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Selena Gomez, Amanda Seyfried, Tessa Thompson, Zoë Kravitz, Teyana Taylor, and Jessie Buckley lead the Golden Globes 2026 best-dressed conversation. Their looks captured the night’s strongest ideas—black velvet, old-Hollywood polish, controlled metallic shine, pared-back glamour, and high-concept couture.
The “worst” verdict needs more care. Fashion coverage disagreed, and the carpet did not produce one universally accepted disaster. The useful comparison is between looks that controlled their proportions and styling, and looks whose sheer, metallic, oversized, or heavily embellished ideas became harder to read in photographs.
The short version: Selena Gomez in Chanel, Amanda Seyfried in Atelier Versace, Tessa Thompson in Balenciaga, Zoë Kravitz in Saint Laurent, Teyana Taylor in Schiaparelli Haute Couture, and Jessie Buckley in Dior form the strongest consensus group from the major fashion selections. The less flattering verdict is more complicated: the 2026 carpet produced divisive looks and debatable styling choices, but no universally accepted worst-dressed lineup.
The 83rd Annual Golden Globe Awards took place on January 11, 2026, at The Beverly Hilton in Beverly Hills. The carpet’s defining mood was a return to black, velvet, formal suiting, and old-Hollywood glamour, although the galleries also showed sheer dressing, exposed construction, metallic surfaces, vintage references, dramatic trains, and high-shine accessories.
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Golden Globes 2026 fashion at a glance
| Category | Standouts or takeaway |
|---|---|
| Best overall consensus | Selena Gomez, Amanda Seyfried, Tessa Thompson, Zoë Kravitz, Teyana Taylor, and Jessie Buckley |
| Strongest visual direction | Black velvet and old-Hollywood glamour |
| Best use of contrast | Amanda Seyfried’s white column gown and shawl, and Tessa Thompson’s gold Balenciaga |
| Most directional categories | Sheer or body-conscious dressing, exposed construction, metallic embellishment, and theatrical couture |
| Most useful criticism | Whether an idea remained visible in the photograph without overwhelming the overall silhouette |
| Worst-dressed verdict | No objective or publication-wide consensus; the debate centered on execution rather than one agreed disaster |
The night’s visual story: black, velvet, and a new-old Hollywood
Associated Press coverage identified the carpet’s turn toward black and old-Hollywood glamour, and the major fashion galleries support that reading. Black velvet gave several looks a cinematic depth that flat satin or highly reflective fabric would not have provided. Clean white columns supplied contrast. Metallic embellishment, sheer panels, lingerie-adjacent styling, and oversized shapes kept the night from becoming a simple nostalgia exercise.
The result was a carpet with two competing instincts. One favored polish, restraint, and familiar awards-season glamour. The other favored visible construction: sheer sections, cutouts, unusual draping, body-conscious silhouettes, and fashion concepts that demanded a closer look. Both approaches could work. The difference was whether the styling created a clear visual hierarchy or made every element compete at once.
Vogue’s gallery used the category of naked dressing for looks associated with Jennifer Lawrence, Jenna Ortega, and Jennifer Lopez. That is best understood as a styling description, not a verdict. Sheer dressing can be romantic, architectural, or deliberately confrontational; the useful question is how the fabric, underlayers, jewelry, hair, and lighting work together in the photograph.
The six strongest Golden Globes 2026 looks
Selena Gomez in Chanel: the safest lead pick
Selena Gomez is one of the clearest best-dressed choices of the night. Both Harper’s Bazaar and British Vogue included her in their best-dressed coverage, and the look was credited to Chanel.
The black velvet styling aligned perfectly with the evening’s old-Hollywood direction, while the polished bob kept the result from looking like a period costume. Velvet supplied texture, the dark palette created a clean uninterrupted line, and the hair gave the look a precise modern finish. It is a strong example of glamour that does not need excessive decoration to register from a distance.
Suggested caption: Selena Gomez attends the 83rd Golden Globe Awards in Chanel, pairing black velvet with a polished bob for a modern old-Hollywood effect.
Amanda Seyfried in Atelier Versace: the white column that broke up the black
Amanda Seyfried’s white Atelier Versace column gown and coordinating shawl were singled out by Harper’s Bazaar, and British Vogue also included her in its best-dressed gallery.
The look succeeded because it used restraint in color while making the silhouette do the work. Against a carpet dominated by black, the white column was immediately legible. The shawl added movement and softness without destroying the gown’s long vertical shape. This is the evening’s strongest argument for minimalism: a limited palette can still be dramatic when the drape and proportion are precise.
Suggested caption: Amanda Seyfried wears a white Atelier Versace column gown with a coordinating shawl at the Golden Globes.
Tessa Thompson in Balenciaga: the best use of shine
Tessa Thompson’s gold Balenciaga look appeared in Harper’s Bazaar’s best-dressed selection and British Vogue’s gallery. It gave the carpet a needed flash of metallic warmth without abandoning formal-event polish.
Gold can easily become visually noisy under flash photography, but here the metallic surface functions as the central idea. That clarity matters on a red carpet, where jewelry, lighting, backdrop, and movement can all compete with the garment. Thompson’s look belongs in a best-of conversation because the shine is not an afterthought; it is the silhouette’s organizing principle.
Suggested caption: Tessa Thompson wears a gold Balenciaga look, bringing controlled metallic drama to a largely black-and-white carpet.
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Zoë Kravitz in Saint Laurent: stripped-back, lingerie-adjacent glamour
Harper’s Bazaar named Zoë Kravitz among its standouts in Saint Laurent, with Jessica McCormack jewelry.
Kravitz represented the more pared-back side of the evening’s glamour. Rather than relying on a large train, a heavily embellished surface, or a theatrical accessory, the look worked through line, attitude, and controlled suggestion. The lingerie-adjacent quality connected it to the night’s sheer and body-conscious conversation, but the styling remained focused instead of turning the concept into a collection of unrelated details.
Suggested caption: Zoë Kravitz wears Saint Laurent with Jessica McCormack jewelry at the 2026 Golden Globes.
Teyana Taylor in Schiaparelli Haute Couture: fashion as spectacle
Teyana Taylor’s custom Schiaparelli Haute Couture look was a recurring standout across the coverage. Harper’s Bazaar included her in its best-dressed selection, British Vogue listed her in Schiaparelli, and Associated Press coverage reinforced the carpet’s appetite for high-drama fashion.
This was the night’s clearest example of couture used as an event rather than simply as formalwear. The value of a look like this is not that it resembles a conventional gown; it is that it gives the photograph a point of view. Taylor’s appearance helped widen the visual range of the carpet beyond polished columns and familiar black evening dresses.
Suggested caption: Teyana Taylor wears custom Schiaparelli Haute Couture, one of the Golden Globes’ most fashion-forward statements.
Jessie Buckley in Dior: a directional choice beyond the obvious names
Jessie Buckley was included in Harper’s Bazaar’s nine best-dressed selections and British Vogue’s gallery in Dior. Her inclusion matters because the strongest fashion story was not limited to the most predictable celebrity red-carpet choices.
The Dior look helped balance the evening’s celebrity glamour with a more directional fashion sensibility. It belongs in the lead gallery as an example of how an awards-season look can feel considered and editorial without needing to dominate the entire carpet.
Suggested caption: Jessie Buckley wears Dior at the 83rd Golden Globe Awards.
More looks worth adding to the photo gallery
British Vogue’s wider gallery supplies a useful second tier of contenders. These should not all be presented as a definitive ranking, but they broaden the comparison and show how varied the carpet became once the dominant black-and-white story was established.
- Emma Stone in Louis Vuitton: a polished designer look that belongs in a wider best-of gallery.
- Ayo Edebiri in Chanel: another Chanel appearance that extended the house’s presence beyond Gomez’s black velvet.
- Jennifer Lawrence in Givenchy: a useful example for the discussion of sheer and body-conscious styling.
- Jenna Ortega in Dilara Findikoglu: one of the more directional looks associated with the evening’s naked-dressing conversation.
- Kate Hudson in Armani Privé: classic formalwear with the heightened finish expected of awards-season couture.
- Laufey in Balenciaga: a different interpretation of the house’s red-carpet vocabulary.
- Damson Idris in Prada: a strong addition to the menswear portion of the gallery.
- Paul Mescal in Gucci: a formal menswear look with enough design interest to stand alongside the women’s couture coverage.
Accessory and vintage credits that change the reading of a look
Accessories were not incidental on this carpet. They often supplied the vintage reference, contrast, or flash that made a comparatively restrained garment photograph as a complete look.
Amal Clooney: vintage Balmain with Aquazzura shoes.
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One free scan finds every outdated or missing driver and matches the right update for your exact hardware.Free scan · exact hardware matchJennifer Lopez: vintage Jean-Louis Scherrer with Christian Louboutin shoes and Sabyasachi jewelry.
Miley Cyrus: Saint Laurent with Tiffany & Co. jewelry.
Priyanka Chopra: Christian Dior with Bvlgari jewelry.
Sheryl Lee Ralph: Harbison Studio with Manolo Blahnik shoes.
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Gayle King: Pamella Roland with an Ahikoza By Brham clutch.
Chase Sui Wonders: Balenciaga with Tiffany & Co. jewelry.
Jennifer Lopez is particularly useful to the vintage discussion. Her Jean-Louis Scherrer choice connects the red carpet to an older fashion vocabulary, while the Christian Louboutin shoes and Sabyasachi jewelry prevent the reference from reading as a single-label period recreation. Amal Clooney’s vintage Balmain and Aquazzura pairing makes a similar point: the vintage garment is part of a contemporary styled look, not an isolated historical object.
Menswear: black tailoring, silver detail, and controlled shine
The men’s gallery had more range than a quick scan of the gowns might suggest. Michael B. Jordan wore Prada, while Paul Mescal wore Gucci with Cartier jewelry. Those looks show two different ways to give formal suiting a fashion identity: through the cut and house language of the suit, and through jewelry or other high-shine details.
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That contrast is a useful rule for the entire carpet: a statement element usually works best when something else provides visual discipline. A metallic shirt needs a quiet anchor. A heavily embellished suit benefits from a clean silhouette. Jewelry can elevate a classic look, but too many competing high-shine elements can flatten the photograph into glare.
The night’s biggest fashion misses were matters of execution
There is no responsible way to present a single objective list of the Golden Globes’ worst looks. Fashion coverage was divided. Some outlets published explicit negative rankings, including criticism of outfits they considered awkward or overwhelmed by their clothing. The Daily Beast took a particularly severe approach. Glamour UK offered an important counterpoint, arguing that the evening did not produce many genuinely terrible or controversial looks.
That disagreement is not a problem to hide; it is the most accurate account of the carpet. The phrase worst dressed suggests a measurable category when the real judgment depends on taste, publication voice, the selected photograph, and whether the reader values restraint or experimentation. A more defensible label is the looks that divided opinion.
What separated a successful risk from a miss?
- Proportion: Did the train, volume, cutout, sleeve, or embellishment create a deliberate silhouette, or did one element visually swallow the rest of the look?
- Balance: Did the colors and accessories support one another? Competing focal points can make even expensive styling look unresolved.
- Construction: Sheer fabric and exposed seams can be compelling when their placement is intentional. They become distracting when the photograph makes the underlying structure look accidental.
- Camera translation: A garment that works in motion or on a runway may flatten, glare, bunch, or lose its intended shape in a still image.
- Styling coherence: Hair, makeup, jewelry, shoes, and clutch should belong to the same visual argument as the garment.
- Event context: The Golden Globes call for formal dressing, but formal does not mean conservative. The question is whether the degree of experimentation feels purposeful for the setting.
Sheer dressing belongs in the debate, not automatically at the bottom
Jennifer Lawrence in Givenchy, Jenna Ortega in Dilara Findikoglu, and Jennifer Lopez in vintage Jean-Louis Scherrer are useful examples of how the naked-dressing conversation can take different forms. Sheer fabric, visible underlayers, and body-conscious lines attract intense attention because they change how a dress is read in a flash photograph.
That attention should not be confused with failure. The fair critique is whether the construction, styling, and proportions communicate a clear idea. It is not a judgment about the wearer’s body, age, attractiveness, or whether the reader personally prefers covered-up dressing.
Other reasons a look may divide opinion
Metallic clothing can catch the flash so aggressively that its texture disappears. Oversized shapes can read as dramatic in person but lose the wearer’s outline in a tightly cropped image. A vintage reference can look thoughtful or costume-like depending on the accessories. Cutouts may create a strong graphic effect, or they may interrupt an otherwise elegant line. These are the kinds of visual tensions behind the night’s negative reviews.
The fairest verdict, then, is not that one person failed. It is that some concepts translated more cleanly than others. The best looks established a dominant idea and let every supporting detail reinforce it. The most divisive looks asked the viewer to process too many ideas at once—or depended on movement, lighting, or context that a red-carpet photograph could not fully preserve.
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This is a photo-led comparison, so captions should identify the person, designer, and any verified accessory credit without turning an editorial opinion into a factual claim. The credits above draw on fashion galleries from Harper’s Bazaar, British Vogue, Elle, Vanity Fair, Vogue, Associated Press, and ABC News.
The existence of a public gallery does not mean its photographs are free to reproduce. Official Golden Globes imagery, Getty, AP, Reuters, AFP, WireImage, and magazine-hosted photographs may all carry different licensing terms. Before publication, confirm the image license, photographer credit, permitted crop, digital-use rights, and whether embedding is allowed. Do not use a screenshot of a gallery as a substitute for a licensed image, and do not call a photograph official unless it came from the Golden Globes or the relevant licensed image provider.
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The Golden Globes 2026 carpet was strongest when it committed to a clear idea. Selena Gomez made black velvet feel polished and current. Amanda Seyfried used a white column and shawl to create contrast. Tessa Thompson treated metallic gold as a complete visual language. Zoë Kravitz showed the power of restraint, Teyana Taylor delivered couture spectacle, and Jessie Buckley added a more directional note to the best-dressed conversation.
The misses were less a collection of universally rejected outfits than a series of risks that did not translate equally well in still photographs. That makes the most honest comparison one of execution: proportion, balance, construction, and styling coherence. On that basis, the night’s best looks did not merely attract attention; they controlled it.
Reporting note: Event details and viewing information were checked against the official Golden Globes event information. Designer and accessory credits were compared across the cited fashion and news galleries. Editorial judgments are labeled as opinions rather than presented as objective rankings.
Frequently Asked Questions
Who was best dressed at the Golden Globes 2026?
The strongest consensus group was Selena Gomez in Chanel, Amanda Seyfried in Atelier Versace, Tessa Thompson in Balenciaga, Zoë Kravitz in Saint Laurent, Teyana Taylor in Schiaparelli Haute Couture, and Jessie Buckley in Dior. Harper’s Bazaar and British Vogue provided the clearest overlap, although their selections were not identical.
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What was the main Golden Globes 2026 red-carpet trend?
Black velvet, black formalwear, and old-Hollywood glamour defined the carpet. The broader visual vocabulary also included white column gowns, sheer and body-conscious dressing, metallic embellishment, vintage references, dramatic trains, and formal suiting with jewelry or high-shine details.
Who had the worst look at the Golden Globes 2026?
There was no objective or universal worst-dressed list. Some publications criticized looks they felt were awkward, overpowered by their clothing, or visually unbalanced, while Glamour UK argued that the carpet produced few genuinely terrible or controversial outfits. The fairest label is the looks that divided opinion.
Where could viewers watch the Golden Globes 2026?
The official Golden Globes event information identified CBS as the live U.S. broadcast outlet and Paramount+ as the streaming outlet for the January 11, 2026 ceremony. Replay availability can change by territory and over time.
Can Golden Globes red-carpet photos be reused from online galleries?
No. A public gallery does not automatically grant reproduction rights. Verify the license, photographer credit, crop permissions, digital-use terms, and whether embedding is allowed for images from the Golden Globes, Getty, AP, Reuters, AFP, WireImage, or magazine-hosted galleries.
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Bottom line: The best-dressed consensus belongs to Selena Gomez, Amanda Seyfried, Tessa Thompson, Zoë Kravitz, Teyana Taylor, and Jessie Buckley. The 2026 Golden Globes did not produce one universally agreed worst look; the real debate was over how successfully sheer, metallic, vintage, oversized, and high-concept styling translated to the camera.
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