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Spoilers for “The One That Got Away,” Season 2, Episode 7. The episode’s ending caught me off guard in the best way—not because it proves Rhys is a thief, but because it turns a charged moment with Morgan into a fresh reason to doubt him, then pivots to a separate, unnerving Roman clue. The result is an effective two-part cliffhanger, even if the episode risks splitting its attention between the art case and the season’s deeper mystery.
“The One That Got Away” is Season 2, Episode 7 of High Potential. ABC lists it at 41 minutes and 12 seconds, rated TV-14, with an original listed date of October 29, 2025. Its official synopsis is brief: “A priceless painting is stolen in a museum heist.” The episode turns that theft into one half of a larger story, leaving both the investigation and the Roman mystery open for the next installment. ABC’s episode listing
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Why the Rhys reveal works as a cliffhanger
The case centers on a stolen Rembrandt, valued in episode coverage at $20 million. The artwork’s insurer brings in Rhys Eastman, an art-recovery specialist played by Aidan Turner, to assist with the investigation. His expertise and easy charm make him a plausible ally—and an appealing complication for Morgan.
After Morgan returns to the crime scene without authorization, Captain Wagner reprimands her. The confrontation and the pressure around the case feed into Morgan’s attraction to Rhys. When she notices that he has a shoulder scar resembling the wound associated with the suspected thief, the intimate encounter changes instantly: what felt like romantic release becomes a reason to wonder whether she has let someone dangerous close.
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That turn is stronger than a simple “surprise, he was the culprit” reveal because the scar is a clue, not a verdict. Showrunner Todd Harthan cautioned viewers in a 2025 TVLine interview: “Just because he has a scar, that doesn’t mean he’s the guy, you don’t know!” The distinction matters. The scene leaves Morgan—and the viewer—with suspicion to weigh, rather than closing the case with proof. TVLine’s episode report and Harthan interview
Morgan’s personal impulse becomes investigative pressure
The Rhys scene connects character and case in a way that gives the cliffhanger its emotional jolt. Morgan is not making a calm deduction from a safe distance; she is drawn toward someone while under strain from Wagner and the investigation. The scar then reframes her choice as a potential blind spot. That mixture of attraction, anger and confusion is consistent with Harthan’s description of Morgan’s heightened state in a 2025 interview with TheWrap. TheWrap’s interview with Todd Harthan
Rank #2
The cost is that the romantic beat carries a lot of plot machinery. Its most memorable function is also to deliver the clue, which can make the shift feel engineered. Still, the episode lets the awkward overlap work in its favor: Morgan’s feelings do not solve the case, but they make the question of Rhys’s guilt more personal and more uncomfortable.
The Roman mystery ends on a different kind of threat
The episode also advances the story of Roman, Morgan’s missing partner. Soto has Oz and Daphne examine evidence from Roman’s backpack. They find a photograph of an unidentified bearded man, and the closing image shows that man surprising Arthur in the back of his car.
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Rank #3
This is not an answer to what happened to Roman; it is a human clue with a clear, immediate consequence. The shift from the scar to the man in Arthur’s car gives the ending two distinct hooks: one asks whether Rhys is connected to the theft, while the other makes the Roman investigation feel suddenly close to the people Morgan knows.
That split also creates the episode’s main weakness. Each thread could support a finale-sized ending of its own, and the quick pivot means neither gets much room to settle. I found the parallel suspense productive rather than confusing, but viewers hoping for the art case to reach a clear resolution may feel that the episode has stopped just as both stories become urgent.
Rank #4
- DVD
- Multiple Formats, AC-3, Box set
- Spanish (Published), English (Subtitled), French (Subtitled)
- 6
- 1012
Wagner’s anger is about trust as well as rules
Wagner’s reprimand is not only a response to Morgan’s unauthorized return to the crime scene. He also knows the team has been investigating Roman off the books and objects to being kept uninformed. That makes the conflict consequential: the team’s secrecy may be understandable, but it has damaged a working relationship that could matter as the Roman mystery grows.
In his 2025 TVLine interview, Harthan said Wagner’s knowledge forces the team to consider whether he might become an ally or whether keeping him at a distance is necessary. The episode wisely leaves that question unsettled instead of turning his anger into a straightforward obstacle.
Is this still the midseason finale?
In its original broadcast context, S2E7 served as the fall or midseason finale and the first part of a two-episode story. ABC lists the follow-up as S2E8, “The One That Got Away: Part Two,” dated January 7, 2026. ABC’s Season 2 listing continues through S2E18, “Family Tree,” dated April 8, 2026, so “midseason finale” describes the original break rather than the latest point in the season now. ABC’s Season 2 episode list
Where to watch
ABC says full episodes are available on ABC and Hulu. Its series description follows a single mother with an exceptional mind whose unusual crime-solving ability leads to a partnership with a by-the-book detective. ABC’s official series page
Quick Recap
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