehnai difficult?
Classical player Ashwini Shankar described it as “a challenging and temperamental instrument.” Nair’s feature reports that few students persist through training. Shankar also said that 60% of students opt out, but the article gives no sample size or study method; that number should be read as her interview claim, not as a measured dropout rate for shehnai learners generally.
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This reported training burden has practical consequences: buying an instrument alone is not a reliable route to learning it. A prospective student is better served by finding an experienced shehnai teacher or player who can advise on an instrument and reeds, and guide the early stages of practice.
What does “fighting for survival” establish—and what does it not?
Nair’s reporting documents strain among particular Old Delhi musicians and describes broader challenges for classical players and Varanasi makers. It does not show that the shehnai is disappearing throughout India. The sources cited here do not establish a contemporary national count of performers, students or makers, nor do they show whether bookings, teaching opportunities or makers’ incomes improved after 2022. The 2025 recital listing confirms that performance continues, but one event cannot answer those livelihood questions.
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