Josh Eggington, the Noongar-Wongi artist known as Flewnt, says his drive comes from hip-hop’s voice for people facing oppression, his family’s history of fighting for Aboriginal rights, and a responsibility to give back to his community. He describes music and youth work as ways to put those commitments into practice.
Hip-hop gave Eggington a way to tell stories like his own
In a 2020 interview with National Indigenous Times, Eggington recalled discovering American hip-hop when he was 11. Its political voice resonated with him: he heard music about Black struggle and people challenging power, and wanted to tell stories from his own experience.
“It’s the music for Black struggle. It was a voice for the oppressed and I identified with that. I wanted to tell my stories the same way I was hearing from those mob over there,” he said.
That influence is more than a sound or genre in his account. Hip-hop offered a form for speaking about identity and injustice, and for making space for stories he felt needed to be heard.
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His writing begins in solitude
Eggington described writing as an intuitive process rather than a fixed routine. In the 2020 interview, he said he is usually alone in a creative space, thinking until an idea arrives and he begins to write.
“I’ll be sitting there thinking and . . . it’s as if spirit moves through you. You just start writing.”
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The account links that private moment of creation to a broader purpose: songs can carry personal and community stories into public view.
Identity and family history shape the responsibility he feels
In a PerthNow profile published on 5 July 2022, Eggington connected his drive to his Noongar-Wongi identity and to family members who fought for Aboriginal rights. He also spoke about raising a young family and wanting the next generation to carry forward values he admires in those who came before.
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He framed giving back as an obligation, especially for someone with a platform to speak about issues affecting the community:
“My community has given me everything that I am today, and it’s only right that I give back and I’ve said this many times, but as a blackfulla, I feel like we are obligated to serve our community in some sort of way, especially if you have the platform to be able to speak about important issues that affect your community,”
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For Eggington, that responsibility is not satisfied by speaking about change alone. He told PerthNow:
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.“I don’t want to be just saying these things, I want to actually be living those things. I want to actually be amongst the people that I’m talking and speaking about, I want to be actually making the change that I’m demanding.”
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Youth work makes the commitment practical
Eggington’s music sits alongside work with young people. National Indigenous Times reported in 2020 that he ran school programs and worked with incarcerated young people. That interview also described Kyana Studios as a planned space for young men recently released from detention; the account establishes the plan at that time, not that the studio was later built.
Later coverage documents continued youth engagement. In 2024, ABC News reported that Eggington mentored young people in custody and students disengaged from mainstream school. The report also covered his relationship with his son, Inkabee, and his interest in passing on values through family and storytelling. Eggington described that work as “actually about storytelling and being a voice for the oppressed.”
His connection between music and service is also reflected in “Kya Kyana,” a song inspired by his identity and his family’s cultural grounding. Community Arts Network says it won Best Song and Best Hip-Hop Song at the 2018 WA NAIDOC Music Awards. PerthNow describes the awards as the “2018/2019 WA NAIDOC Music Awards,” so the accounts differ in how they date them.
Where to hear more about Flewnt’s story
SBS lists a 26-minute episode, “Josh Eggington – Flewnt In Rhyme,” in the 2026 season of Living Black. Its episode page describes a conversation about the inspiration behind his music and training the next generation of rappers. The listing gives the season and runtime but not an exact release date.
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