Lady Gaga opened the artistic program of the Paris 2024 Olympic opening ceremony on July 26, 2024, with a theatrical French-language performance of Mon truc en plumes. Associated with French revue legend Zizi Jeanmaire, the number used feathers, dancers, Dior couture, and cabaret staging to give the global ceremony an unmistakably Parisian opening.
Lady Gaga opened the artistic program of the Paris 2024 Olympic opening ceremony on July 26, 2024, with a theatrical French-language performance of Mon truc en plumes. The number was not a new song created for the Games: it is strongly associated with French revue performer Zizi Jeanmaire. Gaga’s version turned that music-hall classic into a global Olympic tableau of pink feathers, dancers, couture, and cabaret staging.
What Lady Gaga performed at the Paris Olympics
Gaga performed Mon truc en plumes near the beginning of the ceremony’s artistic sequences. Rather than presenting a conventional pop-concert set, the staging placed her in a deliberately theatrical revue setting, surrounded by dancers and prominent feather imagery.
The performance established a distinctly French tone before the ceremony moved through its many other musical, theatrical, and visual set pieces. That context mattered: Paris 2024 was designed as a city-wide spectacle, with much of the event unfolding along the Seine instead of inside a single stadium. The ceremony used Paris itself—its river, architecture, fashion, and public spaces—as part of the production.
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“Mon truc en plumes” and Zizi Jeanmaire
The song’s historical reference point is Zizi Jeanmaire, the French revue performer who made Mon truc en plumes famous. Jeanmaire was closely associated with the number’s feathered, high-theater presentation and with the French music-hall tradition that Gaga was recalling.
That distinction is important when describing the Olympic performance. Gaga did not originate the song, and Mon truc en plumes was not commissioned as a brand-new Olympic song. She was the 2024 interpreter of an established French stage classic.
Gaga’s delivery in French, combined with the dancers and feather motifs, made the reference legible even to viewers encountering the song for the first time. The performance borrowed the visual and theatrical vocabulary of revue: choreographed entrances, stylized poses, coordinated movement, and a deliberately heightened relationship between singer, dancers, costume, and stage picture.
A cabaret number inside a Seine-side Olympic ceremony
The opening ceremony’s unusual geography shaped how Gaga’s appearance was understood. Instead of treating the Olympic show as a stadium program viewed from one fixed angle, artistic director Thomas Jolly’s ceremony distributed tableaux through Paris and along the Seine.
Gaga’s number functioned as an early musical statement of that French identity. Its feathers and dancers evoked Parisian cabaret and music hall, while its visual polish connected the old revue tradition to the scale of a live international broadcast. It was a compact theatrical gesture rather than a conventional showcase for Gaga’s best-known pop hits.
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The result was an intentional cultural translation: an American global star performed a French-language classic, using a form associated with Parisian entertainment, for an audience watching the Olympic ceremony around the world.
The Dior costume and the performance’s visual language
Lady Gaga and the dancers wore Dior creations. LVMH’s account of the appearance described the presentation as an homage to Zizi Jeanmaire and to the choreography associated with Roland Petit, while identifying Dior as the fashion house behind the performers’ looks.
The clothing worked as couture performancewear rather than as an ordinary retail fashion outfit. Gaga’s dark, body-conscious base was set against dramatic feather elements, while the dancers’ coordinated costumes strengthened the impression of a classic revue brought into a contemporary Olympic production.
It is more accurate to describe the outfit as a custom couture performance look than as a Dior product that viewers could buy. The fashion contribution was part of the ceremony’s larger cultural framing: cabaret supplied the theatrical reference, Dior supplied a recognizable French couture connection, and the Olympic setting transformed both into a broadcast spectacle.
Why the performance mattered
Gaga’s appearance was more than a celebrity cameo. It was the ceremony’s opening musical gesture toward French cultural history. By choosing a number associated with Jeanmaire, the production acknowledged a specifically French entertainment tradition instead of using Gaga simply to perform one of her own international hits.
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The number also showed how the ceremony built meaning through recognizable combinations. The feathers suggested Jeanmaire and revue; the dancers supplied the choreography and music-hall vocabulary; Dior connected the scene to French fashion; and Gaga’s international profile carried the reference to a worldwide audience.
That does not make Gaga’s performance a replica of Jeanmaire’s original work. It is better understood as a reinterpretation: a contemporary performer and a large-scale Olympic production revisiting an emblematic French stage number through new staging, costume, and broadcast design.
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Where to watch the performance
The clearest viewing reference is the official artist-channel video titled “Lady Gaga – Mon Truc en Plumes (Live from The 2024 Paris Olympics)” on Lady Gaga’s official channel. An official artist upload is preferable to reposted clips, whose availability, quality, and rights status may change.
For historical listening context, recordings of the Zizi Jeanmaire version can help show how Gaga’s Olympic performance relates to the earlier French revue tradition. A digital listing for Jeanmaire’s recording is available through Amazon Music, but that listing should not be mistaken for a physical-media release or for an official archive of Gaga’s Olympic appearance.
The word “Live” in the official video title identifies the performance as coming from the Paris Olympics. It does not, by itself, establish every detail of the broadcast’s vocal recording, playback, or postproduction workflow. The safest description is that Gaga performed the number as part of the Olympic ceremony, without making a more specific claim about how the audio was recorded or transmitted.
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At a glance
| Detail | What is known |
|---|---|
| Event | Paris 2024 Olympic opening ceremony |
| Date | July 26, 2024 |
| Song | Mon truc en plumes |
| Historical association | Zizi Jeanmaire and French revue culture |
| Performance style | Cabaret and music-hall homage with dancers and feather imagery |
| Fashion house | Dior |
| Ceremony artistic director | Thomas Jolly |
| Official viewing reference | Lady Gaga’s artist-channel video, “Lady Gaga – Mon Truc en Plumes (Live from The 2024 Paris Olympics)” |
What not to assume about the number
- It was not an original song written specifically for Paris 2024.
- Gaga was not the performer who established the song’s place in French revue history; that association belongs chiefly to Zizi Jeanmaire.
- The Dior look should not be presented as an off-the-rack consumer costume or a generally available retail garment.
- The official video title should not be used as proof of a particular vocal recording or playback process.
- Availability of DVDs, Blu-rays, books, collectibles, or other official physical releases should not be implied without a current confirmation from a rights-holder or retailer.
Seen in context, Lady Gaga’s Mon truc en plumes was a carefully chosen opening statement: a French revue classic, interpreted by a global pop star, dressed by Dior, and staged as part of Paris 2024’s city-wide celebration of French art and culture.
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When did Lady Gaga perform “Mon truc en plumes” at the Olympics?
Lady Gaga performed “Mon truc en plumes” at the Paris 2024 Olympic opening ceremony on July 26, 2024. The number appeared near the beginning of the ceremony’s artistic sequences.
Who originally made “Mon truc en plumes” famous?
“Mon truc en plumes” is strongly associated with Zizi Jeanmaire, the French revue performer who made the number famous. Gaga performed a 2024 reinterpretation rather than originating the song.
Was Lady Gaga’s Olympic costume made by Dior?
Yes. Lady Gaga and the dancers wore Dior creations, according to LVMH’s account of the performance. The costumes were couture performancewear, not a standard retail outfit.
Where can I watch Lady Gaga’s Olympic performance?
The official viewing reference is Lady Gaga’s artist-channel video titled “Lady Gaga – Mon Truc en Plumes (Live from The 2024 Paris Olympics).”
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Lady Gaga’s Paris 2024 Olympic performance of Mon truc en plumes was a French cabaret homage, not a new Olympic song or a standard pop cameo. By revisiting Zizi Jeanmaire’s signature number with Dior costumes, dancers, and feathered revue imagery, the ceremony opened its artistic program with a distinctly Parisian cultural reference.
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