The best-dressed stars at the 2025 Golden Globes made glamour look deliberate rather than excessive. At the January 5 ceremony in Beverly Hills, the carpet balanced copper satin, powder-blue Prada, champagne shimmer, sequins, sculptural tailoring, dramatic capes, and clean column gowns. Zendaya, Selena Gomez, Demi Moore, Emma Stone, and Zoe Saldaña led the most memorable fashion conversation, while Cate Blanchett’s repeat-worn Louis Vuitton and Ayo Edebiri’s Julia Roberts-inspired tailoring added two of the evening’s most interesting style stories.
Because “best dressed” is an editorial judgment—not an official Golden Globes category—the gallery below is an unranked-in-spirit selection arranged around the night’s strongest fashion narratives.
The 10 standout looks
These selections are presented in editorial terms rather than as an official Golden Globes category. The strongest looks of the night were not necessarily the loudest: they combined precise construction, memorable color, controlled glamour, and styling that felt complete from head to toe.
Zendaya’s copper-toned satin gown was one of the evening’s most discussed arrivals. The fitted silhouette opened into a dramatic bustle, giving the dress a sculptural profile while preserving the polish of a classic column gown. Styled by Law Roach, the look also carried a clear Old Hollywood reference: Vogue connected its styling and pose to singer Joyce Bryant. ABC identified the gown as custom Louis Vuitton, a natural choice for Zendaya given her ambassador relationship with the house. The result was glamorous without becoming costume-like.
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- Issue Type: COLLECTOR'S EDITION,2017 DISPLAY AUGUST, 14th 2017, Subject: CLASSIC CELEBRITY WEDDINGS MAGAZINE
- Country Of Manufacture: United States, Language: English
- Country/Region Of Manufacture: United States, Year Published: 2017
- Subscription: No
- Publication Name: CLASSIC CELEBRITY WEDDINGS MAGAZINE
Selena Gomez chose an ice-blue, or powder-blue, satin Prada gown with a long column silhouette and geometric paneling. The cool color kept the look delicate, while the structured sections stopped it from reading as a conventional slip dress. Vanity Fair described the gown as a custom satin powder-blue Prada ballgown and noted Gomez’s Tiffany diamonds. It was an example of restraint doing most of the work: a clean shape, reflective fabric, and carefully placed jewelry rather than excessive decoration.
Demi Moore’s strapless, shimmering champagne-toned Armani Privé gown delivered the kind of timeless red-carpet glamour that defined the night. The metallic surface caught the light without relying on a complicated silhouette, allowing the dress to remain elegant and highly visible in photographs. Elle identified the designer as Armani Privé, while Harper’s Bazaar connected the choice’s classic quality with Moore’s acclaimed awards-season run for The Substance. It was polished, confident, and appropriately celebratory.
Emma Stone took the opposite approach to the night’s sequins and liquid metallics. Her sleek red Louis Vuitton gown was shaped by a sculptural satin waist belt and paired with minimal jewelry. The newly debuted pixie haircut made the styling feel even more deliberate: the face, neckline, and clean construction remained the focus. Both Elle and Harper’s Bazaar highlighted the look’s controlled simplicity. Stone demonstrated that a strong silhouette and a decisive color can be as memorable as surface sparkle.
Zoe Saldaña’s strapless, deep-V sequined Saint Laurent gown combined two of the carpet’s defining ideas: reflective embellishment and theatrical volume. A large off-the-shoulder cape transformed the dress when she moved, creating a distinctly old-Hollywood effect. Harper’s Bazaar praised the relationship between the sequins, cape, and classic glamour, and Elle also included Saldaña among the evening’s best-dressed stars. The cape gave an otherwise familiar evening-gown formula genuine drama.
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Outbyte Driver Updater FREEFix the driver behind crashes, sound loss and screen glitchesFind Drivers →Outbyte PC Repair FREEClear out junk files and repair common Windows errorsFree Scan →Elle Fanning represented the carpet’s more romantic side in custom Balmain, finished with Cartier jewelry. Rather than competing with the night’s most obvious metallic gowns, the look relied on polished eveningwear, a refined silhouette, and a soft, composed presentation. Elle identified the Balmain and Cartier pairing, while Vanity Fair included Fanning in its photographed fashion highlights. Her arrival added variety to a carpet otherwise dominated by shimmer, capes, and high-contrast tailoring.
Cynthia Erivo’s custom Louis Vuitton look was notable partly because it moved away from the pink-and-green visual language associated with her Wicked press-tour wardrobe. The choice allowed the arrival to stand on its own rather than function as another extension of the film’s promotional palette. Elle identified the Louis Vuitton design, and Vanity Fair photographed Erivo alongside Ariana Grande. The result was a fashion statement with a different kind of theatricality: less character-coded, more focused on Erivo herself.
Angelina Jolie wore the finale look from Seán McGirr’s Spring 2025 collection for Alexander McQueen. Tangled crystal detailing gave the gown a high-impact, almost kinetic surface, while the overall silhouette supplied the drama expected from a McQueen finale piece. Harper’s Bazaar provided the collection-specific attribution and treated the look as one of the night’s major statement gowns. It was less about minimal refinement than about embracing the visual power of embellishment.
Cate Blanchett appeared in a gilded Louis Vuitton gown with Grecian draping, a column skirt, and intricate beading at the shoulders. The gold surface placed her firmly within the evening’s metallic trend, but the draping kept the look from becoming flat or purely decorative. Associated Press described it as a glistening gold Louis Vuitton design. Harper’s Bazaar also noted that Blanchett had previously worn the gown at Cannes, making this one of the night’s clearest examples of high-profile repeat wear—and a useful reminder that a major red-carpet look does not have to be worn only once.
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1Repair Windows errors before they cause bigger problems2Scan for outdated or missing drivers - takes under a minute3Clear out junk files and repair common Windows errorsMonica Barbaro’s strapless Dior gown made its impression through subtle construction. Gentle sheerness and pleating added texture without overwhelming the clean neckline or long silhouette. Harper’s Bazaar praised the gown’s restraint and craftsmanship, while Vanity Fair included Barbaro in its arrival gallery. It was a quiet but persuasive choice: the kind of look that rewards a closer view rather than announcing every detail from across the carpet.
More memorable Golden Globes fashion
The 10 looks above form the central editorial selection, but the 82nd Golden Globes carpet offered several other strong fashion stories:
- Tilda Swinton in Chanel: a polished, recognizable house look that Harper’s Bazaar included among its standout arrivals.
- Michelle Yeoh in Balenciaga: another Harper’s Bazaar selection, bringing sculptural eveningwear to the carpet.
- Nicole Kidman in Balenciaga: a sharply considered look from the same house, also highlighted by Harper’s Bazaar.
- Kirsten Dunst in Gucci: a refined Gucci appearance included in Harper’s Bazaar’s best-dressed coverage.
- Mikey Madison in custom Bottega Veneta: a noteworthy example of the evening’s interest in shimmer and reflective surfaces, selected by Elle.
- Anna Sawai in custom Dior: one of Elle’s additional fashion highlights, with the custom Dior construction providing a polished alternative to the carpet’s more theatrical gowns.
- Naomi Watts in Schiaparelli: a look Elle included among its standout arrivals and a reminder that controlled, fashion-forward design could compete with overt sparkle.
- Ayo Edebiri in Loewe-inspired tailoring: the oversized gray suit deliberately referenced Julia Roberts’s suit at the 1990 Golden Globes, according to Associated Press. The historical connection made the tailoring more than a simple alternative to a tuxedo.
The main style trends of the 2025 Golden Globes
Old Hollywood, without a formal theme
The carpet did not require a declared dress code to produce a shared mood. Zendaya’s styling and Ayo Edebiri’s Julia Roberts reference both looked backward, but neither felt like a literal costume. Zoe Saldaña’s cape and several of the evening’s column gowns similarly drew on classic screen-era glamour. The references worked because they were translated through contemporary tailoring, proportion, and styling.
Gold, sequins, and surfaces that caught the light
Demi Moore’s champagne shimmer, Cate Blanchett’s gilded Louis Vuitton, Zoe Saldaña’s sequins, and Mikey Madison’s reflective Bottega Veneta look represented the strongest metallic and glittering current. These dresses were designed to perform in a room filled with camera flashes. Importantly, the best examples paired shine with a disciplined silhouette, preventing embellishment from becoming visual noise.
Minimalism as a competing strategy
Emma Stone’s red Louis Vuitton and Naomi Watts’s Schiaparelli offered a counterpoint. Their impact came from shape, color, and editing rather than an accumulation of jewelry or surface decoration. This contrast was central to the evening: the carpet could reward a highly embellished gown, but it could also reward someone who removed every unnecessary element.
Capes and volume brought movement
Saldaña’s oversized cape was the clearest example of fashion designed to change as its wearer moved. Angelina Jolie’s crystal-heavy Alexander McQueen finale look supplied a different kind of volume and drama. Together, they showed why red-carpet clothing is judged in photographs but remembered through movement: a garment needs a strong arrival image and a silhouette that changes from different angles.
Repeat wear became part of the story
Cate Blanchett’s Louis Vuitton repeat from Cannes was one of the most useful fashion details of the night. It shifted the conversation away from the assumption that every major appearance requires a newly unveiled look. A repeat can also add history to a garment: viewers see how a dress works in a different setting, under different lighting, and with different styling.
Tailoring moved beyond the standard tuxedo
Menswear and tailoring were not limited to a conventional black tuxedo. Timothée Chalamet wore slim Tom Ford tailoring documented by the CFDA as a Haider Ackermann design for Tom Ford, while Edebiri’s oversized gray suit used historical reference and proportion to create its own statement. The strongest tailoring stories were directional rather than merely formal.
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About the photos
The 82nd Golden Globes took place on January 5, 2025, at the Beverly Hilton in Beverly Hills, California, and served as the opening major red carpet of the 2025 awards season. For publication, use licensed editorial photographs or permitted embeds. The available coverage includes imagery credited to Getty Images, Associated Press, and individual photographers; AP maintains a dedicated arrivals collection, and Vanity Fair’s labeled arrival gallery is useful for confirming identities and image order. Do not copy image files from those galleries without the relevant rights.
Editorial note: “Best dressed” is a fashion judgment, not an official Golden Globes award. This roundup reflects the selections and comparisons made by the editorial team using coverage from Harper’s Bazaar, Elle, Vanity Fair, Vogue, ABC, Associated Press, and the CFDA.
Frequently Asked Questions
Was Best Dressed an official 2025 Golden Globes award?
No. The Golden Globes does not present an official “Best Dressed” award. This is an editorial fashion roundup based on coverage from publications including Harper’s Bazaar, Elle, Vanity Fair, Vogue, and Associated Press.
When and where were the 2025 Golden Globes held?
The 82nd Golden Globe Awards took place on January 5, 2025, at the Beverly Hilton in Beverly Hills, California.
What did Zendaya wear to the 2025 Golden Globes?
Zendaya wore a copper-toned custom Louis Vuitton gown styled by Law Roach. The fitted satin dress featured a voluminous bustle and was widely discussed for its Old Hollywood styling.
The Bottom Line
The 2025 Golden Globes rewarded finished glamour in several forms: Zendaya’s copper Louis Vuitton, Gomez’s icy Prada, Moore’s Armani Privé shimmer, Saldaña’s cape, and Stone’s controlled red minimalism all succeeded for different reasons. The common thread was intention—each look understood its silhouette, styling, and place in the photograph.
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