The most complete visual record of the 2024 Oscar-night celebrations comes from the Vanity Fair Oscar Party held after the March 10 ceremony. Its coverage spans arrivals, the party interior, studio portraits and informal photo-booth shots, while a separate transformation feature shows how guests changed from ceremony red carpet to after-party. The selections below are editorial highlights—not an objective ranking of every guest or event.
What the 2024 after-party coverage actually shows
“Afterparties” can sound like one giant event, but Oscar night includes several separate gatherings. Vanity Fair’s galleries document its own party; Getty Images’ 96th Academy Awards index separately organizes arrivals, inside-party, lookbook and dinner collections for multiple Oscar-night events. The Vanity Fair images should therefore be read as a focused portrait of one prominent party, not a complete record of every celebration in Los Angeles.
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| Gallery | Setting | What it adds |
|---|---|---|
| Vanity Fair looks | Arrivals | Designer credits and formal entrance portraits, published March 10, 2024 |
| Inside the Vanity Fair Oscar Party | Dinner, viewing party and interior | Candid atmosphere and guests socializing late into the night |
| Vanity Fair photo booth | Studio and informal booth portraits | A contrast between Mark Seliger’s studio work and guests’ looser snapshots |
| Vanity Fair transformations | Ceremony versus party | Paired looks showing outfit changes between two red carpets |
| Getty’s 96th Academy Awards index | Multiple Oscar-night collections | A broader event index, not a published attendance count or ranking |
Arrival looks that defined the Vanity Fair gallery
Vanity Fair’s looks feature identifies the clothing only where its captions provide a credit. These are among the clearest, source-attributed highlights:
- Emily Ratajkowski: a sculptural-inspired white Jacquemus dress.
- Salma Hayek: a one-shoulder sequined Gucci gown.
- Greta Lee: custom Loewe.
- Robert Downey Jr.: custom Louis Vuitton.
- Florence Pugh: Jean Paul Gaultier Haute Couture by Simone Rocha.
- Sabrina Carpenter: custom Tory Burch with Gianvito Rossi shoes.
- Barry Keoghan: Amiri, Boucheron jewelry and an OMEGA watch.
Those credits describe the published looks; they do not establish current retail availability, prices or whether a comparable garment can still be purchased.
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The night’s most useful comparison: ceremony look versus party look
Vanity Fair frames the evening as a second red carpet. Its March 10 gallery puts the idea plainly: “Once the Oscars ceremony is over, it’s time for a quick outfit change and to celebrate at the Vanity Fair Oscar Party.”
Andrea Riseborough’s documented change
Andrea Riseborough is shown in Loewe for one appearance and separately in Jeremy Scott Couture. Because both looks are presented as part of the transformation coverage, they make a particularly clear before-and-after comparison without requiring guesses from photographs.
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How to read the paired images
- Ceremony styling: the formal red-carpet look associated with the Academy Awards broadcast.
- Party styling: a second outfit selected for a longer evening of dinner, conversation and dancing.
- Editorial caution: not every attendee has a fully documented pair, so an apparent change should not be treated as confirmed unless the gallery caption identifies it.
Inside the party: dinner, viewing and a late-night mood
The inside-party gallery describes an intimate dinner and viewing party hosted by Vanity Fair editor in chief Radhika Jones, followed by a buoyant celebration that continued well into the night, with gold Oscar statuettes visible in the scene. Photographers Krista Schlueter and Landon Nordeman are credited for this coverage.
These photographs serve a different purpose from the arrivals gallery. Instead of isolating a gown or suit against a step-and-repeat, they show table settings, embraces, conversations and the shift from formal dinner to a livelier room. The result is an account of atmosphere rather than a roster of every attendee.
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Photo-booth portraits versus candid snapshots
The separate photo-booth feature adds another visual register. Mark Seliger’s studio portraits are deliberately composed, while the booth snapshots made by guests feel more spontaneous and social. Looking at the two together explains why “best photo” depends on what a viewer values: controlled portrait lighting, an expressive pose or the sense of being present at the party.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.How these images support a “best photos” selection
There is no published scoring system or comprehensive consensus ranking for the 2024 after-parties. A defensible editorial selection can instead use four transparent criteria:
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- Documented context: identify whether the image is an arrival, interior scene, studio portrait or booth snapshot.
- Clear attribution: name a designer only when Vanity Fair’s caption does so.
- Useful contrast: favor images that show ceremony-versus-party styling or formal-versus-informal presentation.
- Distinctive mood: include photographs that convey the dinner, viewing party or late-night celebration rather than repeating similar arrival poses.
Using those criteria, the Jacquemus, Gucci, Loewe, Louis Vuitton, Jean Paul Gaultier by Simone Rocha, Tory Burch and Amiri looks stand out for documented fashion detail, while the inside-party and booth galleries supply the strongest sense of how the evening felt beyond the entrance line.
What the galleries do—and do not—establish
- They establish a detailed visual record of Vanity Fair’s March 10, 2024 Oscar Party.
- They show that many guests changed outfits between the Academy Awards ceremony and the party.
- They do not provide a verified attendance total, a count of all Oscar-night parties or an objective “best dressed” ranking.
- Getty’s indexed image totals, where displayed, are catalog counts that can change and should not be presented as event statistics.
For a historical snapshot, the combination of arrivals, transformations, interior scenes and booth portraits is more informative than any single red-carpet gallery: it captures what guests wore, how the room looked and how the night loosened after the ceremony ended.
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