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Scan for outdated or missing drivers - takes under a minuteDriver Scan →Repair Windows errors before they cause bigger problemsFix Now →Fix the driver behind crashes, sound loss and screen glitchesFind Drivers →Marília Mendonça remains a leading presence in Brazilian music, but the available rankings measure different things. Spotify placed her first among Brazil’s most-listened artists across 2014–2023, while a separate ECAD study published in 2025 identified her compositions most performed and re-recorded in Brazil during a four-year period after her death. Neither result is a single, comparable all-platform ranking of artists since November 2021.
What the rankings show
The clearest way to understand Mendonça’s continuing reach is to separate streams from public performances and re-recordings. Spotify’s retrospective ranks artists and songs by listening on Spotify; ECAD’s posthumous study examines performances and registered versions of her compositions in Brazil.
| Source and period | What was ranked | Result |
|---|---|---|
| Spotify, Brazil, 2014–2023 | Artists most listened to on Spotify | Marília Mendonça ranked first. |
| Spotify, Brazil, 2014–2023 | Most-listened songs on Spotify | “Leão” ranked first. |
| ECAD, four years after her death, reported July 2025 | Her compositions most performed publicly in Brazil | “Todo mundo menos você” ranked first. |
| ECAD, four years after her death, reported July 2025 | Her compositions with the most registered re-recordings | “O que falta em você sou eu” led with 26 recorded versions. |
The Spotify decade results come from its Brazil decade retrospective. The posthumous performance and re-recording findings come from ECAD’s July 2025 study.
Which of her songs were most played?
“Leão” led Spotify’s decade song ranking
“Leão” was the most-listened song in Spotify’s Brazil ranking for 2014–2023. That result covers the full decade, including years before Mendonça’s death; it should not be described as a posthumous-only streaming rank.
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“Todo mundo menos você” led ECAD’s public-performance list
In ECAD’s review of the four years after her death, “Todo mundo menos você,” a collaboration with Maiara & Maraisa, ranked first among Mendonça’s compositions for public performances in Brazil. ECAD’s measured segments included radio, shows, ambient music, live music, party and entertainment venues, Carnival, and June festivals. This is a public-performance measure, not a count of on-demand streams.
The song at the top of an ECAD performance list can differ from the Spotify streaming leader because the organizations track different activities over different periods. ECAD’s 2022 study, for example, named “Até você voltar” first in a ten-year list of her compositions performed in specified Brazilian public-execution segments. The 2022 and 2025 rankings use different windows; their leaders are not directly contradictory. See ECAD’s November 2022 study.
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“Leão” also topped a multi-service 2023 chart
In Pro-Música Brasil’s 2023 Brazilian streaming chart, “Leão” ranked first among the 50 listed tracks. As reported by CNN Brasil, the chart combined weighted data from Spotify, YouTube, Deezer, Apple Music, Amazon Music, and Napster. It corroborates the song’s strong performance across multiple services in 2023, but it is a song chart for that year—not a cumulative ranking of artists since 2021. CNN Brasil’s report on the chart provides the result and methodology summary.
Which songs have been covered the most?
ECAD’s July 2025 study counted registered re-recordings in its collective-management database. “O que falta em você sou eu” led Mendonça’s compositions with 26 recorded versions. Maiara & Maraisa were the interpreters with the most registered re-recordings of her compositions, with 62.
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These are counts of recorded versions registered in ECAD’s database, not a universal tally of every cover performed or released worldwide. ECAD reported 349 musical works and 520 recordings in the database at the time of publication; those are catalog counts, not play totals.
A prior ECAD study published in November 2022 found a different tie at the top: “Calma,” “O que falta em você sou eu,” and “Infiel” each had 19 recordings in its study of re-recordings. The later 26-version figure reflects the subsequent four-year review and its reporting date, rather than a directly interchangeable count from the earlier study. ECAD’s 2022 article describes that earlier result.
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Why there is no single “most played since her death” rank
The headline idea combines several real indicators of lasting popularity, but they do not produce one unified leaderboard. Spotify’s number-one artist result covers Brazil from 2014 through 2023; its “Leão” result is a decade song ranking. ECAD’s 2025 results concern her compositions’ public performances and registered re-recordings over four posthumous years in Brazil. Pro-Música’s chart is a weighted multi-platform song ranking for 2023.
- Streams: platform listening data, as in Spotify’s rankings.
- Public performances: uses tracked by ECAD across specified Brazilian settings, such as radio and live events.
- Re-recordings: versions of compositions recorded and registered in ECAD’s database.
Spotify also named Mendonça Brazil’s most-listened artist in 2019, 2020, and 2022. Those annual platform rankings and its 2014–2023 retrospective show sustained listening, but they do not isolate only the years after her November 2021 death.
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