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Watching *NAZA*: A Chilling Documentary Like a Night Without End

Yuval Abraham and Rachel Szor’s 2026 documentary investigates civilian deaths in Gaza through nighttime rooftop interviews—and makes space for silence as well as testimony.
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NAZA is a 2026 documentary by Yuval Abraham and Rachel Szor, built around nighttime rooftop interviews and an investigation into civilian deaths in Gaza. Its filmmakers describe it as an effort to examine the systems behind those deaths—and the silences around them. That is the film’s stated argument, not an independent adjudication of every allegation it presents.

What is NAZA about?

La Biennale di Venezia’s official synopsis describes NAZA as filmed at night on Tel Aviv rooftops, where it examines systems behind what the festival calls Israel’s calculated mass killing of Palestinian civilians in Gaza. That wording expresses the film’s thesis; it should not be mistaken for a neutral finding by the festival or a verification of every claim in the documentary. La Biennale di Venezia’s film listing also identifies the film as a work by Yuval Abraham and Rachel Szor.

The Sydney Morning Herald’s cinema-topic listing describes the film as based on interviews with Israeli soldiers about their involvement in deaths of Palestinians in Gaza. Critic Jake Wilson’s framing is that it is “more a powerful movie than a piece of conventional journalism.” That is a critical assessment of the film’s form and impact, rather than a claim that it functions as a standard news report.

Why does the film focus on darkness and silence?

In their directors’ statement on the Venice listing, Abraham and Szor say they made the film “out of a sense of obligation” to examine systems behind civilian deaths and how dehumanization is permitted. They describe cinema as a way to explore what their investigative journalism alone could not: “not only the words being said but also those that are not said, the silence.” The statement is collective; the quoted words are not attributed to one director individually. Read the directors’ statement on the official festival page.

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The nighttime setting and the filmmakers’ emphasis on what remains unspoken help explain the description of the film as a night without end: the darkness is both a visual approach and a way of attending to what testimony can reveal—and what it cannot. That reading is an interpretation of the filmmakers’ stated approach, not a substitute for assessing the evidence and claims presented in the film.

Who made the documentary?

NAZA is directed by Yuval Abraham and Rachel Szor. La Biennale di Venezia lists The Guardian and JW Films (Jim Wilson) as production entities and identifies the production as from the United Kingdom. The listing describes the film’s languages as Hebrew and English.

How long is NAZA?

The festival listings do not agree, so check the runtime for the specific screening or release. La Biennale di Venezia lists 80 minutes, while Film at Lincoln Center’s 64th New York Film Festival page lists 77 minutes. Film at Lincoln Center also specifies English subtitles. See Film at Lincoln Center’s listing.

What recognition has it received?

Film at Lincoln Center identifies NAZA as the winner of the 2026 Venice Film Festival Special Jury Prize. The Associated Press reported a 25-minute standing ovation at the film’s Venice debut; that response records the reception at one screening, not a measure of universal audience reaction.

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Where can you watch NAZA?

The Associated Press reported that the documentary opened in U.S. theaters on October 6, 2026, without a traditional U.S. distributor. Those release details are time-sensitive. The Venice listing names mk2 as the world-sales contact, which indicates a rights and distribution contact—not a consumer streaming service or confirmation of availability in any particular country. For a current option, check local cinema listings and platform catalogs for your territory.

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