DeBÍ TiRAR MáS FOToS is a homecoming in sound and subject: Bad Bunny folds Puerto Rican musical traditions into contemporary pop, reggaetón and electronic production while turning toward memory, belonging and cultural autonomy. The result is celebratory without being simple—an album built for dancing that also asks what it means to keep a place and its culture from slipping away.
A homecoming with a specific sound
Released January 5, 2025, DeBÍ TiRAR MáS FOToS is Bad Bunny’s sixth studio album. Its title translates as “I should have taken more photos,” a phrase that frames the record’s concern with memory and missed chances. The release arrived in time for Three Kings Day, or Víspera de Reyes, a date Bad Bunny told TIME he chose intentionally in relation to Puerto Rican holiday traditions.
In that interview, he described the project as “an album of Puerto Rican music” and said he had found “the sound that represents me.” That is an account of his intention, not a claim that Puerto Rico has one definitive sound. The album instead moves among distinct forms—plena, música jíbara, bomba, salsa and merengue—alongside reggaetón, dembow, Latin pop and electronic textures. Its homecoming is the act of bringing those sounds into conversation, rather than presenting tradition as a museum piece.
How the album joins tradition and contemporary production
The strongest evidence of that dialogue is in the arrangement. “El Clúb” puts house rhythms and electronic production beside nylon-string plena guitars. “Baile Inolvidable” and “La Mudanza” turn toward salsa, while “NuevaYol” pairs dembow with a sample from El Gran Combo de Puerto Rico’s “Un Verano en Nueva York.” These are not interchangeable gestures: each track gives a different traditional or popular form a role in Bad Bunny’s present-day musical language.
#1 Best Overall
- Genre: Rock, Latin Pop/Rock
- Number of Discs: 2
- Number of Tracks: 17
- Album Title: DEBI TIRAR MAS FOTOS
- Music Artist/Band: Bad Bunny
Critics have described the record’s range in several ways. Pitchfork hears salsa, plena, bolero, old-school perreo, Latin pop and música urbana; Harper’s Bazaar points to bomba, plena, salsa and merengue among the reworked forms. The variety is part of the album’s point: no single genre has to stand in for the island.
Harper’s Bazaar reports that students from Libre de Música San Juan performed and recorded the instrumentals live. It also identifies collaborators including Chuwi, Omar Courtz, Los Pleneros de la Cresta, Dei V and RaiNao. Those contributions give the project a communal dimension; its sense of return is not only a star revisiting his origins, but a record shaped by musicians and collaborators connected to Puerto Rico.
Rank #2
- Exclusive Webstore Edition: This special webstore exclusive edition of Bad Bunny's DeB TiRAR MS FOToS features stunning blue vinyl records that add a unique collector's appeal to your music collection while delivering the album's distinctive sound
- Double Vinyl Format: Experience the complete album across two high-quality vinyl records, providing optimal sound quality and allowing for proper spacing of tracks to maintain the artistic integrity of Bad Bunny's musical vision
- Gatefold Packaging: The premium gatefold design opens up to reveal expanded artwork and additional visual content, creating an immersive physical experience that enhances your connection to the music and album aesthetics
- Vibrant Blue Vinyl: The eye-catching blue colored vinyl discs make this pressing a standout piece for display and listening, combining visual appeal with the warm, rich audio characteristics that vinyl enthusiasts appreciate
- Complete Album Experience: Own the full DeB TiRAR MS FOToS album on vinyl format, allowing you to enjoy Bad Bunny's artistic expression in the traditional analog format that brings depth and warmth to every track
Personal memory, not just romantic heartbreak
The title track gives the album its most immediately legible emotional image: the regret of not having taken more photographs, kissed or embraced someone while there was still time. But the record’s idea of absence is broader than a single breakup. In the TIME interview, Bad Bunny cautioned that the songs need not refer to particular people and can address different kinds of loss.
That openness lets intimate regret sit beside family, place and collective memory. The longing is not merely for a former partner; it can also be for moments, relationships or a home that feels less secure than memory makes it seem. The album’s emotional center is therefore expansive, even when a song begins with a private feeling.
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Rank #3
- Bad Bunny - debí tirar más fotos - Opaque Colored Double Record Album - Vinyl LP
Dance music with cultural stakes
The record does not abandon pleasure for argument. Its rhythmic variety invites movement, and the sheer energy of the music is essential to its portrait of Puerto Rican culture. At the same time, “Lo Que Pasó a Hawaii” makes the album’s political and cultural concerns especially clear. The Associated Press describes it as a rallying cry for Puerto Rico’s cultural autonomy; that framing captures the song’s warning, not a complete policy platform.
Bad Bunny told TIME that when he wants to express himself politically, he often does so in songs. Here, danceability and concern reinforce each other: cultural forms are not only remembered or named but actively used, renewed and shared. The album’s optimism is real, yet it is not an uncomplicated celebration; the music’s warmth makes the question of what could be lost more affecting.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Verdict: a homecoming that sounds lived-in
DeBÍ TiRAR MáS FOToS succeeds because its return to roots is musical as well as autobiographical. Plena guitars, salsa arrangements, dembow and electronic production coexist without making the album a checklist of influences. Live-recorded instrumentals and island-connected collaborators deepen its communal character, while its shifts from longing to dance and political unease keep the homecoming from becoming nostalgia alone.
The album’s cultural importance is not a substitute for evaluating its music, but the music makes the stakes audible. Its most compelling achievement is the way it treats Puerto Rican sounds as living material: sources of pleasure, identity and creative possibility, not relics preserved at a distance.
The Recording Academy reported that the album won Album of the Year at the 2025 Latin GRAMMYs. In his acceptance speech, Bad Bunny said, “Never stop dreaming and being yourselves; never forget where you come from. There are many ways to serve your country; we chose music.” The award provides context for the record’s reception; the album’s own blend of communal sound, private feeling and cultural concern is what makes the homecoming persuasive.
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