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Short answer: Beyoncé won Album of the Year for COWBOY CARTER, Kendrick Lamar swept five awards with “Not Like Us,” and Chappell Roan won Best New Artist at the 2025 Grammys. The Los Angeles ceremony also centered wildfire relief, first responders, and tributes, while Roan, Sabrina Carpenter, Taylor Swift, Charli xcx, Doechii, Billie Eilish, and Lady Gaga supplied the night’s most discussed style stories.
The headline: Beyoncé and Kendrick Lamar dominated
The 67th Annual GRAMMY Awards belonged to two very different but equally consequential winners. Beyoncé finally won Album of the Year for COWBOY CARTER, while Kendrick Lamar’s “Not Like Us” swept all five categories in which it was nominated. Chappell Roan won Best New Artist, Sabrina Carpenter took two awards, and Doechii won Best Rap Album.
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The ceremony took place on Sunday, February 2, 2025, at Crypto.com Arena in Los Angeles, with Trevor Noah hosting for the fifth consecutive year. It was also a response to the severe Southern California wildfires: the Recording Academy and MusiCares placed wildfire relief, affected music professionals, first responders, and Los Angeles itself at the center of the broadcast.
This recap covers the major winners, the most important televised moments, and the red-carpet looks that defined the night. It distinguishes the main telecast from the Premiere Ceremony, where many awards were presented before the broadcast.
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2025 Grammys winners at a glance
| Artist or recording | Major result | Why it mattered |
|---|---|---|
| Beyoncé — COWBOY CARTER | Album of the Year; Best Country Album | Her first Album of the Year win and the first Best Country Album win for a Black woman |
| Kendrick Lamar — “Not Like Us” | Five wins, including Record and Song of the Year | A complete sweep and Lamar’s first wins in both General Field categories |
| Chappell Roan | Best New Artist | The award capped her breakout year |
| Sabrina Carpenter | Best Pop Solo Performance; Best Pop Vocal Album | Her first GRAMMY wins arrived alongside a major performance moment |
| Doechii — Alligator Bites Never Heal | Best Rap Album | A major breakthrough for one of the ceremony’s most distinctive new voices |
| Lady Gaga and Bruno Mars — “Die With a Smile” | Best Pop Duo/Group Performance | The collaboration earned one of the night’s notable pop-category wins |
| Charli xcx | Three awards, including Best Dance/Electronic Music Album and Best Dance Pop Recording | The *BRAT* era translated its club-oriented identity into awards recognition |
Beyoncé makes history with COWBOY CARTER
Beyoncé won Album of the Year for COWBOY CARTER, her first victory in the category after multiple previous nominations. The result resolved one of the Recording Academy’s most persistent awards narratives while recognizing an album built around country music, Black musical history, and the connections between genres.
She also won Best Country Album, becoming the first Black woman to win that category. That distinction is specific to the Best Country Album award; it does not mean she was the first Black woman to receive any GRAMMY connected to country music. The category win nevertheless gave the album’s country framing institutional recognition in both a genre field and the General Field.
Beyoncé shared another country award with Miley Cyrus. Their song “II Most Wanted” won Best Country Duo/Group Performance, adding a collaborative victory to the album’s historic night.
For listeners who want to revisit the winning project in a physical format, COWBOY CARTER vinyl is the most direct collector-oriented companion to this story. Pressings, sellers, prices, and availability can change, so any purchase decision should be based on the current listing rather than assumed stock.
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Kendrick Lamar’s “Not Like Us” won every category in which it was nominated:
- Record of the Year
- Song of the Year
- Best Rap Performance
- Best Rap Song
- Best Music Video
The sweep made the song the night’s dominant competitive story. It also gave Lamar his first wins in the two General Field categories: Record of the Year and Song of the Year.
Record of the Year and Song of the Year are not interchangeable awards. Record of the Year recognizes the finished recording, including the performance and production, while Song of the Year recognizes the songwriting. “Not Like Us” won both, meaning the Academy recognized the track as both a recording and a composition.
The award haul also illustrated how one culturally dominant song can move through several parts of the GRAMMY ballot at once: performance, songwriting, rap, video, and the general categories all favored the same record.
For fans following the sweep beyond the single, GNX vinyl or CD is a natural physical-media route into Lamar’s 2024-era work. The exact format and inventory should be checked at publication or purchase time because physical editions are more volatile than the award result itself.
Chappell Roan wins Best New Artist
Chappell Roan won Best New Artist, beating Sabrina Carpenter, Doechii, Benson Boone, Shaboozey, RAYE, Teddy Swims, and Khruangbin. The result capped a breakout year in which Roan became not only a successful recording artist but also one of pop’s most visually recognizable performers.
Her win was especially fitting because her public identity is inseparable from presentation: theatrical costumes, heightened characters, camp sensibility, and elaborate stage worlds all helped turn her breakthrough into a broader cultural moment.
Her debut album, The Rise and Fall of a Midwest Princess, is the central recorded document of that breakthrough. Readers building a physical collection around the ceremony can compare current listings for The Rise and Fall of a Midwest Princess vinyl, while keeping in mind that edition, pressing, and seller information can change.
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Sabrina Carpenter and Doechii earn their first GRAMMY wins
Sabrina Carpenter turns a breakout year into two awards
Sabrina Carpenter won Best Pop Solo Performance for “Espresso” and Best Pop Vocal Album for Short n’ Sweet. Her two victories made her one of the clearest examples of an artist converting a high-profile pop breakthrough into formal awards recognition.
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Her performance and red-carpet appearance extended the same visual language: polished retro-pop, playful old-Hollywood glamour, and a carefully controlled sense of show-business character. The combination of two wins, a major stage slot, and prominent fashion coverage made Carpenter one of the evening’s defining breakout figures.
For listeners who want the album associated with both of her wins, Short n’ Sweet vinyl is the relevant physical-edition search. Availability and specific pressings should be verified rather than assumed.
Doechii wins Best Rap Album
Doechii won Best Rap Album for Alligator Bites Never Heal. Her victory placed a highly individual performer and songwriter at the center of one of the night’s major genre categories and reinforced the ceremony’s generational shift toward artists with strong visual identities as well as distinctive music.
Doechii’s awards narrative was supported by her fashion and stage presence. Her ceremony look favored sharply structured tailoring and an authoritative, deliberately editorial silhouette rather than conventional red-carpet softness.
Other important category results
- Lady Gaga and Bruno Mars: “Die With a Smile” won Best Pop Duo/Group Performance.
- Charli xcx: She won three awards, including Best Dance/Electronic Music Album for BRAT and Best Dance Pop Recording for “Von dutch.”
- Sierra Ferrell: She was a major winner at the Premiere Ceremony, taking four awards.
- The Beatles: “Now and Then” won Best Rock Performance.
The Premiere Ceremony matters because many GRAMMY categories are awarded before the televised main show. A report that lists only the broadcast’s headline awards will miss a substantial part of the official results. At the same time, Premiere Ceremony wins should not be described as moments from the main telecast.
Performances and major telecast moments
The show became a salute to Los Angeles
The 2025 ceremony was staged during a period of devastating wildfire damage in Southern California, and the disaster shaped the broadcast rather than remaining a footnote in the opening remarks. The Recording Academy and MusiCares redirected the event toward wildfire relief, support for music professionals affected by the fires, and recognition of the people protecting and rebuilding the region.
One of the clearest expressions of that purpose was a performance of “I Love L.A.” John Legend, Sheryl Crow, Brad Paisley, Brittany Howard, and members of Dawes joined other musicians for the salute. The performance was paired with imagery honoring Los Angeles firefighters and wildfire survivors, linking a familiar city song to the immediate recovery effort.
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The Academy described the fundraising and relief purpose of the event, but the available event research does not establish a definitive final dollar amount. It is therefore more accurate to describe the ceremony as organized around wildfire relief than to attach an unverified total to it.
The Quincy Jones tribute
The program also paid tribute to Quincy Jones, the producer, composer, arranger, and GRAMMY figure who died in November 2024. Stevie Wonder, Janelle Monáe, Will Smith, and other artists were announced as participants.
The segment functioned as a celebration of Jones’s life and influence, not as a competitive performance. Its place in the broadcast reflected the scale of his contribution across pop, jazz, film music, production, and the recording industry.
Chappell Roan performs “Pink Pony Club”
Roan performed “Pink Pony Club” in a theatrical presentation that expanded the rodeo and performance-art vocabulary associated with her public image. Fashion coverage described the staging and costume through a “rodeo clown” concept, while the look incorporated ballet-inspired elements from a Jean Paul Gaultier Spring 2003 couture design.
The performance worked because it connected Roan’s Best New Artist narrative to the character-driven world that made her breakthrough so visually legible. It was not a generic introduction for a new singer; it was a fully developed piece of pop theater.
Sabrina Carpenter’s retro-pop performance persona
Carpenter’s performance continued the playful retro-pop and old-Hollywood sensibility that had become central to her visual identity. Her stage presentation sat naturally beside her two wins and her pale-blue, feathered red-carpet styling, making the entire evening feel like a coordinated breakthrough rather than a series of disconnected appearances.
The wider performance lineup
The Academy’s announced lineup included Benson Boone, Billie Eilish, Chappell Roan, Charli xcx, Doechii, RAYE, Sabrina Carpenter, Shakira, and Teddy Swims. Lady Gaga, Bruno Mars, and Shaboozey were added later to the program.
Billie Eilish, Doechii, Charli xcx, Shakira, Teddy Swims, RAYE, Benson Boone, Lady Gaga, Bruno Mars, and Shaboozey were all connected to the night’s performance program. Individual moments will always be a matter of audience and critical response, so it is better to call these highlights than to present an objective ranking of the “best” performance.
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2025 Grammys red-carpet style
The red carpet was less about one uniform trend than about several artists using clothing to sharpen an already recognizable artistic identity. The descriptions below are fashion analysis, not official awards: “best dressed” remains a publication-specific opinion rather than a GRAMMY category.
Chappell Roan: archival couture with a theatrical twist
Roan’s look was one of the night’s most distinctive because it matched her stage persona without becoming a standard awards-show gown. The outfit was identified as a Jean Paul Gaultier Spring 2003 couture look, with a ballet-inspired asymmetrical silhouette and coordinated headpiece details.
Seen through Roan’s visual language, the archival design became something closer to theatrical rodeo costume or performance art. It demonstrated why her fashion coverage is so closely tied to her music: the clothing is part of the character, not merely an accessory to the event.
Sabrina Carpenter: pale-blue old-Hollywood glamour
Carpenter’s styling emphasized pale blue, feathering, polished glamour, and vintage-showgirl references. The look connected to the retro sensibility of her performance persona while retaining the precision expected of a major awards-show appearance.
Because she won twice and performed, the fashion story could not be separated from the career story. The outfit helped frame Carpenter as a fully formed pop star rather than simply a newly nominated artist.
Taylor Swift: a Chiefs-red Vivienne Westwood mini dress
Taylor Swift wore a glittering red Vivienne Westwood mini dress. The Chiefs-red color was widely read through her public association with the Kansas City Chiefs and her relationship with Travis Kelce.
That interpretation is useful fashion context, but it should not be presented as a confirmed statement of Swift’s intent. The verifiable point is the red Vivienne Westwood look; the football-color reading is analysis of how the appearance was received.
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1Fix the driver behind crashes, sound loss and screen glitches2Repair Windows errors before they cause bigger problems3Scan for outdated or missing drivers - takes under a minuteCharli xcx: the darker side of the BRAT era
Charli xcx’s styling aligned with the harder, more textured and industrial visual language surrounding the BRAT era. Her look belonged to the same world as the album’s club-culture references: less traditional glamour, more attitude, texture, and subcultural edge.
That consistency mattered because Charli was not only a red-carpet subject. Her three awards made the aesthetic language of BRAT part of the ceremony’s competitive story as well.
Doechii: structured tailoring and gender-fluid polish
Doechii’s look favored sharply structured Thom Browne pinstripes, exaggerated hips, and an oversized tie. The result was an androgynous, editorial silhouette with a deliberately authoritative effect.
It reflected the same refusal to settle into a single category that defines Doechii’s artistry. The tailoring was formal, but the proportions and styling made it theatrical rather than conventional.
Billie Eilish and Lady Gaga take opposite approaches
Billie Eilish appeared in a minimalist Prada look that emphasized control, restraint, and a uniform-like simplicity. Lady Gaga went in the opposite direction with a black, Victorian-inspired Samuel Lewis ensemble and a vintage Tiffany & Co. necklace.
The contrast captured two effective approaches to awards-show dressing: Eilish used reduction and recognizable minimalism, while Gaga leaned into historical drama, gothic detail, and deliberately heightened glamour.
Fashion references such as Jean Paul Gaultier couture, a Vivienne Westwood mini dress, a Thom Browne pinstripe suit, a Prada red-carpet look, or a vintage Tiffany necklace should be treated as context for the celebrities’ styling. They should not be read as claims that the exact worn garments or jewelry remain available for purchase.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Why the 2025 Grammys mattered
The ceremony brought together institutional recognition and cultural momentum. Beyoncé’s COWBOY CARTER victory addressed a long-running Album of the Year narrative while placing a Black woman at the center of the Best Country Album category’s history. Lamar’s five-award sweep established “Not Like Us” as the night’s defining competitive record.
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Roan’s Best New Artist win, Carpenter’s two victories, and Doechii’s rap-album award pointed toward a generational change in the kinds of artists receiving the strongest attention. Their music was important, but so were their characters, performance worlds, styling, and ability to create a complete visual language around a release.
The Los Angeles focus gave the broadcast a second layer of meaning. The ceremony still celebrated the 2024 recording year, but it also acknowledged that it was taking place in a city dealing with widespread wildfire damage. Tributes to first responders, wildfire survivors, and music professionals who suffered losses changed the emotional architecture of the show.
How to revisit the music and performances
For performances and red-carpet footage, the most reliable approach is to look for licensed clips through official GRAMMY and artist channels. Availability can vary by country, platform, and rights window, so a service that carried a clip at broadcast time may not carry it later. This recap does not identify a single streaming platform because current catalog and territorial rights require a fresh check.
For a physical listening guide tied directly to the night’s biggest stories:
- Beyoncé: COWBOY CARTER, the Album of the Year and Best Country Album winner.
- Kendrick Lamar: GNX, a natural companion for listeners following the artist behind the five-time-winning “Not Like Us.”
- Sabrina Carpenter: Short n’ Sweet, the Best Pop Vocal Album winner.
- Chappell Roan: The Rise and Fall of a Midwest Princess, the album central to her Best New Artist breakthrough.
Physical-media inventory, formats, sellers, and prices are all changeable. The award results are permanent; a particular pressing is not.
Frequently Asked Questions
Did Beyoncé win Album of the Year at the 2025 Grammys?
Beyoncé won Album of the Year for COWBOY CARTER, her first victory in the category after multiple previous nominations. She also won Best Country Album, becoming the first Black woman to win that award, and shared Best Country Duo/Group Performance with Miley Cyrus for “II Most Wanted.”
How many Grammys did Kendrick Lamar win for “Not Like Us”?
“Not Like Us” won all five categories in which it was nominated: Record of the Year, Song of the Year, Best Rap Performance, Best Rap Song, and Best Music Video. Record of the Year recognizes the finished recording, while Song of the Year recognizes songwriting.
Who were the biggest first-time or breakthrough winners?
Chappell Roan won Best New Artist. Sabrina Carpenter won Best Pop Solo Performance and Best Pop Vocal Album, while Doechii won Best Rap Album for Alligator Bites Never Heal.
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The Academy’s announced performance program included Benson Boone, Billie Eilish, Chappell Roan, Charli xcx, Doechii, RAYE, Sabrina Carpenter, Shakira, Teddy Swims, Lady Gaga, Bruno Mars, and Shaboozey. Archived availability varies by territory and rights window, so official GRAMMY and artist channels are the safest places to check for licensed clips.
The Bottom Line
Bottom line: Beyoncé’s historic COWBOY CARTER victories and Kendrick Lamar’s five-award “Not Like Us” sweep defined the competitive results, while Chappell Roan, Sabrina Carpenter, and Doechii represented the ceremony’s generational shift. The Los Angeles wildfire-relief focus, Quincy Jones tribute, theatrical performances, and sharply individual red-carpet looks made the 2025 Grammys more than a standard awards recap.
Quick Recap
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