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5 Bad Bunny Songs to Know After the Super Bowl LX Halftime Show: Context and Meaning

Super Bowl LX is over. Explore five Bad Bunny songs as a listening guide, with reported context for “El Apagón,” “Lo Que Le Pasó a Hawaii,” and “Tití Me Preguntó.”
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Bad Bunny’s Super Bowl LX halftime performance took place on February 8, 2026, at Levi’s Stadium in Santa Clara, California. He framed the show as being for “my people, my culture, and our history.” Here are five songs to know as a listening guide—not an official ranking or a claim that all five appeared in the set. The performance context below is attributed to Associated Press reporting; consult Apple Music’s official event page for the set list.

Why this is a retrospective guide

Bad Bunny was announced as the Apple Music Super Bowl LX Halftime Show performer at Levi’s Stadium in Santa Clara. The game and performance are now past, so this guide focuses on the songs and cultural references that help listeners understand the moment rather than previewing an upcoming show. In the NFL announcement, Bad Bunny said the performance was for “those who came before me” and “my people, my culture, and our history” (NFL announcement).

At a pre-show interview, he said he wanted to bring his culture to the stage and described DeBÍ TiRAR MáS FOToS as a project that helped him reconnect with his identity, history, and culture. He also said, “You always have to be proud of who you are and where you’re from,” then added, “But don’t let that limit where you can go” (Associated Press interview via NFL.com).

Five Bad Bunny songs to know

This is an editorial listening path, not a canonical “top five.” The available reporting supports performance context for three songs below; it does not establish that the other two were performed. To verify the complete set list, use Apple Music’s official Super Bowl LX halftime show page.

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1. “El Apagón”

Associated Press reporting describes Bad Bunny and jíbaros climbing sparking power poles during “El Apagón.” The image invoked Hurricane Maria and Puerto Rico’s continuing power outages, giving the staging an infrastructure and political dimension. It is useful context for the song, but not a complete explanation of its meaning: a performance tableau can point toward a larger reality without reducing a song to one scene (Associated Press performance report).

2. “Lo Que Le Pasó a Hawaii”

AP reports that Ricky Martin performed this song seated on a white plastic chair beside a plantain tree. The staging echoed cover imagery from DeBÍ TiRAR MáS FOToS. That visual connection places the song within the album’s broader engagement with Bad Bunny’s roots and cultural identity; it should not be mistaken for a definitive line-by-line interpretation of the lyrics (Associated Press performance report).

Rank #2
OASIS
  • OASIS, the collaborative album between J Balvin and Bad Bunny, was released in 2019 and features the singles, "Que Pretendes," "La Cancion," "Yo Le Llego," and "Cuidao por Ahi

3. “Tití Me Preguntó”

AP notes that Bad Bunny launched into “Tití Me Preguntó” after the show had established a series of Puerto Rican symbols. That makes its position in the performance sequence worth noticing, but the reporting does not establish a specific interpretation of its lyrics (Associated Press performance report).

4. “Mónaco”

“Mónaco” offers a different point of entry into Bad Bunny’s catalog: a useful contrast to the performance’s explicitly Puerto Rican visual references. Include it as a career-spanning listening choice, not as a confirmed Super Bowl song or a track whose lyrics the cited performance coverage interprets.

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5. “Callaíta”

“Callaíta” rounds out the guide with another entry point beyond the three songs directly discussed in AP’s account of the show. Treat it as an editorial pick for listeners exploring his wider catalog, not as evidence of what the halftime set contained. For exact lyrics or translations, consult an authorized lyric source rather than relying on paraphrases.

How to read the show’s Puerto Rican imagery

The songs were part of a larger visual vocabulary. AP describes sugarcane fields and jíbaro imagery, a roadside coconut stand, piraguas bearing Latin American flags, the sapo concho cartoon, and the original light-blue Puerto Rican flag. AP reads the show as invoking Puerto Rican identity alongside a broader Pan-Americanism. It notes that the lighter blue was presented as the original flag associated with the independence movement; these are contextual readings of the staging, not a claim that every image has only one meaning (Associated Press performance report).

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What the lyrics do—and do not—tell us here

The performance reporting establishes staging and sequence, not a full lyric analysis of five songs. Avoid treating a visual reference as proof of a definitive lyric meaning, and avoid presenting this editorial selection as an official set list. For precise wording and translation, use authorized lyrics; this guide does not reproduce song lyrics.

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OASIS
OASIS
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