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One free scan finds every outdated or missing driver and matches the right update for your exact hardware.Free scan · exact hardware matchAfter the 2024 Met Gala, some attendees changed into a second look for the night’s parties. The published captions identify a selection of those outfits, including Kendall Jenner in custom Vivienne Westwood and an archival Givenchy by Alexander McQueen dress, Emily Ratajkowski in archival McQueen for Givenchy, and Adwoa Aboah in Alaïa. These are after-party outfits—not a complete inventory of every look in a separate 50-plus-photo gallery.
What was the 2024 Met Gala theme?
The Costume Institute exhibition was Sleeping Beauties: Reawakening Fashion; the gala dress code was “The Garden of Time.” They are related, but not interchangeable: one named the exhibition and the other was the evening’s dress code. British Vogue reported that the exhibition would bring together approximately 250 items from the collection and span 400 years of fashion history. British Vogue’s exhibition coverage
Where did the after-party looks appear?
Vogue’s coverage places the AprèsMET party at the WSA Building in Manhattan’s Financial District. Emily Ratajkowski, Paloma Elsesser, Raul Lopez, Carlos Nazario, Francesco Risso, and Renell Medrano hosted. Guests began arriving from 1 a.m. on Tuesday, after the Monday gala. Vogue’s AprèsMET coverage
Which outfits did attendees change into?
The strongest way to identify a look is to follow the published caption or report: not every image has a confirmed designer, archival label, or garment description. The examples below are the outfits specifically identified in the cited coverage.
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| Attendee | After-party look identified in coverage | Change or detail reported |
|---|---|---|
| Kendall Jenner | Custom Andreas Kronthaler for Vivienne Westwood | Vogue also identifies a second look: a spring/summer 1997 Givenchy by Alexander McQueen dress. Its profile says the white dress had actual angel wings. Vogue; British Vogue |
| Emily Ratajkowski | Archival sheer McQueen for Givenchy dress, identified by British Vogue as Alexander McQueen for spring/summer 1998 Givenchy | Vogue reports that she changed from a Versace gown. Vogue; British Vogue |
| Adwoa Aboah | Alaïa set | Vogue reports she changed from a red H&M set. Vogue |
| Charli XCX | Short Marni frock with sunglasses | Vogue reports she changed from a Marni T-shirt dress. Vogue |
| Janelle Monáe | Area mini with googly eyes | Identified in British Vogue’s photo captions. British Vogue |
| Michèle Lamy | Sculptural Rick Owens | Identified in British Vogue’s photo captions. British Vogue |
Who else was captioned in the photo coverage?
British Vogue’s after-party captions also identify Chioma Nnadi in Burberry, Cardi B in Revolve Atelier, Bad Bunny in Bottega Veneta, Charli XCX in Marni, Zendaya in Loewe, and Dua Lipa. Those labels establish the credited designers or brands, but the cited notes do not confirm further garment details for these attendees. British Vogue’s after-party looks
Why do the party outfits look different from the gala looks?
These are later changes, not a second reading of the gala dress code. The reports describe attendees switching outfits: Ratajkowski from Versace to archival McQueen for Givenchy, Aboah from H&M to Alaïa, and Charli XCX from a Marni T-shirt dress to a short Marni frock. For Jenner, Vogue’s profile says she wanted a party look she could move in and describes the contrast between her looks. That reported intention helps explain the change without treating every party outfit as an interpretation of “The Garden of Time.” Vogue
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How much can captions confirm?
Captions and event coverage support a selection of identifications, not a verified count of every attendee or every image in a separate 50-plus-photo package. The specific custom and archival descriptions above are included only where the cited coverage reports them. The exhibition announcement adds context, not outfit attribution: Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute, called the exhibition’s featured garments “the ‘Sleeping Beauties’ of the title.” British Vogue
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