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Fix the driver behind crashes, sound loss and screen glitchesFind Drivers →Repair Windows errors before they cause bigger problemsFix Now →Scan for outdated or missing drivers - takes under a minuteDriver Scan →The Oscars 2025 Best Picture nominees ranked by Tomatometer place I’m Still Here first at 97%, followed by a three-way 93% tie among Anora, The Brutalist, and Conclave. Anora nevertheless won Best Picture at the 97th Academy Awards, held March 2, 2025, honoring films released in 2024.
The ranking below uses the displayed Rotten Tomatoes percentages retrieved on August 13, 2026. Because Rotten Tomatoes updates its underlying review data, the scores are a dated snapshot rather than permanent numbers.
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Key takeaways
- I’m Still Here led the displayed Tomatometer ranking at 97% among the ten 2025 Best Picture nominees.
- Anora, The Brutalist, and Conclave each displayed a 93% Tomatometer score.
- Anora won Best Picture at the 97th Academy Awards, despite not having the highest Tomatometer score.
- Dune: Part Two and Nickel Boys each displayed a 92% Tomatometer score.
- Emilia Pérez had the lowest displayed critic-consensus score in the field at 70%.
- The Tomatometer measures the percentage of positive reviews from approved professional critics; it is not an average rating, audience score, or prediction of Oscar results.
Oscars 2025 Best Picture nominees ranked by Tomatometer
According to Rotten Tomatoes’ 2025 Best Picture guide, these displayed percentages were retrieved on August 13, 2026. Rotten Tomatoes can update scores when its underlying review data changes, so the ranking may not remain identical over time.
| Rank | Film | Displayed Tomatometer | Displayed Popcornmeter | Academy result |
|---|---|---|---|---|
| 1 | I’m Still Here | 97% | Not included in the supplied ranking data | Best Picture nominee |
| 2 | Anora | 93% | Not included in the supplied ranking data | Best Picture winner |
| 3 | The Brutalist | 93% | Not included in the supplied ranking data | Best Picture nominee |
| 4 | Conclave | 93% | Not included in the supplied ranking data | Best Picture nominee |
| 5 | Dune: Part Two | 92% | 95% | Best Picture nominee; Sound winner |
| 6 | Nickel Boys | 92% | 75% | Best Picture nominee |
| 7 | The Substance | 89% | 76% | Best Picture nominee; Makeup and Hairstyling winner |
| 8 | Wicked | 88% | 95% | Best Picture nominee; Costume Design and Production Design winner |
| 9 | 81% | 95% | Best Picture nominee | |
| 10 | Emilia Pérez | 70% | 73% | Best Picture nominee; Supporting Actress and Original Song winner |
The order within the tied groups follows Rotten Tomatoes’ displayed guide order. The three films at 93% are not separated by a meaningful Tomatometer difference, and the same is true of the two films at 92%.
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What does the Tomatometer ranking actually measure?
The Tomatometer is the percentage of reviews from approved professional critics that Rotten Tomatoes classifies as positive. The Tomatometer is therefore a measure of critical consensus: a 90% score means that 90% of counted reviews were classified as positive, not that critics awarded the film an average grade of 9 out of 10.
Rotten Tomatoes’ official methodology explanation distinguishes the Tomatometer from the Popcornmeter, which reflects audience response. A film can have a high Tomatometer and a lower Popcornmeter, or the reverse. Neither percentage is a complete judgment of artistic quality, and neither percentage predicts the Academy’s final vote.
Why did Anora win Best Picture despite I’m Still Here ranking first?
Anora won Best Picture even though I’m Still Here had the highest displayed Tomatometer score. The difference exists because Rotten Tomatoes aggregates professional-critic review sentiment, while the Academy’s Best Picture award is determined through the Academy’s awards process.
The Academy’s official 97th Oscars page identifies the ceremony as taking place on Sunday, March 2, 2025, honoring films released in 2024, and lists Anora as the Best Picture winner. The other nine films in the table were Best Picture nominees.
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1Repair Windows errors before they cause bigger problems2Fix the driver behind crashes, sound loss and screen glitches3Clear out junk files and repair common Windows errorsWhich 2025 nominee had the strongest critical consensus?
I’m Still Here had the strongest displayed critical consensus at 97%, the highest Tomatometer percentage among the ten nominees. Rotten Tomatoes’ critics consensus says: “Carried along by Fernanda Torres’ superb performance, I’m Still Here poignantly explores a nation’s upheaval through one family’s search for answers.”
Walter Salles’ Brazilian political and family drama is the clearest choice for a reader using the Tomatometer alone to find the most broadly positive critical response. The 97% score does not make I’m Still Here the Oscar winner; Anora won Best Picture.
How do the three 93% nominees differ?
Anora, The Brutalist, and Conclave all displayed 93%, but they offer very different kinds of viewing experiences.
| Film | What the film emphasizes | Why readers may choose it | Awards context |
|---|---|---|---|
| Anora | A contemporary romantic drama built around a modern Cinderella variation and Mikey Madison’s performance | Best for viewers seeking an intimate, character-centered story with strong awards significance | Best Picture winner |
| The Brutalist | Large-scale historical drama, formal ambition, the immigrant experience, and Adrien Brody’s performance | Best for viewers interested in expansive filmmaking, architecture, period drama, and performance-led cinema | Adrien Brody won Leading Actor; the film also won Cinematography and Original Score |
| Conclave | A controlled political and institutional thriller about selecting a new pope | Best for viewers who prefer suspense, an ensemble cast, and contained institutional conflict | Ralph Fiennes received an acting nomination |
The 93% tie is a useful reminder that a single percentage does not distinguish tone, genre, scale, or craft priorities. A viewer choosing between these films should use the subject and style as much as the score.
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Is Dune: Part Two the best nominee for spectacle?
Dune: Part Two displayed a 92% Tomatometer score and a 95% Popcornmeter score. The film is the strongest choice in this field for viewers prioritizing science-fiction world-building, action, large-format imagery, sound, and visual spectacle. The Academy recorded its Best Picture nomination and its win for Sound.
Rotten Tomatoes’ critics consensus describes Dune: Part Two as “Visually thrilling and narratively epic, Dune: Part Two continues Denis Villeneuve’s adaptation of the beloved sci-fi series in spectacular form.”
Readers who want a physical home-viewing edition can look for the Dune: Part Two 4K Ultra HD Blu-ray. Retail and home-video records document a 4K Ultra HD release, although current inventory, edition details, price, and purchasing-program eligibility should be checked before publication or purchase.
How does Nickel Boys compare with Dune: Part Two?
Nickel Boys shared Dune: Part Two‘s displayed 92% Tomatometer score but had a displayed 75% Popcornmeter score. Rotten Tomatoes highlights RaMell Ross’ stylistically radical adaptation of Colson Whitehead’s novel and its immersive point of view.
| Criterion | Dune: Part Two | Nickel Boys |
|---|---|---|
| Tomatometer | 92% | 92% |
| Popcornmeter | 95% | 75% |
| Primary appeal | Epic science fiction, action, world-building, sound, and spectacle | Formal experimentation, literary adaptation, historical trauma, and immersive perspective |
| Audience-access question | Broad spectacle and franchise familiarity may make it more immediately accessible | Its radical point of view and difficult historical subject matter may demand more attention |
| Academy result | Best Picture nominee; Sound winner | Best Picture nominee |
The Popcornmeter gap should not be treated as a quality verdict. The Tomatometer and Popcornmeter measure different groups and outcomes, so the contrast is context rather than proof that one film is objectively better.
What do the lower-ranked nominees offer?
7. The Substance — 89%
The Substance displayed an 89% Tomatometer score, compared with a 76% Popcornmeter score. Rotten Tomatoes characterizes Coralie Fargeat’s film as audacious, gross, and wickedly clever, with a major performance from Demi Moore. The Academy recorded its Best Picture nomination and its win for Makeup and Hairstyling.
The Substance is the field’s clearest choice for viewers interested in body horror, genre extremity, makeup effects, and a deliberately divisive premise. Its lower audience percentage than critic percentage illustrates how subject matter can narrow mainstream appeal without preventing a strong critical response.
8. Wicked — 88%
Wicked displayed an 88% Tomatometer score and a 95% Popcornmeter score. Rotten Tomatoes emphasizes the charm of the musical adaptation and the pairing of Cynthia Erivo and Ariana Grande. The Academy recognized the film with wins for Costume Design and Production Design.
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The 88% critic score and 95% audience score make Wicked one of the clearest audience-favorite entries in the field. Viewers choosing it are likely prioritizing musical performance, accessible entertainment, star chemistry, costumes, and production design.
9. A Complete Unknown — 81%
A Complete Unknown displayed an 81% Tomatometer score and a 95% Popcornmeter score. Rotten Tomatoes highlights Timothée Chalamet’s performance in James Mangold’s Bob Dylan biographical drama. The Academy nominated the film for Best Picture and recognized Chalamet, Edward Norton, Monica Barbaro, and Costume Design in additional categories.
The difference between the 81% critic score and 95% audience score suggests a particularly strong audience response relative to the film’s professional-review consensus. The film is a natural choice for viewers drawn to music biographies, performance imitation, and historical dramatization.
10. Emilia Pérez — 70%
Emilia Pérez displayed a 70% Tomatometer score and a 73% Popcornmeter score, the lowest displayed critic percentage among the nominees. Rotten Tomatoes describes the film as a genre-bending musical crime thriller and an unapologetically trans story.
The film remains a substantial awards title despite its last-place Tomatometer position. The Academy lists its Best Picture nomination and records wins for Zoe Saldaña in Supporting Actress and for the original song “El Mal.” Emilia Pérez is the strongest example in this group of why one aggregate percentage cannot capture every response to genre hybridity, representation, music, and divisiveness.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.What is the best way to choose among the nominees?
The Tomatometer ranking is most useful when combined with the kind of film a viewer wants to watch. The following decision guide separates critical consensus from genre, audience response, and craft.
| If you want… | Start with… | Why |
|---|---|---|
| The highest displayed critic consensus | I’m Still Here | It led the field at 97%. |
| The actual Best Picture winner | Anora | The Academy awarded it Best Picture. |
| Epic science-fiction spectacle | Dune: Part Two | Its strengths include scale, action, world-building, imagery, and sound. |
| A tightly controlled political thriller | Conclave | Its story centers on institutional suspense and selecting a new pope. |
| An expansive immigrant drama | The Brutalist | Its critical discussion centers on scale, structure, Adrien Brody, and the immigrant experience. |
| Radical form and historical subject matter | Nickel Boys | Its immersive point of view and literary adaptation are central to its identity. |
| Body horror and makeup effects | The Substance | It combines critical acclaim with deliberately extreme genre material. |
| A mainstream musical | Wicked | It pairs major musical performances with audience-friendly production design and costumes. |
| A music biopic | A Complete Unknown | It focuses on Bob Dylan and received a particularly strong displayed audience score. |
| A genre-blending musical crime story | Emilia Pérez | It combines musical, crime-thriller, and trans-story elements and generated a more divided response. |
Where can you watch the 2025 Best Picture nominees?
Current U.S. streaming, rental, and digital-purchase availability for all ten films is not established by the supplied research and can change by title, platform, geography, and date. Historical 2025 viewing guides from Axios and TIME show that the nominees were distributed across subscription streaming, digital rental or purchase, and theatrical exhibition, but those historical listings should not be presented as current August 2026 availability.
Before watching, search each film separately in the services available in your country. For physical collectors, Dune: Part Two has documented 4K Ultra HD, Blu-ray, and DVD releases, while Criterion’s release schedule records an April 29, 2025 home-video date for Anora; the exact current edition and stock status should be verified before buying.
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The 2025 Best Picture field demonstrates the limits of treating a critic aggregate as an awards table. I’m Still Here led the displayed Tomatometer at 97%, while Anora won the Academy’s Best Picture award with 93%. Wicked and A Complete Unknown each displayed a 95% Popcornmeter despite critic scores of 88% and 81%, respectively.
A useful reading method is to ask three separate questions: Which film has the strongest professional-critic consensus? Which film did the Academy select? Which film best matches the viewer’s preferred genre, tone, and level of accessibility? The answers are not required to be the same.
Frequently Asked Questions
Which 2025 Oscar movie had the highest Rotten Tomatoes score?
The highest-ranked 2025 Oscars Best Picture nominee on the displayed Rotten Tomatoes Tomatometer was I’m Still Here, at 97%. The score was retrieved on August 13, 2026, and Rotten Tomatoes scores can change as review data is updated.
Did Anora or I’m Still Here have the higher Tomatometer?
Anora had a displayed 93% Tomatometer score, while I’m Still Here had 97%. Anora nevertheless won Best Picture at the 97th Academy Awards.
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No. The Tomatometer is the percentage of positive reviews from approved professional critics, not an average critic rating. The Popcornmeter is a separate audience measure.
The Bottom Line
I’m Still Here was the displayed Tomatometer leader among the 2025 Best Picture nominees at 97%, but Anora won the Academy’s Best Picture award. The ranking is a snapshot of professional-critic consensus retrieved on August 13, 2026—not an average rating or an Oscar forecast.
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