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1Scan for outdated or missing drivers - takes under a minute2Repair Windows errors before they cause bigger problems3Fix the driver behind crashes, sound loss and screen glitchesHit Man mixes Graham Reynolds’s original score with licensed songs and other music. The 12-track Reynolds album is only the score—not the full film soundtrack. Below is a scene-by-scene guide to the songs with reported placements, plus the additional music credited without reliable scene timings.
Hit Man soundtrack: score album vs. songs in the film
Richard Linklater’s 2024 Netflix film stars Glen Powell as Gary Johnson, a professor who moonlights as a fake hit man for the New Orleans Police Department, and Adria Arjona as Madison. Netflix released the film for streaming on June 7, 2024; that is distinct from its earlier 2023 festival premiere. Netflix’s Media Center provides the film’s identity and premise.
Graham Reynolds composed the original instrumental score. Netflix Music released the digital album Hit Man (Soundtrack from the Netflix Film) on May 31, 2024. It contains 12 tracks and runs roughly 31 minutes. The film also uses licensed songs and source music, so the album is not a complete list of everything heard on screen.
The 12-track Graham Reynolds score
| Track | Length |
|---|---|
| “Hit Man” | 2:47 |
| “You’re Billy” | 1:49 |
| “Animal Abandon” | 3:07 |
| “Madison” | 2:26 |
| “Cabbage Alley” | 2:07 |
| “It’s So Weird” | 2:20 |
| “We Don’t Have a Choice” | 2:11 |
| “A Personal Attack” | 2:06 |
| “Superego” | 1:21 |
| “Not Technically Divorced” | 4:53 |
| “What’s Our Story?” | 3:06 |
| “All Pie Is Good Pie” | 2:49 |
Song and scene guide
The times below are approximate Netflix playback positions reported by soundtrack guides, not frame-accurate timecodes. Playback positions may shift with the version, intro behavior, or credits timing.
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| Approximate position | Song and performer | Scene or placement |
|---|---|---|
| 00:00 | “New Orleans Bump” — Jelly Roll Morton | Opens the credits; the music drops as Gary begins teaching. |
| 00:01 | “Space Zydeco” — Buckwheat Zydeco | Classroom and transition sequence. |
| 00:02 and around 00:20 | “99 Plus 1” — June Gardner | Appears during Gary’s routines and returns later. |
| Around 00:20 | “Vulture Island” — Rob49 | Nightclub sequence. |
| Around 00:21 | “Big Chief” — Professor Longhair | Accompanies Gary’s narration and persona work. |
| Around 00:45 | “Down Home Girl” — Alvin Robinson | Gary/Ron and Madison’s restaurant scene. |
| Around 00:51 and 01:47 | “Cast Your Fate to the Wind” — Allen Toussaint | Appears during an intimate scene and returns near the end. |
| Around 00:53 | “When It’s Sleepy Time Down South” — Ruby Braff | As Madison walks upstairs, continuing into a transition. |
| Around 00:59 | “St. James Infirmary” — Kid Thomas Valentine | As the couple joke about their “love nest,” and into a transition. |
| End credits | “Such a Night” — Dr. John | Plays over the end credits after the final return of “Cast Your Fate to the Wind.” |
“Cast Your Fate to the Wind” is the Allen Toussaint recording in the film. The composition is often associated with Vince Guaraldi, but the film cue is credited to Toussaint’s performance.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Other credited music without dependable scene timings
Soundtrack listings also credit the following tracks, but the available scene guides do not establish reliable exact placements for all of them:
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