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Letters from the Silenced Country (original title: Listy) is a documentary by Belarusian director Andrei Kutsila about people confronting imprisonment, repression, exile and resistance in contemporary Belarus. Venice selected it for its 2026 Open Out of Competition program, and DOK Leipzig lists it in its 2026 International Competition Documentary Film program. A secondary trailer index labels a trailer official, but the available record does not establish that it was the film’s first trailer.
What the trailer and film are about
The film builds its portrait of Belarus through individual lives rather than an abstract overview. Venice’s synopsis follows a father trying to evade surveillance and possible arrest, a former criminal investigator who flees to Poland, a young student sentenced after protesting, and Vitold, a 50-year-old whose prison story is shaped by photographs sent from home. The accounts connect personal risk and loss to solidarity and the human cost of resistance. Venice’s film page describes these stories; the URL in the listing is not reproduced here because its exact address is not established in the available record.
IDFA’s catalog describes a mix of protest footage, political prisoners’ letters read to loved ones, surveillance-camera recordings, and animation based on drawings made in prison. A line included in that description—“Belarus is getting very quiet, it is drowning under the ice”—is dialogue from the film; the excerpt does not identify its speaker. IDFA’s catalog provides this account.
Kasia’s drawings are both evidence of expression under confinement and a visual thread transformed through animation. The film’s form brings together observational filmmaking, archival and found material, testimony, correspondence, surveillance footage, and animation. Venice and IDFA describe these elements.
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Why “first trailer” needs a qualification
The supplied headline calls it the “first trailer,” but the located secondary trailer index only labels a trailer as official. It does not establish the original publisher or confirm when the trailer first appeared. The chronology claim should therefore be treated as headline framing, not as a verified release fact.
Where the documentary is screening
Venice
The Venice program lists Listy in its 2026 Open Out of Competition section. Venice gives the film a 75-minute runtime and lists Poland, Germany, and Lithuania as production countries. filmportal.de records a Venice premiere on 9 September 2026. See the Venice listing and filmportal.de.
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DOK Leipzig
DOK Leipzig lists the film in its 2026 International Competition Documentary Film program, with screenings including 29 October 2026. Its listing gives a 72-minute runtime and says English and German subtitles are available. At the time represented by that festival schedule, those screenings were upcoming. Check the DOK Leipzig program for the current schedule.
Why listings give different runtimes
There is no single duration established across the available festival and catalog records. Venice, filmportal.de, and IDFA list 75 minutes; DOK Leipzig and Cineuropa list 72 minutes; DOKweb lists 90 minutes. The sources do not explain whether the differences reflect separate cuts, updates, or stale catalog data. For a particular screening, the relevant festival listing is the clearest guide.
Rank #3
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Languages and credits
Venice lists Belarusian, Russian, and Polish, while DOK Leipzig lists Belarusian and Russian and specifies English and German subtitles. IDFA lists Belarusian and Russian as spoken languages. These catalog details are not identical, so viewers should check the listing for their screening.
Kutsila directed and wrote the documentary. Venice credits cinematography to Wojciech Weglarz and an anonymous cinematographer; editing to Piotr Ogiński; music to Vygintas Kisevičius and Paulius Kilbauskas; sound to Saulius Urbanavičius; and animation to Natalia Spychała. Production entities listed by Venice are DocEdu Foundation, Moonmakers, and inselfilm produktion. filmportal.de names producers Mirosław Dembiński, Giedrė Žickytė, Gregor Streiber, and Friedemann Hottenbacher. IDFA lists Filmotor as world sales and names ZDF/ARTE, Telewizja Polska, and Deutsche Welle among the involved TV channels. These credits do not confirm a consumer streaming or home-release date.
Rank #4
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The director’s perspective
In his director statement on the Venice page, Kutsila writes: “I was forced to leave Belarus five years ago, after the protests against the falsification of the presidential elections were violently suppressed.” The first-person account provides context for his perspective as a Belarusian filmmaker living in exile.
DOK Leipzig’s program description says that more than 65,000 people have been criminalised and detained since Alexander Lukashenko’s controversial re-election in 2020. That figure is the festival’s framing; it is not independently verified here. The film itself focuses on the lived experiences behind the broader subject.
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