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What makes this development cycle different is scale and timing. Sheridan is simultaneously extending established universes, launching new originals, and quietly moving features back onto the board, all while maintaining hands-on creative control. As Paramount recalibrates its streaming strategy and rivals chase fewer, louder hits, Sheridan’s pipeline has become a case study in how one auteur can anchor an entire ecosystem.
This article breaks down every Taylor Sheridan movie and television series currently in development, separating confirmed projects from early-stage plays and clarifying what’s real versus what’s aspirational. We’ll track where each project lives, how directly Sheridan is involved, and what audiences should realistically expect to see next as his empire continues to expand in real time.
Officially Announced TV Series in Development: New Franchises, Spin‑Offs, and Original Concepts
With Yellowstone approaching the end of its original run, Taylor Sheridan’s development slate has shifted from expansion-by-experiment to expansion-by-design. Paramount has been unusually transparent about which projects are actively being built, signaling long-term confidence even as the broader industry tightens. What follows are the television series that have been officially announced and are moving through various stages of development, from script to early packaging.
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The Yellowstone Sequel Series (Untitled)
Paramount has confirmed a direct Yellowstone continuation series, designed to carry the modern Dutton saga forward rather than replace it. Kelly Reilly and Cole Hauser are attached to reprise their roles, anchoring the next chapter of the franchise in familiar territory while allowing Sheridan to recalibrate the timeline.
This project is not a prequel and not a spinoff in the traditional sense. It is being positioned as a narrative handoff, preserving audience continuity while freeing Sheridan from the narrative constraints of the original ensemble. The series remains in development as Paramount finalizes scheduling and long-term franchise alignment.
1944
Following the success of 1883 and 1923, 1944 is the next officially announced Yellowstone-era prequel. Set against the backdrop of World War II, the series is expected to explore how global conflict collides with the Duttons’ ongoing fight to hold their land at home.
Sheridan has confirmed the title and era, though casting and production timelines remain closely guarded. Unlike earlier prequels that leaned heavily into limited-series structure, 1944 is being developed with flexibility, allowing Paramount to assess whether it functions best as a single-season event or an ongoing historical chapter.
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The Madison
Originally announced as a Yellowstone-related project set in the present day, The Madison has evolved into a more character-driven offshoot rather than a direct Dutton saga. Starring Michelle Pfeiffer, the series centers on a New York family transplanted to rural Montana, orbiting the social and economic gravity created by the Yellowstone universe.
Sheridan’s involvement is strategic rather than operational day-to-day, with the show designed to broaden the franchise’s tonal range. For Paramount, The Madison represents a lower-barrier entry point for viewers who may not want to commit to decades-spanning lore but still want the Sheridan flavor.
6666
Long discussed and repeatedly delayed, 6666 remains officially in development. Set at the real-life Four Sixes Ranch in Texas, the series is designed as a contemporary counterpart to Yellowstone, focused on modern ranching, legacy land management, and the cost of preserving tradition in an industrialized world.
While no production start has been announced, the project has never been formally shelved. Its timing appears tied to broader franchise spacing, ensuring that Sheridan’s various series do not cannibalize one another on Paramount+.
NOLA King
Announced as a spinoff of Tulsa King, NOLA King shifts the crime-franchise lens from New York and Tulsa to New Orleans. Samuel L. Jackson is set to star, bringing instant gravitas and a markedly different energy to Sheridan’s growing crime universe.
The series is being developed as a parallel expansion rather than a direct continuation, allowing Tulsa King to stand on its own while opening a new regional chapter. Sheridan’s role mirrors his broader strategy: setting tone, overseeing story architecture, and empowering a writers’ room to execute within his framework.
Additional Original Concepts in Early Development
Beyond franchise extensions, Sheridan continues to quietly seed original series concepts under his Paramount deal. These projects are typically announced later in the process, once a network or streamer is confident in tone and market positioning.
What distinguishes Sheridan’s development pipeline is restraint. Rather than flooding the market with speculative announcements, Paramount has prioritized clarity, only confirming projects that have internal momentum. For audiences, that means fewer false starts and a higher likelihood that what’s announced will actually make it to screen.
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With Yellowstone officially concluded, the conversation has shifted from how the flagship ends to what parts of its universe remain commercially and creatively viable. Paramount’s strategy is no longer about endless expansion, but about curating lanes that feel distinct in tone, era, and audience appeal. Some projects are firmly in motion, others remain in strategic limbo, and a few exist more as persistent rumors than executable plans.
The Flagship: Yellowstone Itself
Yellowstone wrapped its run with the second half of Season 5, closing the core Dutton saga that began in 2018. While its ending leaves thematic echoes that future series can build on, Paramount has been clear that the original show is finished, not paused. Any continuation will come through adjacent series, not a Season 6 revival under the Yellowstone banner.
That clarity has allowed the franchise to reposition itself as an anthology-style universe rather than a single ongoing narrative. It also frees Sheridan to explore new entry points without being bound to Kevin Costner-era continuity.
Active and Returning: 1923
Among the prequels, 1923 remains the most firmly active. Season 2, which continues Jacob and Cara Dutton’s struggle against economic collapse and violent displacement, is positioned as a concluding chapter rather than an open-ended run.
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Production delays tied to industry strikes slowed momentum, but the series has never fallen out of Paramount’s release plans. Its role is clear: finish the early-20th-century Dutton story with scale and finality, not extend it indefinitely.
Closed Chapter: 1883
Despite its popularity, 1883 is complete. Sheridan has repeatedly framed it as a single-season epic designed to tell one specific story: the brutal founding myth of the Dutton family.
While characters and themes echo throughout the broader franchise, there are no credible signs of a second season or direct continuation. Paramount appears content to let 1883 stand as the universe’s definitive origin story.
The Modern Future: The Madison
Formerly discussed as a potential Matthew McConaughey-led continuation of Yellowstone, The Madison has since emerged as its own project with a distinct identity. Set in contemporary Montana, the series centers on a new family navigating grief, power, and land ownership, thematically aligned with Yellowstone but narratively independent.
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This is the clearest signal of where the franchise is heading. Instead of direct sequels featuring legacy characters like Beth or Rip, Paramount is prioritizing fresh casts and clean on-ramps that preserve the brand without inheriting narrative baggage.
Long-Gestating but Alive: 6666
As noted earlier, 6666 remains officially in development, though its timeline is deliberately vague. The series is expected to function as a grounded, present-day counterbalance to Yellowstone’s heightened family drama, focusing on working ranch life and institutional legacy.
Its future likely depends on spacing rather than uncertainty. Paramount has little incentive to rush another modern Western while recalibrating the post-Yellowstone slate.
Rumored or Dormant Concepts
Several ideas continue to circulate without formal confirmation. These include a potential 1940s-set prequel, often referred to as 1944, and character-focused continuations centered on surviving Yellowstone figures. As of now, none have advanced to casting or production announcements.
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Taylor Sheridan’s Film Projects in Development: From Original Screenplays to Potential Directorial Returns
While Taylor Sheridan is currently best known as television’s most dominant showrunner, his first major industry breakthrough came through film. That side of his career has not disappeared so much as gone quiet, operating on longer timelines and behind-the-scenes development cycles that mirror his increasingly selective approach.
Unlike his TV output, which moves quickly from announcement to production, Sheridan’s film projects are being shaped more deliberately. The focus appears to be on fewer, larger swings rather than volume, with Paramount remaining his primary studio home.
Original Feature Screenplays Under the Paramount Banner
As part of his expansive overall deal, Sheridan continues to develop original feature screenplays for Paramount Pictures. These projects are being kept tightly under wraps, but industry chatter suggests they lean into the same thematic territory that defines his best work: institutional power, moral compromise, and the collision between modern systems and old-world codes.
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A Possible Return to the Director’s Chair
Sheridan has also expressed interest in returning to directing, following 2021’s Those Who Wish Me Dead. While no specific film has been officially confirmed as his next directorial effort, multiple insiders have pointed to at least one project being developed with Sheridan in mind as both writer and director.
This would mark a tonal shift back toward contained, character-driven thrillers rather than franchise-building exercises. If and when this move happens, it is expected to be positioned as an event film rather than a mid-budget release, reflecting Sheridan’s increased leverage and Paramount’s confidence in his brand.
The Status of Sicario and Other Legacy Film Properties
Discussion around a potential Sicario continuation continues to surface intermittently, particularly as Lionsgate looks to reinvigorate proven adult-oriented franchises. Sheridan’s involvement, however, remains uncertain, and no credible production timeline or creative attachment has been confirmed.
What matters more than whether Sicario returns is what Sheridan chooses to revisit. His recent career suggests little interest in returning to past successes unless there is a clear thematic reason to do so. Any revival would likely hinge on a fresh geopolitical lens rather than nostalgia.
Why Sheridan’s Film Slate Is Moving Slower Than His TV Empire
The contrast between Sheridan’s rapid-fire television output and his cautious film development is intentional. Streaming has allowed him to explore long-form storytelling at scale, while features now serve as prestige side projects rather than the backbone of his career.
For audiences, this means fewer announcements but potentially more impact. When the next Taylor Sheridan film finally emerges, it is likely to feel purposeful, singular, and distinctly authored, not just another extension of a familiar brand.
Platform Strategy & Studio Deals: Paramount, Streaming Shifts, and Where Each Project Is Likely to Land
Taylor Sheridan’s development slate cannot be separated from his long-term partnership with Paramount Global. Through his 101 Studios banner, Sheridan operates under one of the most creator-friendly overall deals in the industry, giving Paramount first access to his television concepts while allowing him unusual autonomy over tone, casting, and scale.
That relationship has shaped not just what gets made, but where each project lives within Paramount’s increasingly complex ecosystem. As the company continues recalibrating its streaming and linear strategy, Sheridan’s shows function as both premium content and brand anchors.
Paramount as the Creative Home Base
The Yellowstone universe remains foundational, even as it fragments across platforms. The original Yellowstone launched on Paramount Network but found its larger audience through streaming, while spin-offs like 1883 and 1923 were designed from inception as Paramount+ exclusives, signaling a shift toward streaming-first event series.
Future Yellowstone-adjacent projects currently in development are widely expected to follow the Paramount+ model, particularly those positioned as limited series or generational offshoots. Paramount sees these titles as subscriber drivers rather than traditional cable tentpoles.
Non-Yellowstone Series and Platform Differentiation
Sheridan’s non-Yellowstone shows have allowed Paramount to diversify without diluting his brand. Tulsa King, Lioness, and Lawmen: Bass Reeves were all built specifically for Paramount+, targeting different demographics while retaining Sheridan’s signature intensity.
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Mayor of Kingstown occupies a hybrid space, functioning as a gritty prestige drama that benefits from streaming flexibility while still appealing to legacy cable audiences. Any future seasons or similar urban crime projects are almost certainly destined for Paramount+, where adult-skewing dramas have more room to breathe.
New Projects and Likely Destinations
Upcoming series like Landman, which centers on the modern energy industry, fit squarely within Paramount+’s push toward contemporary, adult-focused storytelling. These projects are being positioned less as mass-appeal hits and more as conversation-driving prestige entries.
Standalone limited series and character-driven dramas currently in development are also expected to bypass linear entirely. Paramount’s internal strategy favors using Sheridan’s name to reinforce Paramount+ as a destination for serious, cinematic television rather than broad four-quadrant fare.
Could Sheridan Ever Leave Paramount?
Despite periodic industry speculation about Netflix, Amazon, or Apple circling Sheridan, there is no indication of an imminent platform shift. His existing deal offers creative control that few streamers are willing to match, and Paramount remains heavily invested in his long-term output.
That said, feature films represent the most plausible avenue for Sheridan to work outside the Paramount ecosystem. Should he return to directing, especially on a standalone thriller or prestige drama, distribution could be negotiated separately without disrupting his television pipeline.
What the Strategy Signals Going Forward
The key takeaway is that Sheridan’s development slate is being carefully platform-matched rather than rushed to market. Paramount is treating his projects as durable assets, spacing releases to avoid fatigue while ensuring a steady presence across the calendar.
For viewers, this means fewer surprise announcements but clearer expectations. When a new Taylor Sheridan project is revealed, its platform, tone, and level of ambition are usually baked in from the start, reflecting a strategy built on longevity rather than volume.
Creative Involvement Breakdown: What Sheridan Is Writing, Producing, Showrunning—or Simply Overseeing
As Taylor Sheridan’s development slate expands, not every project carries the same level of hands-on involvement. His name may be attached across genres and formats, but there is a meaningful distinction between the series he personally writes and runs, and those he oversees as a franchise architect or executive producer.
Understanding that difference helps set expectations for tone, pacing, and how closely a new title aligns with the core Sheridan sensibility audiences associate with Yellowstone or Sicario.
Projects Sheridan Is Directly Writing and Showrunning
At the top tier are projects where Sheridan functions as creator, primary writer, and overall showrunner. These are the series that most closely reflect his voice, often characterized by morally conflicted protagonists, regional specificity, and a deliberate, cinematic pace.
Landman falls squarely into this category. Sheridan is deeply involved in shaping the series, from thematic focus to character construction, positioning it as a prestige drama rather than a procedural. These projects tend to move more slowly through development but arrive with a clear creative identity once greenlit.
Any new flagship dramas announced under his deal are likely to follow this model, especially those intended to anchor Paramount+’s adult-skewing lineup.
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In established universes like Yellowstone, Sheridan’s role has evolved into that of a high-level overseer rather than day-to-day showrunner. While he remains involved in story direction and character continuity, individual series are increasingly managed by trusted collaborators.
This model allows the franchise to expand without diluting the brand. Prequels, sequels, and side stories still reflect Sheridan’s thematic interests, but the writing rooms and production leadership are more distributed than in his early Paramount+ output.
Future spin-offs are expected to continue this approach, with Sheridan providing creative guardrails while focusing his personal energy on fewer, more intensive projects.
Executive Producer Roles and Strategic Attachments
Some projects in development carry Sheridan’s name primarily as an executive producer. These are often genre-adjacent dramas that align with his interests but do not require his direct authorship.
In these cases, his involvement is more about tone approval, casting input, and strategic positioning within Paramount’s broader slate. The Sheridan association signals seriousness and quality, even if the storytelling voice belongs to a different creator.
Audiences should expect these projects to feel compatible with his body of work, though not necessarily indistinguishable from it.
Film Projects and the Possibility of Directing Again
Feature films occupy a separate lane in Sheridan’s career. When attached to movies in development, his involvement is typically limited to writing, with directing remaining optional rather than assumed.
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If Sheridan does return to directing, it would likely be on a standalone film rather than a franchise extension. These projects are less frequent but tend to be more personal, offering him a creative outlet outside the demands of serialized television.
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Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.What’s Real vs. What’s Rumored: Separating Confirmed Projects from Industry Speculation
With Taylor Sheridan’s slate expanding across multiple platforms, the line between officially announced projects and internet-fueled speculation has never been thinner. Studio press releases, guild filings, and platform investor calls paint a far clearer picture than social media chatter, and the distinction matters when tracking what’s actually coming next.
Sheridan’s name is frequently attached to ideas long before they solidify into greenlit productions. Understanding which titles are contractually real versus creatively aspirational is essential to reading his future output accurately.
Confirmed and Actively Developed Projects
Confirmed projects tend to share a few traits: a named platform, attached cast, and an active writers’ room or production timeline. Series like Landman, Tulsa King, Lioness, and Mayor of Kingstown fall squarely into this category, supported by Paramount’s public commitments and ongoing production cycles.
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Within the Yellowstone ecosystem, officially acknowledged extensions are those that Paramount has discussed in earnings calls or announced via press releases. These projects typically have defined eras, showrunners, and a clear place in the franchise roadmap, even if premiere dates remain flexible.
When Sheridan is contractually involved, his role is usually specified upfront. Whether as creator, co-creator, or executive producer, confirmed projects clearly outline the scope of his creative authority rather than relying on vague associations.
The Gray Area: In Development but Not Yet Locked
Some projects live in a legitimate middle ground. These are ideas Sheridan has discussed publicly or that studios have acknowledged as being explored, but without formal greenlights. Writers may be attached, preliminary casting may be underway, and internal development work may be happening behind the scenes.
This category often includes potential franchise extensions or genre-adjacent dramas that fit Sheridan’s wheelhouse. They are real in the sense that they exist within studio development pipelines, but they remain vulnerable to scheduling conflicts, budget recalibrations, or shifting platform priorities.
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Until production dates are set or formal announcements are made, these titles should be viewed as possibilities rather than promises.
Persistent Rumors and Fan-Driven Assumptions
At the far end of the spectrum are projects fueled primarily by fan speculation, trade whispers without sourcing, or misinterpreted quotes. These often include hypothetical sequels, crossover events, or standalone films inferred from Sheridan’s past comments rather than current deals.
The Yellowstone brand, in particular, generates constant rumor cycles about character-focused spin-offs and surprise continuations. While some of these ideas may eventually materialize, many exist only as conceptual discussions rather than active development.
Sheridan’s packed schedule and exclusive agreements naturally limit how many projects can move forward at once. Not every compelling idea survives the realities of production logistics.
How to Read Sheridan’s Slate Going Forward
The most reliable indicator of a project’s legitimacy is platform alignment. If a series has a home, a production partner, and a defined creative team, it’s real. If it exists only as a title floating through interviews or social media, it’s best treated cautiously.
Sheridan’s career phase favors fewer hands-on projects and broader executive oversight. That means announcements will likely be more strategic and spaced out, with less emphasis on rapid-fire expansion.
For audiences tracking what’s next, separating confirmed development from speculative noise ensures expectations stay grounded, and the focus remains on the projects that are actually moving toward screens.
Timelines & Release Expectations: Which Projects Are Coming Next—and Which Are Years Away
Sheridan’s slate only makes sense when viewed through timing. With multiple Paramount-backed series at different production stages, the key distinction isn’t what exists on paper, but what is actively moving toward cameras versus what’s parked in long-range development.
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What follows is a realistic read on what audiences are most likely to see next, and what will take significantly longer to materialize.
Imminent Releases: Already Shot or Deep Into Production
At the front of the line are returning series with established production pipelines. These projects benefit from standing sets, locked casts, and platform urgency, making them the safest bets for near-term releases.
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Tulsa King remains one of Paramount+’s most reliable performers, and its next season is positioned for a relatively quick turnaround following previous production cycles. Landman, after a strong debut, is similarly prioritized, with future episodes expected to follow a traditional annual or near-annual cadence.
These shows reflect Sheridan at his most efficient: clear creative lanes, minimal reinvention, and a focus on scale rather than experimentation.
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The Yellowstone ecosystem continues to anchor Sheridan’s television future, but the timing varies sharply by project. 1923 has already completed its planned run, clearing space for forward-facing entries like 1944, which is expected to be a longer-term play rather than an immediate replacement.
The Madison, the contemporary-set Yellowstone follow-up, sits closer to the front of the pipeline. With high-profile casting and direct franchise relevance, it is positioned as the next major tentpole, though its release window still depends on scheduling alignment rather than urgency.
These series carry higher expectations and higher budgets, which naturally slows their path to screen.
Mid-Term Development: Active, Real, but Not Rushed
Projects in this tier have platform support and creative intent, but no pressure to move quickly. Mayor of Kingstown fits squarely here, with future seasons dependent on cast availability and broader Paramount+ programming strategy rather than immediate necessity.
Lioness also occupies this space, particularly as its international scope and ensemble cast require longer lead times. These are not dormant projects, but they are managed deliberately, with production cycles spaced to avoid oversaturation.
For viewers, this means patience rather than concern.
Long-Term and Film Projects: Years Away, If They Happen at All
Sheridan’s film ambitions remain the hardest to time. Projects like a potential Sicario continuation or original feature scripts exist within studio conversations, but none are positioned for rapid movement.
Feature development operates under different economic pressures, and Sheridan’s television commitments continue to take precedence. Unless a film secures a director-forward package and financing early, it will likely remain a background priority.
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What the Schedule Really Tells Us
Sheridan’s current phase is defined less by volume and more by sequencing. Paramount’s strategy favors spacing his projects to maintain brand dominance without creative fatigue, which means fewer surprises but steadier output.
For audiences tracking what’s next, the safest expectation is continuity rather than acceleration. The pipeline is full, but it’s built for longevity, not speed.
What Sheridan’s Development Slate Says About the Future of Prestige TV and Modern American Mythmaking
Taylor Sheridan’s expanding slate is not just a collection of spin-offs and new titles. It reflects a broader shift in how prestige television is being built, branded, and sustained in the streaming era. His work sits at the intersection of auteur-driven storytelling and corporate franchise strategy, and that balance is increasingly defining the market.
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Sheridan has effectively become a one-man studio brand for Paramount+, functioning less like a traditional showrunner and more like a long-term creative partner. His projects are designed to retain subscribers over years, not weeks, with interconnected worlds that reward commitment rather than casual viewing.
This model mirrors what Disney built with Marvel and Star Wars, but filtered through adult drama and regional specificity. It suggests that the future of prestige TV may belong to auteurs who can deliver both thematic cohesion and reliable scale.
Modern American Mythmaking Over Traditional IP
What unites Sheridan’s slate is not plot continuity, but a shared fascination with power, land, violence, and legacy. These shows operate as modern myths, exploring how American identity is shaped by institutions like ranching empires, law enforcement, the military, and organized crime.
Rather than adapting existing IP, Sheridan is creating original mythologies that feel as culturally resonant as adaptations. In a market saturated with reboots, this approach signals that original storytelling can still compete if it feels foundational rather than disposable.
Fewer Shows, Bigger Statements
Sheridan’s deliberate pacing points toward a future where prestige television values impact over volume. Each project is treated as an event, with production timelines that allow for scale, location authenticity, and cinematic ambition.
This stands in contrast to the rapid churn that defined early streaming. As budgets tighten and audience attention fragments, the industry appears to be recalibrating around fewer, more durable titles that can justify long-term investment.
What Audiences Should Take Away
For viewers, Sheridan’s development slate offers clarity more than surprise. These projects are not designed to flood the calendar, but to arrive with purpose, thematic weight, and platform significance.
The takeaway is simple but telling: prestige television’s next phase may look less like experimentation and more like modern legend-building. In that landscape, Taylor Sheridan is not just participating in the trend. He is actively helping define it.
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