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Fantastic Four: 10 Best Comic Book Runs, Ranked

From Lee and Kirby’s foundational adventures to Hickman’s sprawling saga, these Fantastic Four runs offer distinct ways into Marvel’s first family.
Opened Runtime5 min Written byDocumentaryTube Team
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The best Fantastic Four runs balance the team’s defining ingredients—family, invention, exploration and cosmic-scale trouble—in different ways. This ranking weighs historical influence, storytelling identity, character work, consistency and accessibility; it is an editorial selection, not a settled critical consensus. The first five have the strongest documented cases. The final five are promising entry points and alternate takes, but their exact boundaries and comparative standing are less firmly established here.

How this ranking works

Influence matters, but it is not the only measure. A foundational run can be essential and still feel distant to a new reader; a shorter or more recent run can offer a cleaner entry. The order below balances what each creative team contributed with the kind of reading experience it offers.

1. Stan Lee and Jack Kirby: the foundational run

Lee and Kirby established the series’ central mix of family friction, scientific curiosity and spectacular adventure. Their work introduced defining characters and concepts including Doctor Doom, the Inhumans, the Silver Surfer, Galactus, the Skrulls and Black Panther. Marvel’s collection description identifies the partnership as a landmark collaboration.

The original stories’ dialogue and conventions reflect their era, so they may take some adjustment for readers used to contemporary pacing. Their invention and scale, though, make this the essential historical starting point—and the run against which later interpretations respond.

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Best for

Readers curious about the team’s origins and the foundations of Marvel’s cosmic world. Marvel lists The Fantastic Four Omnibus Vol. 1 as collecting the first three years of the Lee–Kirby run; check the contents of a specific edition before buying, since collected volumes can differ.

2. John Byrne: a defining modernizing run

Byrne took over as writer and artist with issue #232 in 1981 and continued through #293 in 1986, according to a 2026 historical ranking. His sustained authorship gives the run a strong, coherent identity while retaining the family dynamics and grand adventures at the series’ core. A major character development is Sue Storm’s emergence as the Invisible Woman, while “The Trial of Reed Richards” brings philosophical weight to the team’s science-fiction world.

Best for

Readers who want classic Marvel storytelling with a later visual and narrative sensibility than the original Lee–Kirby material.

3. Jonathan Hickman: the long-form science-fiction saga

Hickman builds toward an interconnected story rather than a string of self-contained adventures. The Council of Reeds, the Future Foundation and the story “Three” are key signposts in a run whose escalating ideas lead toward Secret Wars. Its deliberate architecture is a strength for readers who enjoy seeing details and consequences accumulate over time.

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Best for

Readers comfortable with serialized storytelling and a substantial commitment. If you prefer a run that can be sampled in isolated episodes, this is a less natural first choice than Waid and Wieringo.

4. Mark Waid and Mike Wieringo: family and exploration

Waid and Wieringo re-center the team on its identity as both a family and a group of explorers. The approach gives the series warmth and momentum, while “Unthinkable” supplies a memorable Doctor Doom-focused story. Their run began with issue #60 in 2002, a useful starting marker when looking for collected editions.

Best for

New readers seeking an energetic modern entry that foregrounds the team’s relationships without losing the sense of adventure. Verify the contents of a particular collection before relying on it to include a specific story.

5. Walt Simonson: compact, high-concept adventure

Simonson’s comparatively short tenure is a concentrated burst of science-fiction adventure, with alien landscapes and time paradoxes among its signatures. ComicBook.com gives the run as issues #334–354, from 1989 to 1991, and credits Simonson as writer, penciler and inker.

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Best for

Readers who want a distinctive stretch of the series without taking on a long saga. Its appeal is less about redefining every family relationship than about pushing the team into imaginative, high-concept situations.

6. Dan Slott and Sean Izaakse: the 2018 return

This run represents a restoration-era take centered on Reed and Sue’s return and the family’s renewed place in the series. A notable development is Ben Grimm and Alicia Masters’ marriage. It is a plausible modern option for readers interested in the team reassembled and moving forward, rather than a foundational or alternate-universe version.

Best for

Readers looking for a contemporary main-continuity starting point. The exact issue boundaries are not established here, so check official series or collection listings when choosing where to begin.

7. Ultimate Fantastic Four: an alternate-universe reinvention

This is not a main-continuity run. It reimagines the team and its origin within Marvel’s Ultimate universe, making it a distinct choice for readers curious about a younger, more radically reworked take on the premise.

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Best for

Readers who want a fresh continuity rather than a direct continuation of the main Fantastic Four series. Approach it as an alternate version, not as the next chapter after the classic runs above.

8. Ryan North’s era: a current-era candidate

Ryan North’s run is a candidate for readers seeking a more recent interpretation, but the available evidence does not establish a comparative case strong enough to place it precisely against the better-documented entries above. Treat this as a current-era option to investigate, not a settled critical ranking.

Best for

Readers who specifically want to explore a newer run. Check Marvel’s current series and collection listings for the relevant issues and collected contents before choosing a starting volume.

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9. Mark Millar and Bryan Hitch: a short-run candidate

Millar and Hitch’s short run is another possible pick, but its comparative strengths and exact boundaries are not established here in enough detail to make a firm case for its position. It belongs on a reader’s shortlist to investigate rather than being presented as an uncontested top-ten choice.

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Best for

Readers interested in sampling a shorter creative-team stint. Confirm the issue range and story contents in publisher listings before seeking out a collection.

10. Chris Claremont and Salvador Larroca: a period to investigate

The Claremont and Larroca period is a further candidate, but the available evidence does not support a detailed assessment of its scope or standing relative to the other entries. Its inclusion is therefore more provisional than the first five, whose defining runs and stories are better established.

Best for

Readers who want to explore beyond the most commonly highlighted historical and modern runs. Use official issue or collection listings to identify the material before deciding whether it suits your interests.

Where should you start?

  • For the origins: start with Lee and Kirby, ideally through a collected edition whose contents you have checked.
  • For a welcoming modern entry: try Waid and Wieringo’s family-and-exploration approach.
  • For an ambitious connected saga: choose Hickman.
  • For a shorter science-fiction stretch: choose Simonson.
  • For a different continuity: try Ultimate Fantastic Four.

Marvel’s Fantastic Four Marvel Masterworks editions are another collected-format route into classic material. As with any collection, confirm the individual volume’s contents rather than assuming it covers a particular issue range.

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