Kendrick Lamar and Drake’s 2024 feud escalated from a long-running rivalry into a tightly packed exchange of diss tracks released over days. It began in earnest when Lamar rejected the “big three” label on “Like That,” then accelerated through Drake’s “Push Ups,” Lamar’s “Euphoria” and “6:16 in LA,” and a rapid sequence of increasingly personal songs. The lyrics included serious allegations by both artists; those claims are not established facts. The battle later reached the Grammys and a lawsuit over “Not Like Us.”
Why Kendrick Lamar and Drake were feuding
The 2024 battle had roots in a relationship that was once collaborative. Drake and Lamar worked together on “Buried Alive Interlude” in 2011 and “Poetic Justice” in 2012, and Lamar toured with Drake. In 2013, Lamar’s verse on Big Sean’s “Control” named Drake among several rappers he wanted to surpass. Lamar framed it as competitive ambition: “I got love for you all, but I’m trying to murder you.” In rap-battle context, “murder” is a boast about lyrical competition, not a literal threat. The Associated Press’ account of the history and timeline traces the dispute’s earlier stages.
The tension surfaced again in October 2023, when J. Cole’s “First Person Shooter” grouped Cole, Drake and Lamar as rap’s “big three.” On March 22, 2024, Lamar appeared on Future and Metro Boomin’s “Like That” and rejected the framing: “The big three,” he rapped, “it’s just big me.” J. Cole briefly entered the exchange with “7 Minute Drill,” then apologized and withdrew.
The diss tracks in order
The release sequence became unusually compressed in late April and early May. Dates can refer to a leak, a social-media post, a premiere or an official release, so the chronology below identifies the events where the distinction matters. The songs mixed criticism of music and status with personal allegations; the latter remain claims made in lyrics, not verified reporting. CBS’ chronology also recounts the exchange and the artists’ accusations and denials.
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- “Push Ups” — Drake. The track circulated in mid-April and was later premiered; accounts differ on the date because they describe different release stages. Drake attacked Lamar’s stature and career choices and also addressed other artists.
- “Taylor Made Freestyle” — Drake. Posted between April 19 and 24, the song used AI-generated vocal imitations resembling Tupac Shakur and Snoop Dogg. Neither artist nor estate is established as having approved the imitations. Tupac’s estate threatened legal action, and Drake removed the track.
- “Euphoria” — Kendrick Lamar. Released April 30, Lamar attacked Drake’s artistry and public persona.
- “6:16 in LA” — Kendrick Lamar. Released May 3, it targeted Drake’s circle and OVO, Drake’s label and collective.
- “Family Matters” — Drake. Also released May 3, the track turned to allegations about Lamar’s relationship and children. Those allegations are not established by the cited reporting.
- “Meet the Grahams” — Kendrick Lamar. Released May 3–4, shortly after “Family Matters,” it addressed Drake’s family and alleged that Drake had a daughter who was unknown to the public. The existence of that alleged daughter is not established; Drake denied having one in “The Heart Part 6.”
- “Not Like Us” — Kendrick Lamar. Released May 4, it made further serious allegations about Drake. They are accusations in the lyrics, not facts established by the sources cited here.
- “The Heart Part 6” — Drake. Released May 5, the response denied allegations, including the claim that he had a secret daughter, and said false information had been planted.
What happened after “Family Matters”
Lamar’s “Meet the Grahams” followed “Family Matters” within hours, shifting the exchange from attacks on rap standing toward Drake’s family. “Not Like Us” arrived the next day, keeping the conflict in public view with another set of serious accusations. Drake answered with “The Heart Part 6,” denying claims and asserting that false information had been fed to Lamar.
The sequence made the battle feel like a direct, real-time exchange, but proximity is not proof: neither the songs nor the reporting cited here independently verifies the personal claims. The tracks’ targets and tactics also differed, ranging from criticism of artistic credibility and industry status to attacks involving family and personal conduct. Whether one artist “won” is an interpretation, not an objectively scored result.
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Why “Not Like Us” stayed in the headlines
Five Grammy wins
At the 67th Grammy Awards in 2025, “Not Like Us” won five awards: Best Rap Performance, Best Rap Song, Best Music Video, Record of the Year and Song of the Year. The Recording Academy’s Kendrick Lamar page lists the awards.
Drake’s lawsuit against UMG
Drake sued Universal Music Group (UMG) over the publication and promotion of “Not Like Us”; Lamar was not a defendant in that case. In October 2025, a federal judge dismissed the lawsuit, concluding that a reasonable listener would not understand the song, in the context of an incendiary rap battle, as conveying verifiable facts. As the Associated Press reported, Judge Jeannette A. Vargas wrote: “Although the accusation that Plaintiff is a pedophile is certainly a serious one, the broader context of a heated rap battle, with incendiary language and offensive accusations hurled by both participants, would not incline the reasonable listener to believe that ‘Not Like Us’ imparts verifiable facts about Plaintiff.” That was the court’s reasoning about the case, not a finding resolving every factual dispute in the songs. AP’s report on the dismissal explains the ruling.
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Appeal status as of October 8, 2026
Drake appealed the dismissal. Music Business Worldwide reported that the Second Circuit scheduled oral argument for December 4, 2026. That date is still in the future as of October 8, 2026, so no appeal outcome is established here. Music Business Worldwide’s report gives the hearing schedule.
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