In her October 16, 2015 review for Scroll, Nandini Ramnath frames Pyaar Ka Punchnama 2 as a one-sided battle-of-the-sexes comedy. Her “Die, Women, Die!” line is a pointed summary of that criticism—not a neutral description of the film or evidence of audience consensus.
Three romances, one recurring grievance
Written and directed by Luv Ranjan, Pyaar Ka Punchnama 2 follows three male flatmates whose romantic relationships supply a chain of comic conflicts. Ramnath describes the scenes as sketch-like episodes that repeatedly return to the men’s complaints about women.
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- Siddharth is cast as caretaker to Supriya.
- Tarun’s relationship with Kusum is strained by her spending and interference in his business.
- Anshul feels neglected by Ruchika, who is close to a male best friend.
The principal performers named in the review include Kartik Aaryan, Nushrat Bharucha, Sunny Singh Nijar, Omkar Kapoor, Sonalli Sehgall and Ishita Sharma.
Why Ramnath’s review calls the film one-sided
Ramnath’s objection is not merely that the women in the plot behave badly. She argues that the film treats its female characters as variations on a single type, while leaving the men’s own romantic choices largely unexamined. The flatmates describe what frustrates them about their partners, but the comedy does not seriously ask why they keep choosing these relationships or what their own part in the conflicts might be.
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That imbalance shapes her reading of the humor: the men’s grievances get the sustained comic attention, while the women are reduced to recurring sources of trouble. The “Die, Women, Die!” framing captures this critical argument. It should not be mistaken for a literal description of the story or a claim that all critics or viewers shared her response.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Does the sequel change the first film’s perspective?
On the comparison with the 2011 predecessor, Ramnath sees repetition rather than a substantial shift in perspective. In her view, the sequel returns to the first film’s central grievance without developing the women beyond familiar types or redirecting the joke toward the men’s assumptions. She also finds that the episodic scenes do not build much narrative momentum.
This is Ramnath’s assessment in a single contemporaneous review, not a comprehensive comparison of critical opinion. Read it as an argument about the sequel’s point of view, character writing and comic structure—not as a measure of consensus.
What the review can—and cannot—tell you
The review is useful for understanding how the film’s relationship plots and repeated comic complaints struck one critic at release. Published on October 16, 2015, it does not establish where the film is streaming today or whether a DVD or other physical edition is currently available.
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Read Nandini Ramnath’s review at Scroll.
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