Yes. Bret Hart really did draw cartoons, and he described the hobby himself in a 1997 SLAM! Wrestling interview. He said, “I just draw cartoons,” adding that some were “very good,” and connected the drawings to a “very, very wicked sense of humor” and “a vivid imagination” that did not show in the ring.
What Bret Hart said about drawing cartoons
Hart’s own account is the strongest evidence for the talent. Asked whether his drawings were gags, animation or something else, he replied that he simply drew cartoons. He said he hoped to publish a book made up of his cartoons “sometime in the near future.”
That answer establishes a serious personal creative practice, but not a second career as a syndicated cartoonist. The interview does not identify a newspaper strip, animation credit, formal cartooning job or large published catalog. It is more accurate to describe Hart as a wrestler who drew cartoons and believed he was good at them than as a professional cartoonist with a documented national output.
What kind of cartoons did he make?
The available interview does not provide titles, surviving panels or a detailed catalog. Hart’s description points to personal gag cartoons shaped by exaggeration, imagination and a darkly playful sense of humor.
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Private humor behind a serious wrestling persona
Hart specifically contrasted the drawings with what audiences saw in the ring. His public wrestling character was controlled and intense; he said the wicked humor behind his cartoons did not come across in that setting. The cartoons therefore offer a glimpse of a more private, playful side rather than a continuation of his on-screen persona.
Caricature rather than a documented strip
Nothing in the cited interview proves that Hart produced a regular strip or animated series. It supports the idea of informal, imaginative cartooning, while leaving the size and subject range of his personal archive undocumented.
How cartooning connects to Hart’s wrestling world
Hart’s drawings are an interesting counterpoint to his views on wrestling presentation. In a 2012 WWE interview, he recalled an earlier style built around “cartoon characters” and contrasted it with a later emphasis on wrestling ability and more realistic performers.
That distinction matters: Hart could enjoy drawing cartoons while objecting to cartoonish presentation as the complete identity of wrestling. His private caricatures and the industry’s exaggerated character era are related through humor and visual storytelling, but they are not the same thing.
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Did Bret Hart ever publish the cartoons?
A 1997 interview records his intention to publish a book, but the cited evidence does not confirm that a dedicated cartoon collection was released. Hart’s official website does list a “Cartoon AUTOGRAPHED 8X10,” showing that cartoon artwork became part of his public merchandise.
That item demonstrates that the artwork was used commercially, not how many drawings Hart made, when they were created or how broad their audience became. No reliable statistic establishes his total output, sales or readership.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Why is his memoir called My Real Life in the Cartoon World of Wrestling?
The full title is Hitman: My Real Life in the Cartoon World of Wrestling. The phrase “cartoon world” should not be read as proof that the memoir is a cartoon collection or that Hart had a separate cartooning career. It describes the colorful, character-driven wrestling environment he experienced, especially the earlier presentation he later discussed with WWE.
The memoir is a wrestling autobiography, not a documented portfolio of his drawings. Publishers Weekly’s 2008 review identifies the Grand Central hardcover as 569 pages (ISBN 978-0-446-53972-2) and emphasizes Hart’s detailed wrestling narrative and family history.
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Where to start if you want Hart’s own perspective
Hitman: My Real Life in the Cartoon World of Wrestling is the natural starting point for readers who want Hart’s broader account of his life and the wrestling business. The official Bret Hart shop lists an autographed softcover edition, while the Publishers Weekly record identifies the 2008 hardcover publication.
- Use the 1997 interview for Hart’s direct comments about drawing, humor and his hoped-for cartoon book.
- Use the memoir for his wider wrestling, family and career perspective.
- Treat merchandise artwork as evidence that cartoons became part of his public brand, not as proof of a large published cartoon catalog.
What the evidence supports—and what it does not
| Question | What is established | What remains unestablished |
|---|---|---|
| Can Bret Hart draw cartoons? | Hart said in 1997 that he drew cartoons and considered some very good. | Formal training or professional cartooning credentials are not identified. |
| What were they like? | He linked them to a wicked sense of humor and vivid imagination. | Specific recurring characters, themes or titles are not documented in the cited material. |
| Did he publish a cartoon book? | He said he hoped to publish one. | The cited evidence does not confirm a dedicated collection or quantify an archive. |
| Why “cartoon world” in the memoir title? | It fits wrestling’s character-driven, sometimes cartoon-like presentation. | It does not establish that the book is a cartoon anthology. |
The Bottom Line
Bret Hart’s cartooning was a genuine, self-described creative talent tied to his humor and imagination. The evidence supports an avid personal cartoonist whose artwork reached official merchandise—not a separately documented syndicated-cartoon career.
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