Diego Luna’s final monologue as guest host of Jimmy Kimmel Live argued that comedy and satire can help challenge abuses of power—and paired that message with a call to vote, volunteer, march, and make one’s voice heard. Calling the monologue a hit is an editorial judgment; the transcript and episode description establish what Luna said.
When Diego Luna gave his final Kimmel monologue
Luna delivered the monologue on June 26, 2025, during his fourth and final night guest-hosting Jimmy Kimmel Live. The show’s official channel described the episode as a discussion of ways people can push back against authoritarianism. TheWrap’s report and transcript characterize the monologue as a defense of comedy and satire.
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What Luna said about culture, power, and satire
Luna began by reflecting on the week and hoping his appearances had opened dialogue across cultural differences. He argued that cultural exchange should not be divided by borders, ignorance, fear, or a wall. He then described authoritarian leaders as attacking the press, using the military against their own citizens, and claiming to have all the answers.
He made the case that satire is more than entertainment when it questions power: “Without satire and voices like Jimmy’s that question and challenge the abuse of power, democracy doesn’t just weaken, it can disappear, and we cannot let that happen.” The quotation is reproduced in TheWrap’s transcript.
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His closing call to action
Luna urged viewers to take part in civic life by voting, volunteering, and marching. He also pointed to a No Kings protest planned for July. The closing turn returned to comedy: Luna joked that strongmen do not like being unpopular, then encouraged viewers to make their voices heard. TheWrap and NewsBusters both report the voting, volunteering, marching, and No Kings reference; see NewsBusters’ account.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Why the monologue’s message resonated
The monologue joined a defense of satire to practical forms of participation rather than treating comedy as a substitute for action. Its central claim was that public criticism can help protect democratic life, while its closing appeal asked viewers to act beyond the television audience. Whether it “hits it out of the park” is a matter of opinion, not a performance statistic established by the available reporting.
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