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Outbyte PC Repair FREEClear out junk files and repair common Windows errorsFree Scan →Outbyte Driver Updater FREEFix the driver behind crashes, sound loss and screen glitchesFind Drivers →The best Leonardo DiCaprio movie is The Departed—but the most culturally important is Titanic, and the strongest individual-performance debate includes The Wolf of Wall Street, The Revenant and What’s Eating Gilbert Grape. This ranking treats best as an editorial judgment, balancing DiCaprio’s acting with each film’s direction, writing, craft, cultural durability and importance within his career.
It includes 30 feature films with meaningful DiCaprio acting credits, from Critters 3 (1991) to the current critical leader, One Battle After Another (2025). That latest placement is provisional because its long-term reputation and awards history are still developing.
| # | Preview | Product | Price | |
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Titanic (Collector's Edition) | $24.99 | Buy on Amazon |
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Titanic (2012) | $29.99 | Buy on Amazon |
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![Titanic [Blu-ray] [1997] [Region Free]](https://m.media-amazon.com/images/I/51Df-njVQwL._SL160_.jpg)
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Titanic [Blu-ray] [1997] [Region Free] | $19.88 | Buy on Amazon |
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![Titanic 4K Ultra HD [Blu-ray] [Region Free]](https://m.media-amazon.com/images/I/51pELYRpNIL._SL160_.jpg)
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Titanic 4K Ultra HD [Blu-ray] [Region Free] | $29.29 | Buy on Amazon |
How this ranking works
There is no single objective answer to the question of which Leonardo DiCaprio movie is best. This list weighs five things together: DiCaprio’s performance, the film’s achievement as a whole, the strength of its direction, screenplay and craft, its cultural durability, and its importance to his career. That is why a foundational blockbuster such as Titanic can rank above a technically stronger but less influential film, while a high-scoring recent release may receive a provisional position.
Rotten Tomatoes’ current DiCaprio guide is a useful critical-consensus baseline: it lists One Battle After Another (2025) as his latest film and currently places it first by Tomatometer, followed by Catch Me if You Can and Killers of the Flower Moon. The guide lists Catch Me if You Can at 96% from critics and 89% from audiences. Those figures can change, and they are not being treated as the ranking itself.
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The list covers exactly 30 feature films in which DiCaprio has a meaningful acting credit, from his debut in Critters 3 through One Battle After Another. Cameos, archive footage and minor uncredited appearances are outside the scope.
The career behind the ranking
DiCaprio’s pre-Titanic career was not simply a warm-up. This Boy’s Life established him as a serious young actor, while What’s Eating Gilbert Grape brought major awards attention and revealed a range that would have been easy to overlook after his transformation into a global star.
Titanic changed his commercial and cultural status almost overnight, but the period that followed is better understood as selective than absent. He made a few high-profile choices, including The Beach, while increasingly concentrating his narrative-film work around major directors and demanding roles.
30 best Leonardo DiCaprio movies, ranked
1. The Departed (2006)
Role: Billy Costigan
Director: Martin Scorsese
Why it ranks here: The Departed is the strongest combination of film quality, ensemble construction and DiCaprio performance in his career. As an undercover state police officer pushed into a criminal organization, he plays fear as a constant physical condition rather than a single dramatic note. The film’s plot is intricate, but DiCaprio gives it an urgent emotional center.
What to watch for: Notice how Costigan’s clipped speech, guarded posture and sudden flashes of anger show a man losing any stable sense of identity.
Best for: Best overall film and best mature Scorsese collaboration.
2. Inception (2010)
Role: Dom Cobb
Director: Christopher Nolan
Why it ranks here: Christopher Nolan’s elaborate dream-heist structure could have turned DiCaprio into a tour guide for exposition. Instead, he gives the film its emotional logic. Cobb’s guilt, grief and obsession make the layers of the screenplay understandable even when its rules become increasingly complex. It is also one of DiCaprio’s most effective ensemble performances because he anchors the spectacle without trying to dominate it.
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Best for: Best entry point for viewers who want a high-concept blockbuster with a serious emotional core.
3. Catch Me if You Can (2002)
Role: Frank Abagnale Jr.
Director: Steven Spielberg
Why it ranks here: This is perhaps DiCaprio’s most immediately enjoyable performance. He makes Frank’s confidence, improvisation and loneliness coexist, allowing the film to remain light on its feet without reducing its central character to a charming trickster. Spielberg’s polished direction and the evolving relationship between Frank and Tom Hanks’s FBI agent give the film unusual warmth.
What to watch for: DiCaprio’s ability to change Frank’s age and emotional state through posture and voice rather than heavy makeup or exposition.
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Best for: Best first DiCaprio movie for a new viewer and best accessible Spielberg collaboration.
4. The Wolf of Wall Street (2013)
Role: Jordan Belfort
Director: Martin Scorsese
Why it ranks here: DiCaprio’s Jordan Belfort is one of his most physically committed and technically demanding performances. He turns salesmanship into choreography, moving from polished persuasion to grotesque self-parody while Scorsese keeps the film’s energy both exhilarating and morally corrosive. The movie’s cultural afterlife has sometimes separated its outrageous surface from its condemnation of greed; DiCaprio’s performance contains both readings.
What to watch for: The deliberately exaggerated physical comedy, especially the moments when Belfort’s control collapses in public.
Best for: Best comic performance and the most openly manic DiCaprio role.
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5. Killers of the Flower Moon (2023)
Role: Ernest Burkhart
Director: Martin Scorsese
Why it ranks here: DiCaprio takes an unusual risk by playing Ernest as weak, suggestible and morally compromised rather than conventionally commanding. That choice is essential to a film about the systematic exploitation and murder of Osage people in Oklahoma. His performance is deliberately uncomfortable: Ernest’s apparent affection and dependence never cancel his culpability.
What to watch for: The gap between Ernest’s childlike manner and the adult decisions he continues to make, particularly when loyalty and self-interest collide.
Best for: Best historical drama and best source-material companion.
Read alongside it: Killers of the Flower Moon: Movie Tie-in Edition, David Grann’s nonfiction account connected to the film. Penguin Random House lists the physical paperback at 416 pages. The book provides additional historical context, but the film’s emphasis and structure are its own.
6. One Battle After Another (2025)
Role: Bob Ferguson
Director: Paul Thomas Anderson
Why it ranks here: The latest listed DiCaprio film is placed high because the current Rotten Tomatoes guide identifies it as the critical leader among his films. Its position is provisional: long-term reputation, awards context and cultural durability are still developing. That uncertainty matters in a career ranking, but it does not erase the significance of a new collaboration between DiCaprio and one of contemporary cinema’s most distinctive directors.
What to watch for: The way DiCaprio handles a character situated within Anderson’s idiosyncratic blend of political tension, dark humor and personal disarray.
Best for: Best current discovery, with the warning that its historical place in the filmography remains unsettled.
7. Once Upon a Time in Hollywood (2019)
Role: Rick Dalton
Director: Quentin Tarantino
Why it ranks here: Rick Dalton is a superb late-career role because DiCaprio plays an actor confronting professional decline while still possessing flashes of real ability. His insecurity becomes funny, pathetic and unexpectedly moving. The film also benefits from the contrast between Dalton and Brad Pitt’s Cliff Booth: their friendship gives DiCaprio room to reveal the fear beneath Rick’s vanity.
What to watch for: The shifts between Rick’s off-camera panic and the confidence he can still summon once a scene begins.
Rank #2
- Factory sealed DVD
Best for: Best mature, self-aware performance.
8. The Revenant (2015)
Role: Hugh Glass
Director: Alejandro G. Iñárritu
Why it ranks here: The Revenant is the formal awards milestone of DiCaprio’s career, but its Oscar does not automatically make it his best film. His performance is built around endurance, pain and physical presence in a film that often communicates through landscape and action rather than dialogue. The result is austere and forceful, even if the film’s extended ordeal can feel less emotionally varied than his best character work.
What to watch for: How much DiCaprio communicates through breath, eye-line and movement when the role gives him very little conventional dialogue.
Best for: Best awards performance. The Academy’s official record lists DiCaprio as the 2016 winner for Actor in a Leading Role; it also records the film with 12 nominations and three wins.
9. Titanic (1997)
Role: Jack Dawson
Director: James Cameron
Why it ranks here: Titanic is the most culturally important film on this list and the role that turned DiCaprio into a global star. Jack is written as an open, energetic romantic hero, and DiCaprio’s relaxed charm keeps him from becoming merely symbolic. The film’s scale, effects, music and historical setting make it more than a romance, even though the romance is the audience’s emotional route through the spectacle.
What to watch for: The difference between Jack’s performative confidence in public and the attentive way he listens to Rose, which makes their connection feel immediate.
Best for: Most culturally important film and the essential career turning point.
Physical edition: Paramount’s home-media documentation records four-disc Blu-ray/DVD combo and Blu-ray 3D/2D combo editions with substantial bonus material. If you want a disc version for a repeat viewing, look for the Titanic Blu-ray; edition, stock and seller details can change.
10. The Aviator (2004)
Role: Howard Hughes
Director: Martin Scorsese
Why it ranks here: DiCaprio’s performance as Howard Hughes is the bridge between his young-star period and his prestige era. He captures Hughes’s ambition, appetite for risk and increasing psychological isolation without reducing him to a collection of eccentricities. Scorsese gives the film the scale of a classical Hollywood biography, while DiCaprio supplies its nervous, unstable center.
What to watch for: Hughes’s repeated phrases and increasingly rigid movements as his need for control turns into confinement.
Best for: Best biographical lead and a key film in the DiCaprio-Scorsese partnership.
11. What’s Eating Gilbert Grape (1993)
Role: Arnie Grape
Director: Lasse Hallström
Why it ranks here: DiCaprio’s early performance as Arnie is startlingly assured, but its value is not simply that it was achieved at a young age. He creates a specific character with distinctive rhythms, physical habits and emotional needs, while the film keeps its attention on the burdens carried by the whole family. It remains the clearest evidence that the actor’s serious range was visible before Titanic.
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What to watch for: The precision of Arnie’s repetitions and the way DiCaprio lets moments of fear or delight arrive without sentimental signaling.
Best for: Best early performance and the strongest pre-Titanic showcase.
12. Django Unchained (2012)
Role: Calvin J. Candie
Director: Quentin Tarantino
Why it ranks here: DiCaprio has limited screen time compared with some of his leading roles, but he uses it to make Candie both socially polished and spiritually repellent. The performance is not an exercise in broad villainy; its force comes from the casual intelligence with which Candie turns violence and racism into entertainment and business.
What to watch for: The calmness of Candie’s manners, which makes his cruelty more disturbing than an openly theatrical villain would be.
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13. Shutter Island (2010)
Role: Teddy Daniels
Director: Martin Scorsese
Why it ranks here: This psychological mystery works because DiCaprio makes Teddy’s investigation feel emotionally urgent before the film’s larger design becomes clear. He plays an investigator who is competent enough to command the story but unstable enough to make every conclusion suspect. The result is a genre film with more rewatch value than its twist-centered reputation suggests.
What to watch for: The recurring tension between Teddy’s professional certainty and the visual or verbal details that quietly undermine it.
Best for: Best psychological thriller and one of the most rewarding films to revisit.
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14. Gangs of New York (2002)
Role: Amsterdam Vallon
Director: Martin Scorsese
Why it ranks here: DiCaprio’s first major collaboration with Scorsese is an ambitious, sometimes overstuffed historical epic. Amsterdam is a young man shaped by revenge, but DiCaprio also gives him curiosity and uncertainty as he enters the political and criminal world of nineteenth-century New York. Daniel Day-Lewis’s towering Bill the Butcher dominates the film, yet DiCaprio supplies the perspective that lets the audience move through it.
What to watch for: Amsterdam’s gradual transition from inherited vengeance to a more complicated understanding of loyalty and power.
Best for: Best starting point for tracing the Scorsese partnership.
15. Revolutionary Road (2008)
Role: Frank Wheeler
Director: Sam Mendes
Why it ranks here: Reuniting DiCaprio with Kate Winslet, Revolutionary Road strips away the romantic idealism associated with Titanic. Frank is intelligent enough to understand his dissatisfaction but not brave enough to respond honestly to it. DiCaprio makes his defensiveness increasingly painful to watch, especially as Frank converts disappointment into judgment of his wife and neighbors.
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Best for: Best adult relationship drama.
16. Romeo + Juliet (1996)
Role: Romeo Montague
Director: Baz Luhrmann
Why it ranks here: Baz Luhrmann’s modernized Shakespeare adaptation is deliberately excessive, but DiCaprio gives Romeo a sincerity that prevents the style from becoming empty decoration. He can be dreamy, impulsive and physically overwhelmed by feeling without losing the character’s youthful volatility. The film also shows how naturally he occupied the center of a highly stylized production before global superstardom.
Rank #3
- Brand: 20TH CENTURY FOX
- Titanic BD Bluray UK Import
- Product type: PHYSICAL_MOVIE
What to watch for: The contrast between Romeo’s idealized language and the immediate, almost startled reactions of his face.
Best for: Best Shakespeare adaptation and best example of DiCaprio as a romantic lead before Titanic.
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17. This Boy’s Life (1993)
Role: Tobias Wolff
Director: Michael Caton-Jones
Why it ranks here: As Tobias, DiCaprio plays a teenager trying to invent a self while living under an abusive stepfather’s authority. The performance is watchful rather than showy. Tobias’s intelligence, fear and desire to escape are often visible before he can articulate them, giving the film a strong coming-of-age perspective.
What to watch for: The way Tobias studies the adults around him, learning which version of himself might survive each situation.
Best for: Best film from his formative period and a useful companion to What’s Eating Gilbert Grape.
18. Don’t Look Up (2021)
Role: Dr. Randall Mindy
Director: Adam McKay
Why it ranks here: DiCaprio begins as the film’s anxious scientific conscience and gradually becomes one of its sharpest comic instruments. Randall’s transformation from restrained expert to media-friendly celebrity captures the way public attention can reward performance over truth. The satire is broad, but DiCaprio’s escalating panic gives it a human pulse.
What to watch for: Randall’s vocal and physical shift from controlled explanation to helpless public outburst.
Best for: Best contemporary satire and best example of DiCaprio working in full ensemble-comedy mode.
19. Blood Diamond (2006)
Role: Danny Archer
Director: Edward Zwick
Why it ranks here: Danny Archer is a commercially shaped action-drama protagonist, but DiCaprio gives him enough cynicism and emotional damage to complicate the formula. His South African accent and guarded physicality establish a mercenary who expects betrayal, while the story gradually tests whether that worldview is permanent. The film’s politics and melodrama are uneven, but the central performance remains committed.
What to watch for: The small moments when Danny’s practiced detachment gives way to shame or reluctant responsibility.
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20. The Great Gatsby (2013)
Role: Jay Gatsby
Director: Baz Luhrmann
Why it ranks here: DiCaprio understands the contradiction at the center of Gatsby: he is both a man who has constructed an extraordinary public fantasy and someone emotionally trapped inside it. Luhrmann’s 3D spectacle and contemporary soundtrack are divisive, but DiCaprio’s performance supplies the necessary melancholy beneath the glamour. His smile becomes a mask that can appear welcoming, desperate or threatening from scene to scene.
What to watch for: The difference between Gatsby’s rehearsed confidence at parties and his increasingly exposed behavior around Daisy.
Best for: Best lavish literary adaptation and another strong Luhrmann collaboration.
21. The Basketball Diaries (1995)
Role: Jim Carroll
Director: Scott Kalvert
Why it ranks here: This is one of DiCaprio’s rawest early performances. Jim’s athletic confidence, artistic ambition and addiction are not presented as separate identities; DiCaprio shows how quickly one can eclipse the others. The film is emotionally direct, sometimes harshly so, but it announced an actor capable of carrying difficult material through intensity alone.
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Best for: Best early performance in a challenging, uncompromising drama.
22. The Beach (2000)
Role: Richard
Director: Danny Boyle
Why it ranks here: The Beach is a flawed but revealing post-Titanic choice. DiCaprio plays Richard as an adventurous young man whose appetite for an idealized escape turns him into an unreliable participant in the collapse of that ideal. Danny Boyle’s visual energy and the film’s uneasy critique of tourism and youthful fantasy make it more interesting than its reputation as a misfire suggests.
What to watch for: Richard’s narration, which gradually exposes how much he wants to be the hero of his own story.
Best for: Best film for understanding the complicated transition immediately after Titanic.
23. Body of Lies (2008)
Role: Roger Ferris
Director: Ridley Scott
Why it ranks here: DiCaprio is solid as a field agent working through layers of intelligence, political calculation and personal risk. The film is more procedural than transformative, and Ferris does not offer the psychological depth of DiCaprio’s best roles. Still, his performance gives the action a grounded frustration: Ferris understands that every apparent solution creates another problem.
What to watch for: Ferris’s physical exhaustion and skepticism as he navigates instructions from people who remain safely distant from the consequences.
Best for: Best geopolitical thriller in the ranking.
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Role: Hank
Director: Jerry Zaks
Why it ranks here: DiCaprio has a supporting role in a family drama led by Meryl Streep and Diane Keaton, but Hank gives the film an important undercurrent of adolescent anger. He plays a troubled teenager who cannot easily separate resentment from a need for care. The performance is less polished than his later work, which is exactly what makes it feel exposed.
What to watch for: Hank’s defensive hostility and the brief openings when he recognizes that the adults around him are also frightened.
Rank #4
Best for: Best supporting role in a family-centered drama.
25. J. Edgar (2011)
Role: J. Edgar Hoover
Director: Clint Eastwood
Why it ranks here: DiCaprio commits fully to playing Hoover across decades, constructing the character through voice, posture and controlled self-presentation. The film itself is cautious and dramatically uneven, particularly when its historical portrait demands more certainty than the screenplay can provide. DiCaprio’s work is therefore more interesting than the movie around it: a study of a man who builds institutional power while remaining emotionally guarded.
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What to watch for: The contrast between Hoover’s public authority and the private rituals that reveal his dependence on a small circle of people.
Best for: Best example of DiCaprio carrying a conventional biographical film through performance.
26. Celebrity (1998)
Role: Brandon Darrow
Director: Woody Allen
Why it ranks here: DiCaprio’s appearance as a volatile young celebrity is brief but memorable, presenting fame as reckless appetite rather than glamour. He turns Brandon into a concentrated burst of entitlement and instability, a performance that anticipates some of the more explosive public figures he would later play. The film’s episodic structure limits its overall impact, but his sequence has real force.
What to watch for: How quickly DiCaprio makes Brandon’s charm feel like another form of aggression.
Best for: Best short supporting turn and an intriguing snapshot of his pre-Titanic star power.
27. The Quick and the Dead (1995)
Role: The Kid
Director: Sam Raimi
Why it ranks here: Sam Raimi’s heightened western gives DiCaprio a cocky, inexperienced gunslinger surrounded by larger-than-life performers. He brings comic irritation and youthful swagger to a role that could easily disappear beside Sharon Stone, Gene Hackman and Russell Crowe. The film is more entertaining than profound, and DiCaprio’s contribution is part of its lively ensemble texture.
What to watch for: The Kid’s overconfidence, particularly when DiCaprio lets bravado curdle into visible fear.
Best for: Best pulpy western and most playful genre performance.
28. The Man in the Iron Mask (1998)
Role: King Louis XIV and Philippe
Director: Randall Wallace
Why it ranks here: DiCaprio’s dual role gives him the chance to contrast a cruel monarch with the gentler twin hidden from public life. The film is a broad historical adventure rather than a subtle character study, but the two performances are clearly differentiated through stance, voice and emotional openness. It also captures the moment when his post-Titanic celebrity was being placed inside a traditional studio epic.
What to watch for: The physical separation between Philippe’s caution and Louis’s entitlement.
Best for: Best dual role and a straightforward period adventure.
29. Poison Ivy (1992)
Role: Darryl Cooney
Director: Katt Shea
Why it ranks here: DiCaprio is a supporting presence in this early thriller, but the film belongs on the list because it documents the beginning of a screen career rather than because it rivals his later work. His appearance is a small, concrete reminder that the path to major drama ran through modest genre projects and secondary parts.
What to watch for: The naturalism and alertness that distinguish his brief scenes even within an overtly constructed thriller.
Best for: Completionists exploring his earliest screen credits.
30. Critters 3 (1991)
Role: Josh
Director: Kristine Peterson
Why it ranks here: DiCaprio’s feature-film debut is not a showcase for his later abilities, and the movie itself is a low-budget creature feature with limited ambition. It earns the final place because it is the starting point of the filmography: a small role that predates the difficult dramas, star vehicles and auteur collaborations that define the rest of this list.
What to watch for: The straightforward, observant quality of his early screen presence before the more recognizable DiCaprio intensity had fully developed.
Best for: Filmography completists and viewers interested in the beginning of his career.
Which Leonardo DiCaprio movie should you watch first?
| What you want | Start with | Why |
|---|---|---|
| Best overall film | The Departed | The most complete blend of performance, direction, screenplay and ensemble work. |
| Most accessible entry point | Catch Me if You Can | Warm, fast-moving and easy to follow without being slight. |
| High-concept spectacle | Inception | A complex blockbuster made emotionally legible by DiCaprio’s central performance. |
| Most demanding performance | The Wolf of Wall Street or The Revenant | One tests comic and physical control; the other is an austere awards showcase. |
| Most culturally important | Titanic | The defining star-making film of his career and a global cultural reference point. |
| Best historical companion | Killers of the Flower Moon | Pair the film with David Grann’s nonfiction account of the Osage murders. |
| Best recent discovery | One Battle After Another | The current critical leader in the supplied Rotten Tomatoes guide, though its long-term ranking remains provisional. |
Verification notes
The ranking is editorial rather than an aggregate score. Critical-consensus references come from the current Rotten Tomatoes guide supplied for this article. The Academy’s official record verifies DiCaprio’s 2016 Leading Actor Oscar for The Revenant and records that film’s 12 nominations and three wins. Paramount home-media documentation verifies the physical Titanic Blu-ray/DVD and Blu-ray 3D/2D combo releases described above. Penguin Random House lists the 416-page physical paperback of David Grann’s Killers of the Flower Moon: Movie Tie-in Edition.
Frequently Asked Questions
Why is The Departed ranked as Leonardo DiCaprio’s best movie?
The Departed ranks first because it offers the strongest overall balance of DiCaprio’s performance, Scorsese’s direction, the screenplay, ensemble work and lasting importance. It is not based on a single critic score.
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The best performance depends on what you value. The Wolf of Wall Street is his most physically controlled comic performance, The Revenant is his major awards showcase, and What’s Eating Gilbert Grape remains his most striking early work.
Why isn’t Titanic ranked number one?
Titanic ranks ninth because this list balances cultural importance with performance and overall craft. It is still the most culturally important film in his career and the role that made him a global star.
Why is One Battle After Another’s ranking provisional?
One Battle After Another is ranked provisionally because the current Rotten Tomatoes guide identifies it as his critical leader, while its long-term reputation, awards context and cultural durability are still developing.
The Bottom Line
The Departed is the best all-around Leonardo DiCaprio film, while Catch Me if You Can is the easiest place for a new viewer to begin. The Wolf of Wall Street, The Revenant and What’s Eating Gilbert Grape make the strongest cases for his best individual performance; Titanic remains his most culturally consequential movie.
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