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‘Under the Bridge’ Review: Lily Gladstone Leads a Thoughtful, Uneven True-Crime Drama

TIME critic Judy Berman praises the empathetic writing and performances in Hulu’s Under the Bridge, while noting its crowded, sometimes contrived storytelling.
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Under the Bridge is a dramatized account of the 1997 murder of 14-year-old Reena Virk in Saanich, British Columbia. In TIME’s April 16, 2024 review, critic Judy Berman praises the series’ empathetic writing and ensemble performances, particularly Lily Gladstone’s contained portrayal of a police officer, while faulting its overfull plotting and occasional contrivances. That mixed assessment makes it a more compelling character study than a tightly controlled crime story.

What is Under the Bridge about?

Hulu describes Under the Bridge as a 2024 TV-MA biography, drama, and crime series based on Rebecca Godfrey’s 2005 nonfiction book, Under the Bridge: The True Story of the Murder of Reena Virk. The story centers on Virk, a 14-year-old girl murdered in 1997 in Saanich, British Columbia, and the people and community around the case.

Lily Gladstone plays Cam Bentland, a local police officer, while Riley Keough plays Godfrey, the author who investigates the case. Vritika Gupta portrays Reena. The Television Academy reports that the series premiered April 17, 2024, as an eight-episode limited series.

What works: performances and a wider social lens

TIME TV critic Judy Berman calls the writing “thoughtful” and “empathetic,” and says the performances make the series more than another crime story focused solely on a dead girl. She finds it attentive to the distinct experiences of the Virk family, the teenagers, and the small-town community, rather than treating the case as a puzzle detached from the people affected by it.

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#1 Best Overall

Berman highlights Gladstone’s restrained performance as Cam, Keough’s morally questionable journalist, and the younger cast, especially Chloe Guidry as Josephine Bell. In her view, the actors complicate the gap between what people say, what they do, and how others perceive them. That emphasis on characterization is the show’s strongest case for viewers drawn to true crime that considers social context as well as investigation.

The series also resists reducing the case to a single explanation. The Television Academy quotes co-showrunner and executive producer Samir Mehta saying the team did not want to frame it only as a racially motivated crime: “That’s one piece, but not the entire puzzle.” This describes the production’s intended framing; it should not be mistaken for a comprehensive account of the real case.

Where the series falters

Berman’s review is favorable to the acting but not unreserved. She argues that the series offers too much information: an episode tracing Reena’s family background feels redundant to her, and the plot surrounding Godfrey’s return and manuscript seems contrived. She also finds some scenes of the author at work goofy. For Berman, the performances help the show recover from these weaker stretches, but do not make its storytelling consistently focused.

That makes the series’ pacing a meaningful caveat. Viewers looking for a lean, carefully pared-back investigation may find the added background and journalist storyline distracting. Those more interested in the characters and the community around the case may find the broader approach worthwhile, even when the show’s many strands do not fit together smoothly.

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How much is dramatized?

Under the Bridge is a scripted dramatization, not a documentary. The Television Academy reports that the real Godfrey did not put her own story into her book; creator Quinn Shephard chose to make Godfrey a character in the series. Cam Bentland, played by Gladstone, is an amalgam of multiple real law-enforcement officers who worked on the case. The show’s journalist-investigator pairing and Cam’s individual character details should therefore be read as dramatic construction, not as direct documentation of what one real author and one real officer did.

Mehta also explained the production’s approach to violent scenes: “We bring the audience up to the margin and then cut to allow the imagination to run wild.” He described this as a way to create a dreamlike quality and show events from the teenagers’ perspective; it is the co-showrunner’s account of the technique and intent, not a claim about how every viewer will experience it.

For readers who want the nonfiction source, the Television Academy identifies Godfrey’s 2005 book, Under the Bridge: The True Story of the Murder of Reena Virk, as the work the series adapts. The book and the dramatization are distinct: the series adds Godfrey as a character and uses a composite police character.

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How many episodes are there, and where can you watch?

Hulu’s U.S. series listing currently shows one season of eight episodes and classifies the program as TV-MA. Hulu listed the series when checked on October 4, 2026; that listing does not establish availability in other countries or guarantee future access. Check the official Hulu listing for current U.S. details.

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Best Value

Verdict

Based on Berman’s review, Under the Bridge is most persuasive as an ensemble drama attentive to the social world surrounding Reena Virk, not as a perfectly paced true-crime narrative. Gladstone and the younger cast are central strengths, while the crowded storytelling and contrived elements keep the series from reaching the heights Berman associates with Twin Peaks or Sharp Objects. Its dramatized liberties matter: the series is an interpretation of a real case and a nonfiction book, not a documentary record.

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