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Teardrop Nation: What the Documentary Says About Sri Lanka’s Post-Independence History

Sarah Kabir’s four-part Project 72 documentary is described as exploring human stories behind Sri Lanka’s post-independence history. Its listed episode 2 screening focuses on civil-war triggers.
Opened Runtime3 min Written byDocumentaryTube Team
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Project 72: Teardrop Nation is described by a Project Roots event listing as a four-part documentary series by Sarah Kabir about the human stories behind Sri Lanka’s post-independence history. The listing spotlights episode 2, which focuses on triggers of the civil war, and frames the accompanying discussion around memory, identity and reconciliation. It does not provide a full episode guide or establish where the series can currently be watched.

What is Teardrop Nation about?

The Project Roots event listing presents Project 72, also called Teardrop Nation, as a four-part documentary series by Sarah Kabir. Its stated subject is the documented human stories behind Sri Lanka’s post-independence history. That description identifies the series’ broad approach, but the listing does not explain Kabir’s detailed thesis or summarize all four episodes.

The title uses “Lanka”; the historical references below use “Sri Lanka.” In this context, both refer to the island country.

What does episode 2 cover?

The event listing describes the screened second episode as focusing on the triggers of the civil war. It does not identify or analyze those triggers, so the phrase should be treated as the episode’s stated focus—not as evidence that the film advances a particular explanation or settles a contested historical question.

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The event’s accompanying discussion was framed around memory, identity and reconciliation. The listing names Dr. Paikiasothy Saravanamuttu, identified there as executive director of the Centre for Policy Alternatives; Ramla Wahab, identified as a Project 72 archivist and researcher; and Kris Thomas, described as a writer, editor and visual storyteller. These are the event page’s descriptions of the participants and their roles.

How does the documentary’s period relate to Sri Lanka’s history?

“Post-independence history” is the wider frame, not another name for the civil war. The catalog description of The Sri Lanka Reader: History, Culture, Politics places the country’s independence in 1948 and describes political travails and recurring ethnic violence from the 1950s to 2009. The Waikato dissertation excerpt gives a narrower chronology for the ethnic war: July 1983 to May 2009, beginning amid the anti-Tamil violence commonly known as Black July.

Period or event What the cited source establishes
1948 and the post-independence period The Duke University Press/JSTOR catalog description identifies 1948 as the independence context and discusses post-independence political history and recurring ethnic violence from the 1950s to 2009.
July 1983–May 2009 A University of Waikato dissertation excerpt dates the ethnic war to this period and discusses Black July, the anti-Tamil violence of July 1983.

These sources supply context, not a complete account of the conflict or a single authoritative explanation for its causes. The anthology is a multi-author collection, while the dissertation excerpt presents an academic author’s framing, including attention to marginalized perspectives.

Where can you watch Teardrop Nation?

The Project Roots listing confirms a screening event, which it marks as passed, but the year is not established in the reviewed event text. It does not establish current streaming or purchase options, a physical release, or another screening date. The series’ present viewing availability therefore cannot be confirmed from that listing.

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Further reading on Sri Lanka’s history

For broader historical context, The Sri Lanka Reader: History, Culture, Politics, edited by John Clifford Holt and published by Duke University Press in 2011, is a multi-author collection described as covering Sri Lankan history, culture and politics, including the post-independence period. Its catalog record says it contains more than ninety classic and contemporary texts. It is background reading, not a book established as featured in the documentary.

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