The Israeli-American Council (IAC) organized a rally outside the New York Film Festival premiere of NAZA at Lincoln Center in late September 2026. The organizers said they wanted October 7 foregrounded and challenged the documentary’s claims, sources and methods. Their protest and the filmmakers’ defense reflect a dispute over how the film portrays Israeli military operations in Gaza—not an independently settled account of the allegations.
What happened outside the New York screening?
The IAC held its rally outside Lincoln Center during the film’s New York Film Festival premiere. The Guardian reported that around two dozen protesters attended. Truck-mounted LED displays showed footage from October 7: Bearing Witness to the Massacre, alongside material the organizers said contradicted claims in NAZA and raised questions about its sources, methods and production. Those criticisms describe the IAC’s rationale, not findings independently established by the event coverage.
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The IAC’s statement, quoted by The Jerusalem Post, said: “Films have editors. History does not.” It added: “Our presence here is the message: We will not allow October 7 to be erased from the story.”
Why did the IAC protest the NAZA screening?
The IAC said the documentary’s account should be challenged and that October 7 must remain central to the story. Its protest materials questioned how the film gathered and presented evidence. The group’s statements make clear that the rally was a response to the documentary’s portrayal of Israeli military conduct and its treatment of October 7; they do not, by themselves, establish that the film’s claims are false.
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What does NAZA claim, and what does the IDF say?
NAZA is an 80-minute documentary directed by Yuval Abraham and Rachel Szor and produced by The Guardian. It is based on prior reporting and includes testimony from 24 anonymized Israeli soldiers and intelligence officers about military targeting systems and operations in Gaza. These figures are reported by The Guardian and are not independently audited measurements.
The film’s testimony and the IDF’s response present competing accounts. The Guardian’s reporting describes the filmmakers’ position that confidential sources were necessary and that their reporting was vetted. In its official response, the IDF calls the film’s allegations general and unverifiable, criticizes the filmmakers for not giving the military an opportunity to respond before publication, and disputes the film’s account of targeting processes and civilian harm. The IDF also says the film omits context and specific incident details needed to assess its claims.
The available reporting does not independently resolve those competing claims. The distinction matters: the film presents testimony about military conduct, while the IDF disputes its account and its evidentiary basis. Readers should treat both as attributed positions rather than as conclusions proven by the protest coverage.
How did the filmmakers respond?
At the New York Film Festival Q&A, co-director Rachel Szor said, “Our country is doing so much to hide these systems.” Co-director Yuval Abraham said, “These crimes that you saw are ongoing.” The Guardian reported both remarks in its account of the screening and protest. They express the filmmakers’ view; they do not settle the IDF’s objections about the film’s sourcing, context or opportunity to respond.
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How the documentary became a flashpoint
The Guardian reported that NAZA premiered at the Venice Film Festival earlier in September 2026 and won the festival’s special jury prize. Its report described a 25-minute standing ovation as a Venice Film Festival record. The film’s reception, its allegations about military systems, and the IDF’s public rejection of its account helped frame the New York premiere as a public dispute, not simply a screening.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Do not confuse NAZA with Naza: The Real Story
A separate IAC360/IAC New York event listing advertised a screening called Naza: The Real Story. That is a different Israeli documentary, presented by its organizers as a response film; it is not the Guardian-produced NAZA discussed here. The similar titles and the IAC’s involvement in events around both films can make search results confusing. The IAC360 event listing identifies the separate event.
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Where and when can viewers watch NAZA?
At the time the Associated Press reported on October 6, 2026, US theatrical showings were underway and The Guardian planned a free web stream for late November 2026. That was a planned release schedule, not confirmation that the stream remains available or that dates have not changed. Check the AP report and The Guardian’s current film information for updated availability.
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