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Post Malone’s Soulful Acoustic Rendition of “America the Beautiful” at the 2024 Super Bowl

At Super Bowl LVIII, Post Malone performed “America the Beautiful” on acoustic guitar in a restrained, soulful pregame rendition distinct from both the national anthem and halftime show.
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Post Malone performed a quiet, acoustic version of “America the Beautiful” before Super Bowl LVIII began on February 11, 2024. With an acoustic guitar in hand at Allegiant Stadium, he turned a stadium pregame appearance into a restrained, soulful singer-songwriter moment.

Post Malone performed a quiet, acoustic version of “America the Beautiful” before Super Bowl LVIII began on February 11, 2024. Standing on the field at Allegiant Stadium in Las Vegas with an acoustic guitar, he delivered the familiar patriotic standard with a restrained, soulful approach rather than turning it into a large-scale pop spectacle.

That contrast was the defining feature of the performance: one of contemporary music’s most recognizable rap and pop figures presented a traditional American song as an intimate singer-songwriter moment.

When and where Post Malone performed

Malone’s appearance was part of the official Super Bowl LVIII pregame program, not the halftime show. The game, played at Allegiant Stadium in Las Vegas on February 11, 2024, featured the Kansas City Chiefs against the San Francisco 49ers.

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The pregame lineup included three major performances:

Performer Song or role
Reba McEntire “The Star-Spangled Banner,” the national anthem
Post Malone “America the Beautiful”
Andra Day “Lift Every Voice and Sing”

The Associated Press also reported that Anjel Piñero was scheduled to provide the American Sign Language performance associated with “America the Beautiful.” Usher’s separate Apple Music Super Bowl LVIII halftime performance took place later and should not be confused with Malone’s pregame appearance.

An acoustic performance instead of a stadium spectacle

Malone accompanied himself on acoustic guitar and kept the musical presentation notably spare. Contemporary descriptions characterized the rendition as acoustic, tender, soft, and folky. Rather than relying on an elaborate dance routine or a dense production, the performance placed the focus on his voice, guitar playing, and the melody.

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The visual styling reinforced that choice. Malone appeared in blue jeans, a brown or suede-looking blazer, and a prominent bolo tie. Those details gave the appearance a country, folk, and singer-songwriter flavor that contrasted with the rap-centered image through which many listeners first came to know him.

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It is more accurate to describe this as a stylistic presentation for one performance than as evidence that Malone had permanently abandoned rap or formally changed genres. The occasion called for a familiar standard, and his arrangement adapted the song to his voice and acoustic-guitar setting.

How the arrangement was built

Sennheiser’s post-event account identified the microphone used for the performance as a Sennheiser SKM 6000 wireless microphone fitted with an MM 435 capsule. That is manufacturer-reported production information, not an independent audio test or a claim that this equipment alone produced the character of the performance.

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The same account said the new arrangement—credited to Malone and his longtime studio collaborator Louis Bell—was designed to begin quietly and build. That reported arc helps explain why the rendition could feel intimate even within the setting of a major sporting event: it started from a small acoustic foundation and allowed the performance to gather emotional weight without becoming bombastic.

No authoritative source identified the exact make or model of Malone’s acoustic guitar. Screenshots, fan speculation, and photographs from unrelated performances are not enough to establish the instrument, so it is safest to refer to it simply as an acoustic guitar.

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Why “America the Beautiful” carries more than patriotic pageantry

“America the Beautiful” was not written for Super Bowl LVIII or introduced by Malone. Its words were written by Katharine Lee Bates, while the familiar melody was composed by Samuel Augustus Ward. Ward originally wrote that melody, known as “Materna,” for the hymn “O Mother Dear, Jerusalem.” Bates’s text and Ward’s melody eventually became the version widely recognized today.

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The song’s meaning is also broader than uncomplicated triumph. Its lyric tradition reflects appreciation for the country’s landscapes and abundance, as well as an aspiration toward national ideals. That history gives Malone’s performance a useful cultural frame: he was reinterpreting an established American standard, not presenting a new patriotic song.

His acoustic arrangement made that history especially visible. A stadium pregame ceremony can easily emphasize scale, spectacle, and collective excitement. Malone instead brought the song closer to the traditions of folk music and the singer-songwriter performance, allowing the melody and words to carry the moment with relatively little visual or instrumental distraction.

What the performance was—and was not

  • It was: a pregame performance of “America the Beautiful” at Super Bowl LVIII.
  • It was: an acoustic-guitar rendition led vocally by Post Malone.
  • It was: a separate segment from the national anthem and halftime show.
  • It was not: the national anthem; Reba McEntire performed “The Star-Spangled Banner.”
  • It was not: the halftime performance; Usher headlined that separate show.
  • It has not been established here as: an official commercial recording or an official transcription of Malone’s exact arrangement.
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How to watch the performance

The NFL’s official performance video preserves Malone’s Super Bowl LVIII rendition for reference. It is the most appropriate source for viewers who want to revisit the staging, clothing, acoustic-guitar accompaniment, and progression of the arrangement rather than rely on descriptions or short clips.

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For musicians interested in the song itself, America the Beautiful sheet music can be useful for studying or performing the underlying standard. A general edition should not be presented as Malone’s exact Super Bowl arrangement; it is a way to examine the song’s established melody, harmony, and arrangement possibilities.

Key facts

Performer Post Malone
Song “America the Beautiful”
Event Super Bowl LVIII pregame program
Date February 11, 2024
Venue Allegiant Stadium, Las Vegas
Accompaniment Acoustic guitar
Song words Katharine Lee Bates
Familiar melody Samuel Augustus Ward
Reported microphone Sennheiser SKM 6000 with MM 435 capsule

Post Malone’s rendition worked because it reduced the scale of a very large event. In place of a heavily produced showcase, he offered a focused acoustic interpretation of a song whose history already supplied much of the occasion’s significance.

Frequently Asked Questions

Did Post Malone sing the national anthem at the 2024 Super Bowl?

No. Post Malone performed “America the Beautiful” during the Super Bowl LVIII pregame program. Reba McEntire performed “The Star-Spangled Banner,” the national anthem, while Usher headlined the separate halftime show.

Where and when did Post Malone perform “America the Beautiful”?

The performance took place on February 11, 2024, at Allegiant Stadium in Las Vegas, before the Kansas City Chiefs played the San Francisco 49ers.

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What guitar did Post Malone use at the Super Bowl?

He accompanied himself on acoustic guitar. No authoritative source in the available research identifies the guitar’s make or model.

Who wrote “America the Beautiful”?

The words are by Katharine Lee Bates, and the familiar melody is by Samuel Augustus Ward. Ward’s melody was originally known as “Materna.”

The Bottom Line

Post Malone’s Super Bowl LVIII appearance was a pregame performance—not the national anthem or halftime show—in which he recast “America the Beautiful” as a restrained acoustic, folk-leaning interpretation. The NFL documents the event, while the Library of Congress provides the song’s historical context.

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