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“Wuthering Heights” Ending Explained: How the Film Differs From Emily Brontë’s Novel

Emerald Fennell’s film ends when Heathcliff reaches Cathy too late. Emily Brontë’s novel continues through the next generation, changing the meaning and scope of the ending.
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Spoilers for Emerald Fennell’s film and Emily Brontë’s novel. The film ends with Cathy dead and Heathcliff arriving too late. Brontë’s novel does not end there: Cathy dies around its midpoint, and the story continues through the next generation before Heathcliff’s death and a possible reconciliation between the younger Cathy and Hareton.

How does the film end?

After hearing that Heathcliff has eloped with Isabella, Cathy becomes gravely ill. Heathcliff’s letters never reach her: Nelly burns them, and Cathy believes he has abandoned her. She stops eating and grows weaker. By the time Nelly tells Heathcliff how ill Cathy is, Cathy has died from a bloody miscarriage.

Heathcliff reaches her after her death. The film closes with him beside her body as memories of their childhood flicker through the scene. He does not arrive in time for a final conversation with her.

How is the movie ending different from the novel?

The film adapts the lovers’ story through Cathy’s death, but changes the events around it and omits the novel’s second half. These differences matter: Brontë’s book is not only a tragic love story, but also a revenge plot that follows the consequences into another generation.

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What changes Emerald Fennell’s film Emily Brontë’s novel
Cathy’s illness Her decline follows news of Heathcliff and Isabella’s elopement. Nelly burns his letters unread, leaving Cathy to think he has left her. After a confrontation involving Edgar and Heathcliff, Cathy falls ill, recovers for a time, then dies after giving birth prematurely.
Heathcliff’s last visit He arrives after Cathy has died. He visits Cathy while she is weak. They speak and embrace before she dies.
The relationship Cathy and Heathcliff have an explicit sexual affair. The novel does not depict their relationship as a consummated sexual affair.
Isabella She is presented as Edgar’s ward, and her elopement with Heathcliff is framed as retaliation against Cathy. She is Edgar’s sister. Heathcliff’s marriage to her is part of his revenge and his strategy involving the estate.
What follows Cathy’s death The film ends. The plot continues through Cathy’s daughter, Heathcliff and Isabella’s son Linton, and Hareton. Heathcliff eventually dies, while the younger Cathy and Hareton point toward reconciliation.

Harper’s Bazaar’s film-versus-book comparison details these plot changes. The Associated Press likewise notes that the film leaves out the novel’s later generation and the resolution Brontë gives them (AP’s report on scholars’ responses).

What does the film’s ending mean?

The ending makes separation and missed timing the emotional destination of the film: Cathy dies believing Heathcliff has abandoned her, and he arrives only after she is gone. That is an interpretation of how the film’s structure works, not a definitive statement about Brontë’s meaning.

Director Emerald Fennell described Cathy and Heathcliff’s romance as a story about “missing each other.” She also said, “It begins where it ends and ends where it begins,” describing the film’s sense of love as cyclical despite its tragic ending. In that framing, the childhood memories at Cathy’s death connect the lovers’ final separation to the beginning of their bond. Elle’s interview reports Fennell’s comments.

Why did Emerald Fennell change the story?

Fennell said she built her version partly from her memories of reading the novel as a teenager. She described the film as her own response to the book rather than a faithful adaptation, saying, “So there was a certain amount of wish fulfillment in there, and there were whole characters that I’d sort of forgotten or consolidated.” She said she wanted to bring forward the love and conversations that, to her, were shaped by the lovers repeatedly missing each other. These are Fennell’s explanations of her approach, not a universal reading of Brontë.

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In a British Film Institute interview, Fennell discusses translating an emotional response to a book rather than reproducing it literally, alongside the influences and sensory qualities she wanted for the film. That helps describe her adaptation method, but does not by itself explain every plot change.

What does the film leave out of Brontë’s novel?

By ending at Cathy’s death, the film stops before the book’s revenge plot reaches its resolution. The novel follows the effects of Heathcliff’s choices through the children and into the younger Cathy and Hareton’s relationship. Their movement toward peace offers a contrast to the destructive attachment that dominates the first generation.

That compression also changes the balance of the story. Brontë’s novel holds together romance, revenge and tragedy; the film concentrates more tightly on Cathy and Heathcliff. In an Associated Press report, Loughborough University senior lecturer Claire O’Callaghan described the adaptation challenge as preserving a work that is at once “a tragic love story and a revenge novel and a tragedy.” Critic Lucasta Miller offered a different measure of success: “I wasn’t asking for a faithful adaptation of ‘Wuthering Heights,’ but whether it works on its own terms. And my sense is that it does.” Those are individual assessments, not a single scholarly verdict.

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Is the film’s ending the same as the book’s ending?

No. The film closes with Heathcliff beside Cathy after her death. The novel continues well beyond her death, follows the younger generation, and ends after Heathcliff has died, with Cathy and Hareton positioned for reconciliation. The movie’s final scene is the end of its adaptation, not the ending of Brontë’s novel.

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