Public reporting ties Darcey and Stacey Silva to five income-related activities: their TLC television work, the House of Eleven apparel and lifestyle brand, the Eleventh Entertainment production company, paid personalized videos on Cameo, and brand collaborations. What the public record does not show is how much any of this paid them. No contract, audited account, or verified individual income figure has been published, so the accurate answer is that the money comes from these activities, in amounts nobody outside the family has disclosed.
The most recent reporting found for this article dates from March 2023 to April 2025. Current show participation, brand status, and Cameo availability may have changed since then.
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What the public record documents
The table below separates activity that reporting confirms from the financial details that remain undisclosed. Each row is covered in more detail in the sections that follow.
| Income avenue | What public reporting establishes | What is not established | Source and date |
|---|---|---|---|
| Reality television (TLC) | Darcey became known through 90 Day Fiancé: Before the 90 Days; Stacey joined her storyline before the Darcey & Stacey spin-off | Contracts, per-episode pay, total television earnings | Monsters and Critics, March 28, 2023; Sidewalks Entertainment interview |
| House of Eleven | Apparel and home-goods business launched in 2010; now described as spanning clothing, accessories, beauty products, and a wider lifestyle range | Sales, profit, and how ownership is divided between the sisters | Monsters and Critics, 2023; Authority Magazine on Medium, April 10, 2025 |
| Eleventh Entertainment | Reported as a production company the sisters co-founded and executive produce | Revenue, completed projects, and fees | Monsters and Critics, 2023; Sidewalks Entertainment interview |
| Cameo videos | Individual and joint personalized videos offered, with prices listed | Number of videos sold, total earnings, and current prices | Monsters and Critics, 2023 |
| Brand collaborations | Darcey said she has worked with beauty, fashion, and lifestyle brands | Named partners, fees, and compensation | Authority Magazine on Medium, April 10, 2025 |
| Music and film production | Activity is described in reporting | Whether these projects produced any meaningful income | Monsters and Critics, 2023; Authority Magazine on Medium, April 10, 2025 |
Reality television: visible work, undisclosed pay
Television is the most visible source of the sisters’ public profile. Darcey first became known through TLC’s 90 Day Fiancé: Before the 90 Days. Stacey joined her storyline before the sisters received their own spin-off, Darcey & Stacey. Appearing on a series establishes that the work exists. It does not establish what either sister was paid, and no source reviewed for this article discloses their contracts or individual show fees.
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Some outlets have published a general range for the franchise. Life & Style, quoting an unnamed source, reported $1,000 to $1,500 per episode for American cast members. The article’s publication date could not be confirmed from the excerpt available, and the figure describes cast members in general, not Darcey or Stacey. It is not a verified rate for either sister and should not be used to estimate their earnings.
House of Eleven
According to a 2023 report, the twins launched their apparel and home-goods business in 2010. In a 2025 interview published by Authority Magazine on Medium, Darcey described the brand as spanning clothing, accessories, beauty products, and a broader lifestyle range. That interview supports describing House of Eleven as a business the sisters own or co-founded.
It does not show how large the business is. Product lines and a long operating history are consistent with a real company, but neither is proof of sales volume or profit. Readers should treat House of Eleven as documented business activity whose financial scale is unknown.
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Eleventh Entertainment
The sisters are reported as co-founders and executive producers of Eleventh Entertainment, a production company. A Sidewalks Entertainment interview with the two of them discusses the company. The reporting does not say which productions it has handled, what clients or projects it has generated income from, or whether it earns revenue beyond their own work. A production company’s existence is verifiable; its profitability is not.
Cameo videos
A 2023 Monsters and Critics article reported that the sisters offered individual and joint personalized videos through Cameo. The article listed the following prices at the time:
| Video type (as listed) | Reported price, March 2023 |
|---|---|
| Darcey, individual video | $49 |
| Stacey, individual video | $100 |
| Joint video | $200 |
| Stacey with Florian Sukaj | $80 |
These are historical listed prices, not current quotes. Cameo prices are set by the individual creator and can change, and the 2023 article does not indicate how many videos were booked or what the sisters kept after platform fees. Price lists show what was offered, not what was earned.
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Brand collaborations, music, and film
In the 2025 Authority Magazine interview, Darcey said she had worked with beauty, fashion, and lifestyle brands. She did not name a complete set of partners or describe how those deals were paid. The reporting also describes the twins’ music and film-production activity, but it does not establish that either area generated meaningful income.
Why the net-worth estimates are not repeated here
Entertainment sites have published net-worth estimates for both sisters. The Monsters and Critics article from March 2023 attributes its estimates to other sources and does not show a calculation or any financial records. Because the figures cannot be checked, this article does not repeat them. Any number you encounter elsewhere should be read as an unverified estimate, not a disclosed financial position.
How to weigh the income avenues
If you are comparing the sisters’ income streams, the useful axis is the type of evidence rather than an assumed ranking of earnings. The reporting supports three distinct categories:
- Documented and visible activity: television appearances, the existence of House of Eleven, and Eleventh Entertainment’s reported co-founding.
- Documented but unmeasured activity: Cameo offerings, brand work Darcey has described, and music and film production.
- Undisclosed financial terms: TLC contracts, House of Eleven sales and profit, production revenue, and every individual income figure.
Activity in the first two categories is real. Its financial weight is not public, so ranking one avenue above another would be guesswork.
What would change the answer
The current evidence would change if any of the following appeared:
- A named, on-record statement from either sister about how their income is divided among these activities
- A published contract, audited statement, or formal financial disclosure tied to a specific business
- Reporting that names specific House of Eleven or Eleventh Entertainment revenue figures and identifies where they came from
Without those, questions about total income or personal wealth cannot be answered from public sources.
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The lifestyle question
A common related question is how the sisters afford their lifestyle. The public record does not answer it. Family wealth, financial support, personal assets, and lifestyle spending are all possible explanations, and none is documented in the sources available. Visible spending is not evidence of income, and business activity is not evidence of profit. Treat any explanation that goes beyond the documented activities above as speculation.
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