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‘High Potential’ Season 2, Episode 8 Recap: The Rembrandt Case and Morgan’s Choice

The Rembrandt case exposes a forgery and insurance scheme, but Morgan’s choice to let Rhys escape—and Karadec’s concern about Wagner—sets up the episode’s real cliffhanger.
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Spoilers: In “The One That Got Away: Part Two,” the missing Rembrandt case turns out to involve a forgery and insurance scheme. Rhys—the thief Morgan suspected—takes the original painting from the Fosters’ yacht, then returns it to its rightful owner. Morgan knows what he has done and lets him go, leaving the episode’s biggest cliffhanger in her judgment and its consequences, not in the murder investigation.

ABC lists “The One That Got Away: Part Two” as Season 2, Episode 8 of High Potential, with a Jan. 7, 2026 date, a 41:04 runtime and a TV-14 rating. Its brief logline is “Roman’s missing backpack causes problems for all involved.” The episode’s main case, however, follows the hunt for a missing Rembrandt and the murder of museum director Cyrus. ABC’s listing is available on ABC’s episode page, which directs viewers to Hulu; availability can vary by region.

What happens in “The One That Got Away: Part Two”?

Morgan’s suspicion falls on Rhys

As the LAPD pursues art thief Jean Baptiste, Morgan connects a shoulder scar on Rhys Eastman to an injury she associates with the thief. Her suspicion puts someone close to her under scrutiny while the team works a case that initially points to Emilio, the live-in boyfriend of murdered museum director Cyrus.

The Rembrandt theft is part of a larger scheme

The painting’s owners, the Fosters, had supplied the museum with a forgery while keeping the original. They were working with Cyrus to collect an insurance payout. When Cyrus tried to take a larger share, the Fosters killed him. The apparent theft therefore masks a scheme involving the people who owned the painting and the director responsible for the museum’s version of events.

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Rhys takes the original from the yacht

Karadec and Wagner catch the Fosters on their yacht, but the real painting is gone. Rhys, in scuba gear, took it amid the commotion. Morgan waits for him on shore. Her suspicion is confirmed, but instead of arresting him, she lets him leave. Rhys later returns the original painting to its rightful owner.

Who stole the Rembrandt, and why does Morgan let him go?

Rhys is the person who takes the original from the yacht. The Fosters and Cyrus were responsible for the forgery and insurance fraud scheme; Rhys’s theft is a separate act that ends with the painting returned to its rightful owner. That restorative outcome gives Morgan a reason to let him go, but it does not erase his legal culpability or make her decision an ordinary police procedure.

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Morgan acts on her judgment of what Rhys will do with the painting rather than on the team’s case needs. Her choice pits intuition and a potentially just outcome against her duty to the investigation and the trust of her colleagues. Showrunner Todd Harthan told TVLine on Jan. 6, 2026, “I have no regrets,” describing his view of Morgan letting Rhys escape. On whether Morgan would be haunted by the decision, he said, “I haven’t thought of it in those terms, other than to say that Morgan isn’t someone who lives or wallows in regret.”

What is the cliffhanger at the end?

The murder case is resolved and the painting is returned; the unresolved tension is personal. Morgan has allowed a suspected thief to escape, a decision that could affect her standing with the team. The final bar scene adds another pressure point: Karadec watches Morgan and Wagner with evident concern. TVLine reported Harthan describing Karadec’s reaction as concern, worry and fear of the unknown. He said at the time that the questions surrounding Wagner would be addressed in the season’s back half.

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That ending makes the episode’s hook less a mystery about the painting than a test of relationships and judgment. Rhys may remain a story thread, while Morgan’s choice and Wagner’s place beside her leave the team’s dynamics unsettled. Asked whether Rhys might return, Harthan told TVLine, “The reason why we do things like this in a long-running series is because it adds another potential thread that can weave back in whenever we decide it’s worth it.” That leaves a return possible, not confirmed.

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Did this episode get 12.90 million viewers?

No episode-specific audience figure for “The One That Got Away: Part Two” is established here. The 12.90 million figure belongs to a different High Potential episode: the Jan. 7, 2025 winter return. ABC’s Jan. 17, 2025 ratings release reported 12.90 million viewers after seven days across ABC, Hulu, Hulu on Disney+ and digital platforms, using Nielsen National Live+7 Day program ratings and ABC Multiplatform+7 Day data. The release also reported growth from an initial 5.60 million Live+Same Day audience. Those figures do not measure the Season 2, Episode 8 return a year later, and they do not establish a current ranking as ABC’s most-watched crime comedy. See the ABC/Disney Television Group ratings release.

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Episode details and where to watch

  • Series: High Potential
  • Episode: Season 2, Episode 8, “The One That Got Away: Part Two”
  • ABC listing date: Jan. 7, 2026
  • Runtime and rating: 41:04; TV-14
  • Streaming: ABC’s episode page directs viewers to Hulu; check regional availability.

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