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Scan for outdated or missing drivers - takes under a minuteDriver Scan →Repair Windows errors before they cause bigger problemsFix Now →Dawes led Randy Newman’s “I Love L.A.” to open the 67th Annual Grammy Awards on February 2, 2025. The Recording Academy framed the performance as a tribute to Los Angeles residents and communities affected by the recent wildfires. Contemporary reporting adds a personal connection for Dawes and says producers debated what the opening should be in the wake of the destruction—but it does not establish a complete origin story for the song choice.
Who performed “I Love L.A.” at the 2025 Grammys?
Dawes led the opening number, a version of Randy Newman’s “I Love L.A.” The guest performers were Brad Paisley, Brittany Howard, John Legend, Sheryl Crow, and St. Vincent, according to the Recording Academy’s announcement on February 2, 2025.
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The performance opened the 67th Annual Grammy Awards. It was an ensemble tribute, rather than a solo performance by one of Dawes’ members.
Why did the Grammys open with “I Love L.A.”?
The Recording Academy said the performance honored Los Angeles residents and communities affected by the wildfires. The choice also carried a direct personal resonance for Dawes: the Los Angeles Times reported that Griffin Goldsmith lost his Altadena home in the Eaton fire, and that Taylor Goldsmith’s home studio and musical equipment were damaged.
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The song’s title made it an unmistakable Los Angeles anthem for a moment centered on the city and its recovery. That interpretation fits the Academy’s stated tribute purpose, while the brothers’ losses help explain why Dawes’ role carried particular emotional weight. The sources establish those contexts; they do not provide a single definitive explanation from the band or producers that accounts for every aspect of the choice.
What is known about how the opening came together?
The Los Angeles Times reported that executive producer Ben Winston and his team spent time debating what the opening should be given the destruction caused by the fires. That supports the conclusion that the performance was considered in the context of the crisis, not simply selected without regard to it.
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The available reporting does not document a full decision timeline, identify who first proposed “I Love L.A.,” or lay out the complete staging and rehearsal process. There is therefore no reliable basis for presenting a step-by-step conception story or attributing the idea to one person.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.How did the broadcast connect the performance to wildfire relief?
The Academy’s event announcement described a wider telecast effort involving the Academy, MusiCares, Direct Relief, the California Community Foundation, and the Pasadena Community Foundation. It said donations made to MusiCares Fire Relief during the broadcast would be distributed to music professionals and others affected by the fires. The Academy’s post-telecast summary also described the evening’s focus on relief and named partner organizations.
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That was a broader broadcast initiative, not evidence that the opening itself raised a separately measured sum or that all donations went to one organization. The cited official accounts do not state a final fundraising total attributable to this performance, and they do not establish whether the relief campaign is still accepting donations.
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