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A free scan shows the junk files, broken settings and background clutter dragging Windows down - then fixes them in one click.Free scan · Windows 10 & 11In a 2019 interview with Scroll.in, novelist Amitav Ghosh described Gun Island as a story about ecological disruption and migration that does not end in apocalypse. “My book is not an apocalyptic book at all. I guess that is what I’m leaving open as a possibility,” he said.
What the interview is about
Harsimran Gill interviewed Ghosh in Delhi for Scroll.in; the conversation was published on June 17, 2019. Its focus is Gun Island, then Ghosh’s new novel, and the ways its plot brings folklore into contact with contemporary environmental change.
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Gun Island (Hindi) - Bandook Dweep (Hindi Edition) | $4.50 | Buy on Amazon |
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Study Guide: Gun Island by Amitav Ghosh (SuperSummary) | $9.95 | Buy on Amazon |
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Gun Island (Marathi) - Bandookdweep - बंदूकद्वीप (Marathi Edition) | $4.50 | Buy on Amazon |
The novel follows Dinanath Dutta, known as Deen, a Bengali rare-books dealer living in Brooklyn. A visit to a shrine in the Sundarbans draws him into the legend of the Gun Merchant, or Bonduki Sadagar, and Manasa Devi, the goddess of snakes. The interview describes the story as combining that folkloric thread with unlikely events, environmental disruption and migration.
Folklore, ecology and the non-human
Ghosh connects the novel’s ecological concerns with folklore and with ways of imagining relationships between people and other forms of life. The interview discusses animals and ecological events in the book, as well as Bengali poems and the Manasa Devi tradition as resources for thinking beyond a strictly human-centered view of the world.
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The Sundarbans are central to that discussion. Ghosh speaks about the region as a place where he has observed environmental and social change over time. These are his reflections in an interview about a work of fiction, not a substitute for scientific evidence about the region.
Why fiction makes room for the uncanny
One of the interview’s key questions is how fiction can represent environmental change. Ghosh argues for a form of storytelling that can admit events and relationships conventional ideas of realism might leave out. As conditions change, events that once appeared too improbable for realistic fiction can become part of how people experience the world.
The conversation also touches on migration and Bengali language in Italy, extending the novel’s concerns beyond the Sundarbans. Together, these subjects link human movement with ecological disruption and with the limits of familiar ways of telling stories.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Why Ghosh leaves hope open
Ghosh acknowledges that the outlook can seem bleak, but he resists describing Gun Island as apocalyptic. His formulation leaves hope possible rather than promising an easy resolution. In the interview, that openness is tied to the novel’s imaginative method: folklore and the uncanny let the story explore forms of connection that a narrowly human-centered realism might miss.
The interview is a historical conversation from 2019. Its comments represent Ghosh’s thinking about the novel and fiction; they should not be read as a present-day assessment of climate science or current conditions in the Sundarbans.
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