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1Fix the driver behind crashes, sound loss and screen glitches2Clear out junk files and repair common Windows errors3Scan for outdated or missing drivers - takes under a minuteElton John’s collaborations range from charting duets and guest vocals to piano parts, live appearances and songwriting partnerships. This is a documented guide to the named collaborations below—not a claim to list every musician who has ever worked with him. It separates released recordings from live-only appearances and writing credits, so a guest instrumentalist is not mistaken for a duet partner.
Duets and co-billed recordings
These are collaborations in which John and another artist performed together on a released recording, whether as a duet or a shared performance.
Kiki Dee and RuPaul
John and Kiki Dee recorded “Don’t Go Breaking My Heart” in 1976. Seventeen years later, he revisited the song with RuPaul. John’s official discography says the RuPaul version reached No. 3 on the Dance Music/Club Play Singles chart. John and Dee also recorded “True Love,” which the official discography reports reached No. 2 in the UK.
George Michael
John and George Michael recorded three studio singles and performed “Don’t Let the Sun Go Down on Me” live. Their live version reached No. 1 on the Billboard Hot 100 in 1991, according to John’s official collaboration history. The live performance is distinct from their studio singles.
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Dionne Warwick, Gladys Knight and Stevie Wonder
Warwick, Knight and Wonder joined John on “That’s What Friends Are For.” The Recording Academy’s awards archive identifies the performance as the work for which John received his first career Grammy, in 1986.
Stevie Wonder: “Finish Line”
John’s official history describes “Finish Line,” from The Lockdown Sessions, as his first true duet with Wonder. Wonder contributed piano, harmonica and lead vocals; John played electric piano and sang lead. Their musical connection also includes Wonder’s harmonica on John’s “I Guess That’s Why They Call It the Blues.”
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The 1993 album Duets
Duets is John’s 25th studio album. Its official discography lists a US release date of November 23, 1993 and a UK release date of December 1, 1993. The album pairs John with the following artists:
- k.d. lang
- P.M. Dawn
- Little Richard
- Don Henley
- Kiki Dee
- Chris Rea
- Tammy Wynette
- Nik Kershaw
- Gladys Knight
- RuPaul
The album’s title describes its format, but its track partners are only one portion of John’s broader collaborative catalogue.
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Guest vocals and appearances on other artists’ recordings
John has also appeared on recordings led or released by other artists. The role varies: some are vocal features, while others are instrumental contributions.
| Artist or project | Recording or release | John’s documented role |
|---|---|---|
| Neil Sedaka | “Bad Blood” (1975) | Uncredited duet vocal, noted in John’s official history |
| John Lennon | “Whatever Gets You Thru The Night” | Named in John’s official catalogue retrospective among collaborations associated with a No. 1 |
| Queens of the Stone Age | “Fairweather Friends” | Piano |
| Hurts | “Help” | Piano |
| 2CELLOS | “Oh, Well” | Vocal contribution |
| Fall Out Boy | “Save Rock And Roll” | Duet vocals |
| Bright Light Bright Light | “All In The Name,” “Running Back To You” and “Symmetry Of Two Hearts” | Duet vocals |
| Frankie Miller | “Where Do The Guilty Go” | Duet vocals |
| Red Hot Chili Peppers | “Sick Love” and “The Getaway” | Named in the official catalogue retrospective for “Sick Love”; piano on “The Getaway” |
| Logic | “Yuck” | Guest appearance |
| Chic | “Queen” | Vocal contribution |
| Khalid | “Bennie and the Jets” (live) / “Young Dumb & Broke” release | Associated live performance and release |
| Taron Egerton | “(I’m Gonna) Love Me Again” | Duet |
| Kate Bush | “Snowed In At Wheeler Street” | Collaboration named in the official catalogue retrospective |
| Gary Barlow | “Face To Face” | Collaboration named in the official catalogue retrospective |
| A Tribe Called Quest | “Solid Wall Of Sound” | Collaboration named in the official catalogue retrospective |
| Engelbert Humperdinck | “Something About The Way You Look Tonight” | Collaboration named in the official catalogue retrospective |
| BBC Music project | “God Only Knows” | Participant in the project recording |
Collaborative albums and reworkings
Pnau: Good Morning to the Night
John collaborated with Pnau on Good Morning to the Night, a project built around reworking material from his catalogue. John’s official retrospective describes it as a UK No. 1 album. It is an album-level collaboration rather than a conventional track-by-track guest duet.
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Live collaborations that are not studio duet credits
John’s live history includes performers joining him onstage in roles that should not be confused with released studio recordings:
- George Michael performed with John repeatedly, including the live “Don’t Let the Sun Go Down on Me.”
- Gregg Allman played guitar during encores.
- Lesley Duncan harmonized on “Love Song.”
- Billie Jean King sang backing vocals at selected shows.
These examples document live performance contributions; they do not imply that every appearance produced a recording.
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Songwriting and theatre collaborators
Bernie Taupin is John’s central lyric-writing collaborator. Their partnership is a songwriting relationship, not simply a series of co-performed duets. John’s official biography also names Tim Rice and Lee Hall as lyricists on musical-theatre projects including The Lion King, Aida, Billy Elliot and Lestat. These credits belong in a broader account of collaboration, but they should be distinguished from guest appearances on songs.
Why no list can responsibly claim “every star ever”
John’s official catalogue and live-history features are selective retrospectives, not a complete guest-credit database. The Recording Academy archive establishes the Grammy fact for “That’s What Friends Are For,” but it is likewise not a comprehensive discography. Accordingly, this guide identifies documented examples and clarifies the type of contribution rather than presenting the names as an exhaustive count.
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