With Love, Meghan is a lifestyle series about cooking, gardening, crafts and hosting with friends. Its appeal is less a stream of big revelations than a steady parade of small, camera-ready pleasures: food arranged for guests, flowers, thoughtful touches and projects meant to make time together feel special. That makes it an easy fit for viewers who enjoy hosting TikToks—but its immaculate presentation can also make the warmth feel carefully staged.
What is With Love, Meghan about?
Netflix describes the series as Meghan, Duchess of Sussex, welcoming friends and well-known guests to a California estate to share ideas about cooking, gardening and hosting. The show’s invitation is participatory: its guests work alongside Meghan in the kitchen and garden, and viewers are encouraged to try the activities themselves. Netflix’s official listing and the Netflix Media Center synopsis frame it as lifestyle reality, not a documentary about the mechanics of running a household.
The first season has eight episodes. Netflix Tudum also publishes a companion collection of recipes and crafts, giving viewers a way to revisit some of the projects beyond the episodes. The season-one guide describes the show’s ideal as thoughtful gestures and joyful time with loved ones, rather than perfection for its own sake.
Netflix’s season-two and holiday-special guide lists guests including David Chang, Christina Tosi and Daniel Martin. The Associated Press reported on March 7, 2025, the week the first season debuted, that a second season had already been shot; that is release-era context, not a statement about later renewal plans. The AP report covered the launch.
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Why it feels like hosting TikToks
The comparison is a matter of feel, not an official format label or a claim about who watches the show. Episodes are built around visual, easily shared pleasures: preparing something for a guest, arranging a setting, gathering flowers, or making a small handmade detail. The show often values the gesture as much as the finished dish or project. In that sense, it has the satisfying, bite-sized rhythm of social videos about making a home welcoming.
Netflix Tudum attributes this line to Meghan in its season-two guide: “The only thing better than eating food is making food for someone and watching them eat it with delight.” It neatly expresses the series’ ideal of hospitality as care made visible—not simply a menu or an impressive table.
That ideal gives the show a clear emotional center. It is interested in the pleasure of doing something for another person, and in the shared time around the activity. The limitation is that the gestures arrive in a highly composed setting. Viewers looking for candid household chaos, detailed instruction or a frank account of what entertaining costs may find the presentation more aspirational than practical.
Are the recipes and projects useful?
The series offers ideas to borrow, and the companion recipes and crafts make some of them easier to follow up on. Its strongest practical message is not that every gathering needs a polished spread; it is that a small, personal touch can make a guest feel considered. That is an accessible principle even when the show’s surroundings are not.
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Still, an inviting idea on screen is not automatically a complete how-to. The show’s emphasis is on the experience and appearance of making things together, rather than exhaustive troubleshooting or adapting every project to a tight budget, limited space or an ordinary weeknight. Treat it as inspiration and choose the parts that suit your own kitchen and guests, rather than as a comprehensive hosting manual.
There is a specific culinary thread for viewers curious about one guest’s work: Netflix’s first-look preview says Roy Choi joins Meghan to make Korean fried chicken and names his cookbook, The Choi of Cooking: Flavor-Packed, Rule-Breaking Recipes for a Delicious Life. The preview establishes the connection; it does not make the book necessary to enjoy the series.
Do the guests make it feel warmer?
Guests give the activities a social purpose and create opportunities for conversation. Familiar names can also make a cooking or crafting segment feel less like a solo demonstration. But the format’s friendliness is carefully arranged: the conversation takes place within an episode organized around an activity, not in an unstructured visit. Whether that feels charming or overly managed depends on how much spontaneity you want from a lifestyle show.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.How the reviews differ
The critical response represented by two prominent reviews is notably split, rather than a settled consensus. In its March 4, 2025 review, TIME describes the series as an overly performative primer on entertaining and points to the nearby rental where it was filmed as part of the gap between its polished aspiration and everyday life. The show is officially described more generally as taking place at a California estate; it should not be presented as filmed at Meghan’s home.
Best Value
The Atlantic’s March 4, 2025 review finds pleasure in the show’s goofy, highly curated domesticity while also noticing its contrivances. Those opposing reactions capture the central trade-off: polish can make the series soothing and visually satisfying, or make its hospitality feel performed rather than lived in.
Quick Recap
Who should watch With Love, Meghan?
- Watch it for: gentle lifestyle entertainment, pretty food and flowers, low-stakes creative ideas, and a show that treats hosting as a collection of generous gestures.
- Temper your expectations if: you want rigorous cooking instruction, an unvarnished look at ordinary domestic life, or advice calibrated closely to limited time and resources.
- Best way to approach it: borrow one manageable idea—a dish, a craft or a thoughtful detail—and leave the show’s full presentation behind if it does not fit your own gathering.
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