You Can See Everything is a forthcoming documentary about Elizabeth Holmes, made by Nathan Fielder and Lance Oppenheim. A surprise screening at the Telluride Film Festival in September 2026 produced unusually emphatic reactions, including claims that it ranks among the best documentaries ever made. That superlative is an individual critical judgment, not an established consensus or measured ranking.
What You Can See Everything is about
The film follows Holmes during the 34 days before she was sent to prison. According to The Independent, filming took place in April and May 2023, with Fielder and Oppenheim identified as the filmmakers.
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The official logline, as reproduced by The Independent, says: “Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move.” It also describes the project as a “mind-bending three-year journey into the abyss.” That language comes from the film’s promotional logline, so it should be read as marketing copy rather than a neutral description.
The premise places the crew inside an unusually compressed period of Holmes’s life. Instead of surveying her entire career from a distance, the documentary appears to observe her daily decisions and interactions while a major personal consequence approaches. The available reports do not disclose the film’s full narrative structure, and preserving that uncertainty matters: early viewers repeatedly urged audiences to know as little as possible before watching.
#1 Best Overall
Why the first reactions were so extreme
The Telluride screening was a surprise event, and the initial response was less a conventional review consensus than a burst of astonishment. Matt Neglia wrote, “One of the best documentaries I’ve ever seen.” Mark Johnson called it “one of the most transfixing and jaw-dropping documentaries of ALL TIME” and urged readers to avoid learning more before seeing it.
Other reported reactions used words such as “gripping,” “riveting,” “offbeat” and “existential.” Some viewers reportedly asked, “What the f*** did I just watch?” Those comments indicate shock, fascination and uncertainty, but they are still first impressions from individual viewers rather than a statistical measure of quality.
The access that critics found remarkable
Variety critic Owen Gleiberman described the film as “a one-of-a-kind reality-TV-as-hangout-movie psychodrama circus.” That formulation points to a hybrid approach: the subject’s ordinary environment and unscripted-seeming encounters may be as important as explanatory interviews or archival material.
Deadline critic Pete Hammond focused on the filmmakers’ access to Holmes’s home, calling it “unlike anything I have ever seen in terms of access.” The reports do not establish every circumstance behind that access, but the observation helps explain why the film’s first viewers described it as so difficult to categorize. It may operate partly as observational documentary, partly as a portrait of private behavior and partly as a deliberately constructed encounter between subject and filmmakers.
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Who made the film
Nathan Fielder
Fielder is identified as a co-director. The early descriptions of the film’s strange, reality-television-inflected tone make his involvement central to how viewers are framing the project, although the available reporting does not specify which scenes or techniques he personally shaped.
Lance Oppenheim
Oppenheim is also identified as a co-director. Together, the pair spent years on the project: the official logline calls it a three-year journey, while the reported principal filming period was April and May 2023.
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Release timing and runtime
The available report places the theatrical release in October 2026 and gives the runtime as 174 minutes. Both details should be treated as provisional until confirmed by a current official listing, because festival information, theatrical dates and running times can change. Check local cinema listings and the distributor’s current announcements for the exact date and screenings.
| Detail | Reported information |
|---|---|
| Subject | Elizabeth Holmes |
| Filmmakers | Nathan Fielder and Lance Oppenheim |
| Documented period | 34 days before Holmes was sent to prison |
| Reported filming period | April–May 2023 |
| Reported runtime | 174 minutes |
| Reported theatrical window | October 2026 |
| First reported festival screening | Surprise screening at Telluride, September 2026 |
Is it really one of the best documentaries of all time?
There is no attributable study, critics’ poll or established ranking in the available reporting that places You Can See Everything among the greatest documentaries ever made. The phrase comes from enthusiastic early reactions and headline framing. A fair description is that the film generated extraordinary praise from some Telluride viewers, while its broader critical and audience reputation remains to be established.
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That distinction does not diminish the reactions. Comments from Neglia, Johnson, Gleiberman and Hammond identify four separate sources of appeal: emotional impact, bewildering formal choices, an unusual blend of documentary and reality-TV conventions, and access to Holmes’s private surroundings. Whether those qualities add up to a lasting classic will depend on wider releases and more complete criticism.
What to know before watching
- Expect a long film: the reported runtime is 174 minutes.
- The central timeframe is limited to the 34 days before Holmes entered prison, rather than a conventional cradle-to-present biography.
- Early viewers strongly recommended avoiding detailed plot information.
- The film’s October 2026 theatrical timing and local showtimes require confirmation from current listings.
- Descriptions of it as “one of the best” are opinions from named critics and viewers, not an objective industry ranking.
Frequently Asked Questions
When is You Can See Everything coming out?
Reports available after the September 2026 Telluride screening placed its theatrical release in October 2026. Confirm the exact date and showtimes with current local listings.
How long is the documentary?
The Independent reported a runtime of 174 minutes, subject to confirmation in an official current listing.
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