The greatest Christmas albums do not all sound alike. This canon includes Bing Crosby’s foundational holiday recordings, Vince Guaraldi’s jazz soundtrack, Phil Spector’s Wall of Sound, Mariah Carey’s modern pop phenomenon, Bob Dylan’s deliberately rough folk readings, and everything from Motown soul to indie slowcore.
The ranking below is an informed editorial canon rather than an official or purely sales-based list. Each album is weighed against five factors: historical and cultural importance, influence on later holiday music, the quality and distinctiveness of its performances or arrangements, durability in annual listening, and continuing relevance or availability to modern listeners. A classic children’s soundtrack, a gospel-inflected soul record, and a traditional-pop blockbuster cannot be measured by exactly the same standard—and none of them needs to sound like the others to belong here.
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![A Charlie Brown Christmas[Green LP]](https://m.media-amazon.com/images/I/415dby+aFKL._SL160_.jpg)
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A Charlie Brown Christmas[Green LP] | $24.99 | Buy on Amazon |
| 2 |
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Christmas | $24.98 | Buy on Amazon |
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![Winter Wonderland - 2LР Christmas Collection Set (Best of Frank Sinatra / Bing Crosby / Nat King Cole / Ella Fitzgerald / Dean Martin / Louis Armstrong) [2LP Vinyl]](https://m.media-amazon.com/images/I/51UHeKgfojL._SL160_.jpg)
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Winter Wonderland - 2LР Christmas Collection Set (Best of Frank Sinatra / Bing Crosby / Nat King... | $39.99 | Buy on Amazon |
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![The Christmas Song[Translucent Red LP] [Amazon Exclusive]](https://m.media-amazon.com/images/I/41p6+gi8W6L._SL160_.jpg)
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The Christmas Song[Translucent Red LP] [Amazon Exclusive] | $29.99 | Buy on Amazon |
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Winter Wonderland / Various | $39.07 | Buy on Amazon |
How this Christmas-album ranking works
“Greatest” is doing several jobs here. Some records changed the commercial and artistic vocabulary of Christmas music; others became permanent annual companions because their mood, sequencing, or performances remain unusually distinctive. The list is therefore not a chart of worldwide sales, a ranking of critical reviews, or a claim that every album had the same level of commercial success.
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- One of the most popular and beloved holiday albums of all-time now available for the very first time on collectible green vinyl!
Catalog dates also require care. Older holiday albums have frequently been repackaged, expanded, retitled, or issued in different territories. Bing Crosby’s record is commonly represented through 1945 and 1955 catalog editions, while Nat King Cole’s holiday material appears under editions dated 1960 and 1962. The entries below identify the important recording traditions without pretending that every modern release uses the same title or track list.
Foundational recordings
1. A Christmas Gift for You from Phil Spector — Various Artists (1963)
Phil Spector’s holiday album is the foundational Wall of Sound Christmas record: huge percussion, dense orchestration, handclaps, girl-group harmonies, and a sense that familiar songs have been rebuilt as miniature pop dramas. Darlene Love, The Ronettes, The Crystals, and the other performers give the set a collective identity, even though each track has its own personality.
Its importance rests especially on Darlene Love’s “Christmas (Baby Please Come Home),” which turns seasonal longing into a full-scale emotional event. The album’s influence can be heard whenever a Christmas arrangement aims for cinematic impact rather than polite background music. Its place in the canon is also documented by its induction into the GRAMMY Hall of Fame in 1999. It is joyous, loud, romantic, and slightly unruly—the opposite of a neutral holiday playlist.
2. A Charlie Brown Christmas — Vince Guaraldi Trio (1965)
Few soundtrack albums have escaped their original film or television setting as completely as A Charlie Brown Christmas. Vince Guaraldi’s gentle piano language, the lilt of “Linus and Lucy,” and the wistful “Christmas Time Is Here” created a seasonal world that is simultaneously childlike, sophisticated, and melancholy.
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For collectors and gift buyers, an A Charlie Brown Christmas on vinyl is a particularly natural physical edition to investigate—but check the exact pressing, format, and current availability before ordering, since reissues change by territory and season.
3. Elvis’ Christmas Album — Elvis Presley (1957)
Elvis Presley’s 1957 album makes Christmas music sound like a meeting point between rock and roll, gospel, country, and older traditional repertoire. The record can move from reverence to swagger without losing Presley’s unmistakable vocal identity, which is why it feels more like an Elvis album than a generic collection of seasonal songs.
That combination was historically important. Early rock Christmas records could easily have treated holiday material as a novelty, but Presley made it part of a serious popular-music catalog. The album’s tension between churchly feeling, country directness, and rock-era attitude remains its main attraction.
4. Merry Christmas — Mariah Carey (1994)
Mariah Carey’s Merry Christmas established the modern pop Christmas template: traditional carols, gospel-influenced singing, bright dance-pop energy, and a newly written song powerful enough to become a seasonal standard. “All I Want for Christmas Is You,” co-written by Carey, is the album’s defining achievement, but the surrounding program works because it places that original beside familiar repertoire rather than relying on novelty alone.
The album’s continuing certification history is documented by the RIAA, as is the Diamond status of “All I Want for Christmas Is You.” Its influence is now visible in the annual release cycle: contemporary pop stars routinely approach Christmas as an opportunity to create both a standards album and a potential recurring hit. Carey’s record is the clearest modern counterpart to the older holiday catalogs of Crosby, Cole, and Sinatra.
5. Merry Christmas — Bing Crosby (1945; commonly encountered in 1955 catalog editions)
Bing Crosby represents the foundational mass-cultural tradition of the Christmas album. His recording of “White Christmas” is the centerpiece, but its importance extends beyond one song: Crosby helped establish the relaxed, intimate, emotionally direct vocal style that shaped the sound of American holiday music for decades.
The Library of Congress identifies the 1942 recording of “White Christmas” as a National Recording Registry selection and documents the song’s cultural importance. “I’ll Be Home for Christmas” likewise helped define the emotional vocabulary of the holiday—nostalgia, distance, homecoming, and the hope of reunion. Different editions of Crosby’s holiday catalog can vary, so buyers should confirm whether a listing is the 1945 album, a 1955 edition, or a later compilation. Historically, however, this is indispensable source material for understanding why Christmas albums became a central popular-music tradition.
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Nat King Cole’s warm, intimate phrasing represents the definitive sophisticated-pop approach to Christmas standards. His delivery is unhurried and precise without becoming distant, while the orchestral arrangements give the songs polish without overwhelming the voice.
Rank #2
The album belongs near the top because it demonstrates how much can be achieved with restraint. Cole does not need theatrical excess to make the material feel definitive. The Library of Congress has separately documented the enduring importance of his recording of “The Christmas Song,” and the album remains a central title in major Christmas catalog collections. As with Crosby, edition names and dates vary; the recording tradition is more stable than the packaging.
Swing, soul, and vocal-pop standards
7. A Jolly Christmas from Frank Sinatra — Frank Sinatra (1957)
Frank Sinatra’s Christmas album is a key example of the big-band and traditional-pop approach. His precise swing, conversational phrasing, and ability to make a lyric sound personally addressed keep the program from becoming merely ornamental. The arrangements associated with Nelson Riddle’s orchestral style give the record a polished seasonal setting, but Sinatra remains the center of gravity.
This is the album for listeners who want Christmas music with rhythmic poise rather than overt sentimentality. It is festive without being frantic and elegant without losing the warmth of a living-room record.
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Ella Fitzgerald made the strongest case for a genuinely swinging jazz Christmas album. Her rhythmic flexibility gives familiar standards movement, while buoyant brass-and-strings arrangements create a setting that feels celebratory rather than merely luxurious.
Fitzgerald’s technical command is obvious, but the record’s lasting appeal comes from her playfulness. She can place a phrase just behind the beat, brighten a melody with a small inflection, or turn a well-known song into a fresh performance without losing its identity. This is an especially good choice for listeners who want jazz as the main event, not simply a sophisticated surface.
9. The Beach Boys’ Christmas Album — The Beach Boys (1964)
The Beach Boys’ Christmas album is a compact expression of the group’s vocal harmonies, California-pop identity, and Brian Wilson’s arranging sensibility. It demonstrates how a distinctive pop sound can reshape traditional seasonal material without erasing the songs’ original character.
Its place in the canon is not based on being the largest or most comprehensive Christmas set. It is here because the group’s harmonies make the record recognizably theirs. The album captures a specific 1960s pop ideal: bright, carefully arranged, communal, and just a little wistful beneath the surface.
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10. Christmas Portrait — Carpenters (1978)
Christmas Portrait is one of the most consistently comforting albums in the category. Karen Carpenter’s vocal warmth and the Carpenters’ polished orchestral-pop production make even familiar material feel carefully cared for rather than mechanically revived.
The medley-based structure is central to its appeal. Instead of treating every song as a separate single, the album creates a continuous full-album experience, making it particularly effective for decorating, cooking, or a long evening at home. It is less about surprise than about dependable atmosphere—and few records execute that purpose better.
11. Someday at Christmas — Stevie Wonder (1967)
Stevie Wonder brings Motown rhythm, soul phrasing, and social conscience to the holiday record. The title track gives the album an aspirational, peace-centered identity, asking Christmas music to imagine a better future rather than only revisit private nostalgia.
That perspective makes the album distinctive. Wonder’s performances have the rhythmic life of Motown, but the emotional reach is broader than seasonal celebration. The record remains a strong recommendation for listeners who want warmth and groove alongside a clear humanistic message. GRAMMY’s holiday coverage continues to identify the album and its signature material as important parts of the seasonal repertoire.
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12. The Temptations’ Christmas Card — The Temptations (1970)
The Temptations’ Christmas Card is a definitive soul-group Christmas record. Close harmonies, gospel feeling, orchestral arrangements, and Motown polish give it vocal-group power that differs sharply from the intimacy of Cole or the swing of Sinatra.
Rank #3
- Timeless Holiday Legends on Vinyl Celebrate Christmas with legendary voices — Frank Sinatra, Bing Crosby, Nat King Cole, Ella Fitzgerald, Dean Martin & Louis Armstrong — in one beautifully curated 2LP set of festive favorites.
- Premium 2LP Black Vinyl Compilation Features 26 remastered classics from the golden age of holiday music, pressed on two high-quality black vinyl discs for rich, warm analog sound that fills your home with seasonal charm.
- Iconic Christmas Classics for Every Generation Includes “White Christmas,” “Jingle Bell Rock,” “Have Yourself a Merry Little Christmas,” and more beloved songs — perfect for nostalgic listeners and new fans alike.
- Perfect Gift for Vinyl & Holiday Lovers An elegant Christmas present that captures the spirit of the season — ideal for family gatherings, collectors, or anyone who treasures timeless music.
- Authentic Retro Sound & Style Beautifully remastered from original recordings, this set brings back the warmth of classic pop, swing, and jazz — just as it was heard on turntables in the 1950s.
The album is especially effective when several voices are needed in the room: its arrangements feel communal, and its performances have enough rhythmic lift for a gathering without becoming disposable party music. It belongs in the canon because it shows how convincingly the Motown vocal-group tradition could claim Christmas repertoire as its own.
Family, community, and distinctive arrangements
13. A Very Special Christmas — Various Artists (1987)
A Very Special Christmas helped establish the idea that major contemporary rock and pop artists could reinterpret Christmas standards for a broad mainstream audience. Its charity-compilation format gave the project a communal identity, while its range of performers made it feel connected to current popular music rather than sealed inside an older crooner tradition.
U2’s recording of “Christmas (Baby Please Come Home)” also creates a direct bridge to Phil Spector’s 1963 album. That connection is important: the compilation did not simply repeat the old canon but showed how later artists could inherit, roughen, modernize, or redirect it. Its charitable purpose is part of its historical significance, not an incidental marketing detail.
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This is one of the best multigenerational Christmas albums: acoustic warmth from John Denver, theatrical character from the Muppets, and an abundance of sing-along appeal. It is family-oriented without being musically anonymous, because the contrast between Denver’s plainspoken country-pop presence and the Muppets’ personalities gives the performances shape.
The album’s strength is social rather than virtuosic. It is designed to be shared by children and adults, making it a better recommendation for a family room than for a listener seeking a purely adult vocal showcase.
15. Christmas with Chet Atkins — Chet Atkins (1961)
Chet Atkins offers a quieter instrumental alternative to vocal-centered Christmas records. His fingerstyle guitar and Nashville studio polish make the album graceful, melodic, and unobtrusive without reducing it to anonymous background music.
This is a particularly good record for dinner, reading, wrapping gifts, or trimming the tree. Atkins’ playing supplies the personality, while the arrangements preserve the familiar outlines of the songs. It proves that a Christmas album can be inviting without needing a choir, a dramatic vocal, or a wall of sound.
16. Christmas Album — Barbra Streisand (1967)
Barbra Streisand’s Christmas Album represents the grand vocal-pop tradition. Her dramatic control and large-scale arrangements make the record feel like a showcase for voice and orchestration rather than casual background music.
That distinction matters when choosing it. Listeners looking for a quiet, conversational seasonal record may find Streisand’s approach expansive; listeners who want a commanding singer and richly arranged standards will find exactly what they want. Its place in the canon comes from the clarity of that artistic identity.
Later voices and nontraditional Christmas moods
17. Christmas Songs — Diana Krall (2005)
Diana Krall’s Christmas Songs updates holiday standards through an understated jazz-pop approach. The performances retain the harmonic character of the originals while allowing Krall’s measured vocals and piano-centered sensibility to set a more intimate mood.
It is a credible modern entry for sophisticated seasonal listening because it does not confuse modernity with radical reinvention. Krall refines the material rather than trying to overpower it. The result works especially well for listeners who enjoy the traditional repertoire but want a more restrained contemporary presentation.
18. Songs for Christmas — Sufjan Stevens (2006)
Songs for Christmas is a five-EP box set containing 42 tracks, and its scale is part of the experience. Sufjan Stevens combines traditional carols, homemade arrangements, original songs, handmade-art sensibility, and indie-pop experimentation into a project that feels personal, eccentric, and intentionally imperfect.
Unlike a conventional holiday album, it sounds like an artist exploring what Christmas music can contain: childhood memory, religious language, family ritual, jokes, rough edges, and elaborate arrangements. Its alternative and indie character makes it a natural choice for listeners who want a collection with more texture and surprise than standard adult-pop programming.
19. Christmas in the Heart — Bob Dylan (2009)
Bob Dylan’s Christmas in the Heart takes the opposite route from glossy seasonal pop. Dylan’s deliberately rough, pre-rock-rooted readings return to older popular-song forms and make the performances distinctive precisely because they resist polish.
The album is not a neutral recommendation for every gathering. Some listeners will hear charm, sincerity, and historical character; others will find the vocal roughness disarming. That strong reaction is part of its value. Dylan treats the material as something inherited from an older communal tradition rather than as a platform for vocal perfection.
The official Dylan site documents the 2009 release and its 15-song repertoire. It also records that U.S. and international royalties were donated to hunger-relief organizations, giving the project a documented charitable purpose alongside its unusual musical approach. A physical buyer looking for the album should verify the edition; a listing for Bob Dylan’s Christmas in the Heart CD may refer to different packaging or regional stock.
23. Christmas Fantasy — Anita Baker (2005)
Anita Baker’s Christmas Fantasy is a sophisticated R&B alternative to the pop, jazz, and crooner records elsewhere on this list. Her restrained soul phrasing avoids unnecessary vocal display, allowing the warmth of her tone and the arrangements to carry the record.
The prominence of “Christmas Time Is Here” gives the album a useful connection to the broader holiday canon, while Baker’s interpretation places it in a more adult R&B setting. GRAMMY coverage notes the album’s 2005 release and its performance on the Billboard R&B Albums chart. It is a strong choice when the desired mood is elegant, intimate, and soulful.
24. Christmas Songs — Low (1999)
Low’s Christmas Songs is the list’s clearest departure from conventional cheer. The band’s slowcore treatment is spare, melancholy, and atmospheric, using space and restraint to make the seasonal material feel fragile rather than festive.
This is not an album to play when the goal is a crowded-room sing-along. It is for late nights, winter solitude, and listeners who want Christmas music to acknowledge sadness, uncertainty, and stillness as well as celebration. Its inclusion makes the canon more honest: holiday listening has always contained more than brightness.
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20. Christmas — Michael Bublé (2011)
Michael Bublé’s Christmas is exceptionally effective at translating the classic crooner sound for contemporary listeners. The arrangements draw on traditional pop, swing, and big-band vocabulary, while Bublé’s polished delivery makes the material feel current rather than archival.
Its durability is unusually visible in the charts. Official Charts documents the album’s major UK sales, repeated seasonal returns, and its 2011 Christmas No. 1 status. GRAMMY also identifies it as a nominee for Best Traditional Pop Vocal Album. Bublé did not invent the style, but he made the classic holiday-crooner format newly accessible to a large modern audience.
21. A Holly Dolly Christmas — Dolly Parton (2020)
Dolly Parton’s A Holly Dolly Christmas combines country warmth, gospel feeling, guest-star appeal, and the unmistakable personality of its singer. Parton’s strongest holiday recordings feel conversational and communal, even when the production is polished.
As a contemporary entry, it succeeds because it does not hide its roots. The album draws on the country and gospel traditions that have always been central to American Christmas music while presenting them in a modern studio setting. GRAMMY’s holiday coverage places it among notable recent seasonal albums.
22. A Christmas Cornucopia — Annie Lennox (2010)
Annie Lennox approaches traditional carols through atmospheric production and a powerful, dramatic vocal presence. A Christmas Cornucopia is more art-pop than fireside crooner music: the arrangements create scale and shadow, and the performances emphasize the emotional gravity inside familiar melodies.
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- Jingle Bell Rock
- Rockin' Around The Christmas Tree
- I Saw Mommy Kissing Santa Claus
- Winter Wonderland
- My Christmas Prayer
That makes it a particularly good recommendation for listeners who want traditional songs with a darker, more cinematic edge. Official Charts places the album among the major-selling Christmas albums of the 21st century in the UK, confirming that an unconventional production approach can still reach a broad seasonal audience.
25. Christmas Peace — Elvis Presley (2003)
Christmas Peace is a later Elvis Presley compilation rather than the original 1957 album, and that distinction is why it occupies this final slot. It provides a separate way into Presley’s holiday catalog without duplicating the earlier entry.
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Choosing the right Christmas album for the occasion
| What you want | Best starting points | Why |
|---|---|---|
| Historical foundation | Bing Crosby, Nat King Cole, Elvis Presley | These records show how traditional pop, gospel, country, and early rock shaped the holiday-album tradition. |
| Jazz | Vince Guaraldi, Ella Fitzgerald, Diana Krall | From Guaraldi’s gentle piano to Fitzgerald’s swing and Krall’s restraint, each offers a different jazz vocabulary. |
| Soul and R&B | Stevie Wonder, The Temptations, Anita Baker | Choose these for rhythm, vocal-group power, gospel feeling, or understated soul phrasing. |
| Big arrangements | Phil Spector, Barbra Streisand, Annie Lennox | These records make orchestration and atmosphere central to the holiday experience. |
| Family listening | A Charlie Brown Christmas, John Denver and the Muppets, The Beach Boys | They combine strong musical identities with broad sing-along or multigenerational appeal. |
| Modern pop | Mariah Carey, Michael Bublé, Dolly Parton | These albums connect classic seasonal forms with contemporary star power and production. |
| Something less conventional | Bob Dylan, Sufjan Stevens, Low | They trade polish or uniform cheer for folk character, experimentation, melancholy, or intimacy. |
Buying these albums on physical formats
Christmas records are unusually rewarding physical purchases because they return to the listening schedule every year. Vinyl reissues exist for several major titles, including A Charlie Brown Christmas, Mariah Carey’s Merry Christmas, and other catalog favorites, but availability, pressing, packaging, and track lists can change quickly. A search result may contain multiple editions with different mastering, artwork, or bonus material.
Before buying, confirm the artist, exact album title, release year, format, and track list. This matters particularly for Crosby, Nat King Cole, Elvis Presley, and compilation-heavy catalogs. A listing that uses a familiar title may be a later edition rather than the historically significant original album. Treat “in stock” and price information as temporary rather than as part of the ranking.
For collectors, specialist record stores and official artist or label shops may be useful places to verify authorized reissues or locate collectible pressings, but availability and affiliate arrangements vary. The editorial ranking itself does not depend on owning a particular edition.
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Why Bing Crosby and Bob Dylan belong in the same canon
Crosby and Dylan represent two opposite but equally important ideas about Christmas music. Crosby helped establish the polished, mass-cultural holiday tradition: songs about home, absence, reunion, and seasonal comfort delivered with effortless vocal intimacy. His “White Christmas” and “I’ll Be Home for Christmas” helped define the emotional language that later albums inherited.
Dylan deliberately unsettles that tradition. His 2009 album reaches backward toward older popular-song forms and leaves the performances rough around the edges. It asks whether Christmas music needs contemporary polish to feel meaningful. The answer, in Dylan’s case, is no—and the album’s documented hunger-relief royalty donations give its purpose an important charitable dimension.
Putting them in one list is not a contradiction. It recognizes that a durable Christmas canon includes both the recordings that established the standard language and the later interpretations that challenge it.
Evidence note: Historical and catalog details in this guide draw on documentation from the Library of Congress, GRAMMY, RIAA, Official Charts, AllMusic, Craft Recordings/Concord, and official Bob Dylan materials. Sales, certifications, chart history, and catalog dates refer to the territories or editions identified by those sources and should not be read as universal comparisons.
Frequently Asked Questions
Is Bing Crosby’s Merry Christmas a 1945 or 1955 album?
Both dates appear in the catalog history. The important Crosby holiday recordings were assembled in a 1945 album context and are also commonly encountered through a 1955 catalog edition or later reissues. Check the specific track list and release information for the edition you are considering.
Which Christmas album should I hear first?
Start with Vince Guaraldi’s A Charlie Brown Christmas for jazz and family listening, Bing Crosby’s Merry Christmas for historical context, Phil Spector’s album for maximal pop production, Mariah Carey’s Merry Christmas for modern pop, or Bob Dylan’s Christmas in the Heart if you want something deliberately unconventional.
Is this a ranking based on sales?
No. It is an informed canon based on cultural importance, influence, performance and arrangement quality, annual durability, and relevance to modern listeners. Some entries have major documented sales or certifications, but commercial performance is only one part of the editorial judgment.
Why is Christmas Peace included when Elvis already appears at No. 3?
The final slot uses Christmas Peace, a 2003 Elvis Presley compilation, to resolve the catalog’s duplicate-title issue without adding a second Nat King Cole entry. It is distinct from the landmark 1957 studio album, Elvis’ Christmas Album.
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The Bottom Line
Bottom line: The best place to begin is Guaraldi for jazz, Crosby for history, Spector for influence, Carey for modern pop, and Dylan for individuality. Together, the 25 albums show that Christmas music is not one style but a continuing conversation among traditional pop, rock, soul, jazz, country, family entertainment, indie experimentation, and contemporary chart music.
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