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1Fix the driver behind crashes, sound loss and screen glitches2Clear out junk files and repair common Windows errors3Scan for outdated or missing drivers - takes under a minuteOld posts by Emilia Pérez star and Best Actress nominee Karla Sofía Gascón resurfaced on January 30, 2025, during the film’s Oscar campaign. The posts drew criticism for remarks about Muslims, George Floyd and the 2021 Oscars. Gascón apologized and deactivated her X account; Netflix’s campaign for the film subsequently proceeded without her participation, according to contemporaneous reporting. The episode became entangled with the film’s awards season, but its eventual Oscar results do not show how voters responded to the controversy.
What posts resurfaced, and why did they draw criticism?
On January 30, 2025, journalist Sarah Hagi resurfaced an archive of Gascón’s old posts. The Washington Post described posts characterized as racist and Islamophobic; the Associated Press reported that some dated back to 2016 and included remarks about Muslims and George Floyd. CNN en Español reported additional comments concerning George Floyd, the 2021 Oscars and Islam. The posts were from earlier years, but their resurfacing came while Gascón was a leading face of Emilia Pérez and an Oscar nominee.
The criticism was about the content of those posts. It is distinct from disagreement about the film itself, including questions about its portrayal of Mexico.
How did Gascón respond?
Gascón apologized publicly in a statement carried by the Associated Press: “As someone in a marginalized community, I know this suffering all too well and I am deeply sorry to those I have caused pain.” AP also reported that she deactivated her X account. She gave interviews and made further statements as the controversy continued.
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What changed in the Oscar campaign?
Reporting by The Washington Post said director Jacques Audiard called the posts “inexcusable” and described a campaign promoting the film without Gascón’s name or image. That account concerns campaign decisions reported during the season, not a formal Netflix announcement establishing every detail of its strategy.
Netflix chief content officer Bela Bajaria later said the episode had distracted from the people who made the film. The Guardian quoted her saying: “I think it’s really a bummer for the 100 incredibly talented people who made an amazing movie.” The number in her remark was part of her description, not an independently measured count.
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By February 24, The Guardian reported that Netflix would pay Gascón’s expenses to attend the Oscars, after she had been removed from the campaign trail. The reporting describes a change over the course of the awards season, rather than a single, unchanged campaign arrangement.
Did the controversy affect the film’s Oscar results?
Emilia Pérez entered the ceremony with 13 nominations and won two: Zoe Saldaña won supporting actress, and “El Mal” won best song. Those are the results; they do not establish whether, or how, the controversy affected voting. The cited coverage offers no independent polling or measured figure that isolates its effect on Oscar voters.
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How was the posts controversy different from criticism of the film?
The posts controversy focused on Gascón’s old remarks and her response to their resurfacing. Separately, CNN en Español described criticism in Mexico of the film’s Spanish accents, the degree of Mexican participation, and its production mainly in France. Those concerns involved cultural representation and production context. They were part of wider debate about Emilia Pérez, not the same dispute as the posts.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.What did Gascón say afterward?
In March 2025, Gascón described the awards season as emotionally painful and said she had learned from it. The Guardian reported her reflection: “hatred, like fire, cannot be put down with more hatred”. That is her account of the experience, not independent evidence of other people’s motives.
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