“Drake vs. Everybody” is a shorthand for Drake’s 2024 multi-target response “Push Ups,” not the song’s official title. Released on April 19, 2024, the track followed Kendrick Lamar’s verse on “Like That,” while contemporary coverage described Drake as addressing Lamar primarily and taking shots at several other artists.
What does “Drake vs. Everybody” mean?
The phrase became a convenient label for the cluster of artists discussed in connection with “Push Ups.” Apple Music lists Drake’s release under the title “Push Ups”; an April 22, 2024, Apple Podcasts episode used “Drake vs Everybody” as a descriptive title for discussion of the track and its targets. The phrase is therefore a framing device, not an official song title or proof that every artist named was involved in the same way.
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How did the exchange begin?
March 22: Kendrick Lamar’s “Like That” verse
Future and Metro Boomin released their album WE DON’T TRUST YOU on March 22, 2024. Apple Music’s album notes identify an uncredited Kendrick Lamar verse on “Like That.” The Associated Press describes that verse as a diss directed at Drake, making it the immediate lead-in to the response.
April: “Push Ups” leaks, then gets an official release
The Associated Press reported that “Push Ups” leaked earlier in April. That leak is distinct from the official streaming release: Apple Music records the one-song single as released on April 19, 2024, under OVO/Republic. Pitchfork’s coverage published that day characterized the song as primarily addressing Lamar while also taking shots at others.
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April 22: the shorthand enters the conversation
An Apple Podcasts episode dated April 22 used “Drake vs Everybody” to describe discussion of Drake’s track and shots at Lamar, Future, The Weeknd, Rick Ross, and Metro Boomin. That usage captures the wider conversation around the song, not an assertion that all those artists occupied identical roles in the exchange.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Where do the named artists fit?
| Artist | Role in the 2024 context | What the evidence supports |
|---|---|---|
| Kendrick Lamar | Immediate lead-in and primary focus described in coverage | His “Like That” verse preceded “Push Ups”; contemporary reporting characterizes Drake’s response as primarily directed at him. |
| Future and Metro Boomin | Album context for “Like That” | They released WE DON’T TRUST YOU, which includes Lamar’s verse on “Like That.” Coverage also included them among the wider discussion of “Push Ups.” |
| Rick Ross and The Weeknd | Among the wider set of artists associated with the dispute | They are named in contemporary discussion of the track’s targets; the sources do not establish that their roles matched Lamar’s. |
These distinctions matter: Lamar’s verse is the clearest immediate trigger, while the other names belong to the broader context described by contemporary coverage. The available sources do not establish a definitive ranking of anyone’s grievances.
What can—and can’t—be concluded from a diss track?
A diss track communicates an artist’s taunts, accusations, and framing of a dispute. Those lyrics are not independent proof that an allegation is true. “Push Ups” can be understood as a response in a musical exchange, but claims made in the song should remain attributed to the artist rather than repeated as established fact.
This account concerns the releases and coverage of 2024. It does not establish that the dispute remains active today.
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