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Repair Windows errors before they cause bigger problemsFix Now →Scan for outdated or missing drivers - takes under a minuteDriver Scan →Clear out junk files and repair common Windows errorsFree Scan →Israeli embassies promoted NAZA: The Real Story, a separate online film challenging the award-winning documentary NAZA, and the Israeli government recognized the rival film’s makers for public-diplomacy work, according to a Guardian investigation published 8 October 2026. The evidence reported by The Guardian establishes promotion and recognition—not that the Israeli government financed or produced the film. The US embassy said the foreign ministry was not involved in its production.
Two different films share a name
NAZA is an 80-minute documentary directed by Yuval Abraham and Rachel Szor and produced by The Guardian and JW Films. La Biennale di Venezia lists Hebrew and English dialogue; the film received the 2026 Venice International Film Festival’s Special Jury Prize, according to the Associated Press.
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NAZA: The Real Story is a separate online film made by Ariel Averbuch and Roi Danino, as reported by The Guardian. The Guardian described it as imitating some stylistic features of the original. Similarity in presentation does not establish that the films share creators, production, or funding.
| Project | Creators and identity | Distribution | What is established about its presentation |
|---|---|---|---|
| NAZA | Directed by Yuval Abraham and Rachel Szor; produced by The Guardian and JW Films. Listed by Venice as an 80-minute film. | Festival and theatrical releases; The Guardian announced plans for free streaming on its website from late November 2026. | Uses anonymized interviews with Israeli military insiders and is the documentary recognized at Venice. |
| NAZA: The Real Story | Made by Ariel Averbuch and Roi Danino, according to The Guardian. | Hosted online at nazadocumentary.com. | The Guardian reported that it imitated some features of the original and that the website initially presented itself using the original film’s promotional identity. |
What “Israel backs” means in this case
The Guardian reported that Israeli embassies promoted the rival film and that its makers received a government certificate of appreciation for their contribution to Israeli public diplomacy. The Israeli embassy to the US said the foreign ministry did not produce the film; it said the ministry intended to amplify its creators’ message and expose wider audiences to arguments challenging what it called false allegations.
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Those reported actions support describing the rival as promoted by Israeli embassies and its makers as recognized by the government. They do not establish state financing or government production. Averbuch described the project, in The Guardian’s account, as an “offensive move” meant to shift attention from allegations about Israeli military killings of civilians.
How the rival website initially presented itself
The Guardian reported that the domain was registered on 16 September 2026, six days after the original documentary premiered in Venice. At first, the site appeared to promote the original NAZA: it reportedly named Abraham and Szor as directors and listed festivals where their documentary was due to screen. The Guardian also said the site altered the original synopsis to remove reference to Palestinian civilian deaths. That wording was later removed when the rival film video was added.
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The Guardian reported that the rival site displayed a counter suggesting more than 42 million views, while its official YouTube page showed about 30,000. The larger counter is not a verified audience total: the report said technical analysis suggested it might count website requests rather than people, and the rival filmmaker said he did not know where the figure came from.
What the award-winning documentary alleges—and what the IDF says
The film’s account
The Venice Biennale’s official synopsis says the documentary reveals systems behind what it calls Israel’s “calculated mass killing of Palestinian civilians in Gaza.” That is the festival’s description of the film, not a court finding. The film uses anonymized interviews with Israeli military insiders. The Guardian described 24 such interviews in the documentary; the filmmakers told The Guardian they had spoken to more than 100 sources with knowledge of military systems. The larger source pool should not be confused with the film’s 24 on-camera interviews.
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The Guardian’s release announcement explains that NAZA is a military acronym used by Israeli intelligence to indicate the number of civilians expected to be killed in an airstrike. The IDF gives a different explanation: it says “NAZA” abbreviates Nezek Agavi, meaning “collateral damage,” and is a professional term for incidental civilian harm from a strike on a military objective.
The Associated Press described the film’s allegations as involving sophisticated, sometimes AI-operated systems used to identify suspected militants and strikes that the military allegedly knew would kill large numbers of civilians. AP reported that the filmmakers said their claims were vetted.
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The IDF’s rebuttal
The IDF disputes the documentary’s interpretation. Its published response calls the film’s portrayal “distorted, misleading, and disingenuous.” The military argues that interviewees described only early stages of target planning, that later precautions can alter estimates of civilian harm, and that commanders may modify or cancel strikes after assessing expected harm. AP reported that the IDF acknowledged using AI while saying intelligence officers and operational commanders make targeting and strike decisions.
The IDF also argued that many interviewees did not know the full process. Its response says its assessment drew on a representative’s attendance at a public screening, other public accounts, and the filmmakers’ public statements. It does not establish that the military reviewed source materials it had not received. The documentary’s allegations and the military’s response are competing accounts; neither should be presented as a judicial determination.
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Release and viewing options
The original NAZA premiered at Venice on 10 September 2026 and received the festival’s Special Jury Prize on 12 September, according to AP. The Guardian announced global cinema release plans on 24 September. AP reported a US theatrical expansion on 9 October and said the film was expected to stream free on The Guardian’s website from late November 2026. These are announced plans; check the relevant distributor or Guardian listing for current showtimes and availability.
The rival film is described in the reporting as an online project hosted at nazadocumentary.com. Its reported website counter should not be used to infer how many people watched it.
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