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‘The Room Next Door’ Review: Pedro Almodóvar Probes Friendship and Death

Tilda Swinton and Julianne Moore reunite as former friends in Pedro Almodóvar’s drama about illness, autonomy and the sustaining value of companionship.
Opened Runtime3 min Written byDocumentaryTube Team
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The Room Next Door is a drama about two former friends finding their way back to each other while one faces serious illness. Pedro Almodóvar’s first English-language feature puts Tilda Swinton and Julianne Moore at its center, using their reunion to explore autonomy, grief and the pleasures of companionship—not only the question of how to face death.

What is The Room Next Door about?

Ingrid, an autofiction novelist, and Martha, a war reporter, were close friends when they worked at the same magazine. After years without contact, they meet again in an extreme and unexpectedly tender situation: Martha is seriously ill, and Ingrid is drawn into the way she has chosen to confront what lies ahead. The official synopsis keeps the focus on this reunion and its emotional stakes, rather than reducing the story to a debate about assisted dying.

That distinction matters to the film’s appeal. Illness gives the friends’ time together urgency, but the relationship is also made up of conversation, memory and the ordinary value of being in another person’s company. The central tension is how to respect a friend’s autonomy while remaining present to her.

How do Moore and Swinton shape the film?

Moore plays Ingrid and Swinton plays Martha. Their pairing gives the film a clear dramatic counterpoint: one woman is drawn into the other’s chosen course, and their conversations become the means by which the friendship is renewed. The Guardian praised the leads’ self-aware performances, while the Associated Press highlighted their work together. Those are critical judgments rather than a measure of universal agreement, but they point to the film’s main strength: the relationship depends on the actors making talk feel like action.

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Almodóvar said in his Venice director statement, “People talk a lot in my films.” Here, talk is not merely a delivery system for the plot. It is how the women test what they owe one another, what they can share, and where care stops short of control. The dialogue can sound heightened, and the Associated Press found some of it stilted. Whether that quality feels emotionally alive or overly composed is likely to be a key dividing line for viewers.

What does Almodóvar’s visual style add?

The film’s formal design offers a counterweight to its grave subject. The Associated Press praised its colorful design, and the Venice credits identify cinematographer Edu Grau, production designer Inbal Weinberg, costume designer Bina Daigeler, editor Teresa Font and composer Alberto Iglesias. This is a carefully shaped drama, not a documentary account of illness; its composed images and vivid surroundings make the story’s emotional world feel deliberately constructed.

That beauty can deepen the experience by making room for pleasure and connection alongside fear. It can also soften the severity of the subject. The question is not simply whether the film looks striking, but whether its visual polish sharpens the contrast between the women’s fragile circumstances and the life they continue to share.

How does the film adapt Sigrid Nunez’s novel?

The Room Next Door is adapted from Sigrid Nunez’s novel What Are You Going Through; the publisher describes the book as the inspiration for the feature. The paperback edition listed by Penguin Random House was published September 7, 2021, runs 224 pages and carries ISBN 9780593191422. Readers interested in the source can find its edition details on the publisher’s book page.

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Almodóvar described the film as his first feature in English. Transferring a novel into a talk-rich film gives the adaptation a particular challenge: the actors and visual form must make reflection feel dramatic rather than merely explanatory. The Associated Press’s reservations about some dialogue and an early flashback suggest where that balance may not work for every viewer, while the Guardian’s praise for the performances points to what can carry it.

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Is The Room Next Door worth watching?

It is a strong choice for viewers drawn to intimate, actor-led dramas in which conversation and visual design do much of the storytelling. Its most compelling idea is that friendship remains a living relationship even when illness and the prospect of death dominate the circumstances. The caveat is that Almodóvar’s stylized approach and heightened dialogue may feel mannered, and the Associated Press specifically found an early flashback overdone. Expect an expressive, reflective drama rather than a restrained or purely issue-driven treatment.

The Venice Biennale’s 2024 listing gives the film a 107-minute runtime; the Associated Press’s 2024 US review lists 110 minutes. The sources do not explain the difference, so neither figure should be treated as a universally applicable runtime. For current watch or digital-buy options, use Sony Pictures Classics’ official film page; availability can vary by location and change over time.

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