20 Movies That Accurately Portray Drug Addiction, Ranked

Cinema has long been fascinated with drug use, but fascination is not the same as understanding. Too often, addiction has been framed as spectacle or moral failure, flattened into montages of excess or cautionary shock rather than lived experience. When films commit to accuracy, they do more than tell gripping stories; they challenge audiences to confront addiction as a complex, chronic condition shaped by psychology, environment, trauma, and survival.

Accuracy as Empathy, Not Endorsement

Authentic portrayals of addiction resist easy judgment by focusing on process rather than punishment. They show how dependency develops, how relapse functions as part of recovery rather than its negation, and how shame, denial, and love coexist within the same characters. This approach doesn’t glamorize substance use; it humanizes the people caught inside it, allowing viewers to recognize patterns that mirror real lives rather than cinematic extremes.

#	Preview	Product	Price
1		Pleasure Unwoven: An Explanation of the Brain Disease of Addiction	$43.99	Buy on Amazon
2		Wonderland	$8.25	Buy on Amazon
3		Video Game Addiction: How to End Your Video Game Addiction Once and For All	$5.49	Buy on Amazon
4		The Connection [DVD]	$28.15	Buy on Amazon
5		28 Days	$12.99	Buy on Amazon

For filmmakers, getting addiction right carries cultural weight, especially in a media landscape that shapes public attitudes and policy conversations. Films that depict addiction responsibly can dismantle stigma, correct misinformation, and offer points of identification for viewers who rarely see their experiences treated with dignity. This ranking examines movies that understand that responsibility, using craft, restraint, and emotional honesty to portray addiction not as a plot device, but as a deeply human reality worth confronting truthfully.

How This Ranking Was Determined: Realism, Lived Experience, and Social Context

To rank these films meaningfully, accuracy had to be treated as more than surface-level authenticity. This list prioritizes portrayals that reflect how addiction actually unfolds over time, shaped by biology, environment, and personal history rather than narrative convenience. The goal was not to reward bleakness or shock, but to identify films that understand addiction as a lived condition rather than a dramatic shortcut.

#1 Best Overall

Pleasure Unwoven: An Explanation of the Brain Disease of Addiction

• 70 minutes
• filmed in Hi-Definition
• widescreen version
• soundtrack available on CD

$43.99

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Behavioral Accuracy Over Visual Extremes

Films were evaluated on whether their depictions of drug use and dependency align with real behavioral patterns. This includes how substances are consumed, how tolerance and withdrawal manifest, and how addiction disrupts routines, relationships, and self-perception. Flashy imagery or exaggerated degradation counted for less than quiet, consistent detail that mirrors clinical and anecdotal reality.

Attention to Process, Not Just Crisis

Addiction is rarely defined by a single collapse, and the strongest films reflect that truth. Rankings favored stories that show gradual escalation, cycles of control and loss, and the long middle stretches where addiction becomes normalized in a character’s life. Relapse, when present, was assessed as part of an ongoing process rather than a moral failure or narrative punishment.

Lived Experience and Insider Perspective

Many of the highest-ranked films benefit from direct input by people with firsthand experience of addiction, whether through the filmmakers themselves, the source material, or close consultation with recovery communities. These perspectives often reveal themselves in small but telling moments: the language characters use, the rationalizations they cling to, and the ways shame and self-awareness coexist. Such details tend to ring true to viewers who have lived through similar struggles.

Social and Environmental Context

Addiction does not exist in a vacuum, and this ranking heavily considered how films situate substance use within broader social realities. Factors like poverty, race, family dynamics, mental illness, healthcare access, and criminalization were evaluated for depth and honesty. Films that acknowledge how systems enable or exacerbate addiction were weighted more heavily than those that isolate it as a purely personal flaw.

Consequences Without Moralizing

Realistic portrayals neither glamorize nor sermonize. The films ranked here allow consequences to unfold organically, affecting health, trust, employment, and identity without turning the narrative into a cautionary lecture. Accountability matters, but so does compassion, and the strongest films balance both without simplifying the experience into redemption or ruin.

Cultural Impact and Responsible Representation

Finally, consideration was given to how these films have shaped or challenged public understanding of addiction. Movies that have been cited in academic discussions, recovery spaces, or social discourse for their honesty and nuance carried additional weight. Representation matters not just in accuracy, but in what a film contributes to empathy, awareness, and the ongoing effort to see addiction as a human issue rather than a spectacle.

The Top 20 Films That Accurately Portray Drug Addiction (Ranked From #20 to #1)

#20 – Panic in Needle Park (1971)

Jerry Schatzberg’s early New Hollywood drama remains one of the first American films to depict heroin addiction without studio-era euphemism. Shot on location in New York City, it observes addiction as a social ecosystem, where romance, dependency, and survival blur together. Al Pacino’s raw performance captures the improvisational chaos of life organized around the next fix.

#19 – Christiane F. (1981)

Based on a real-life memoir, this German film confronts adolescent addiction with unsettling restraint. Its power lies in how quickly normal teenage curiosity curdles into dependency, prostitution, and physical decline. The absence of melodrama makes the experience feel disturbingly plausible rather than exploitative.

#18 – Candy (2006)

Candy examines heroin addiction through the lens of romantic idealism and its inevitable collapse. Heath Ledger and Abbie Cornish portray the seductive early phase of shared addiction with painful honesty, especially the mutual reinforcement that traps couples in cycles of relapse. The film’s accuracy lies in how love becomes both refuge and accelerant.

#17 – The Basketball Diaries (1995)

This adaptation of Jim Carroll’s memoir captures adolescent addiction as an extension of untreated trauma and identity crisis. Leonardo DiCaprio’s performance avoids caricature, particularly in scenes of withdrawal and humiliation. The film resonates for showing how quickly talent and privilege can erode when addiction takes hold.

#16 – Beautiful Boy (2018)

Rather than centering solely on the user, Beautiful Boy explores addiction’s ripple effects within a family system. Its portrayal of relapse as repetitive and emotionally exhausting reflects clinical reality more than dramatic convention. Timothée Chalamet’s meth addiction is shown as cyclical, confusing, and resistant to easy explanations.

#15 – Sid and Nancy (1986)

Alex Cox’s biopic resists romanticizing punk excess by emphasizing how addiction corrodes intimacy and selfhood. Substance use is inseparable from identity, performance, and self-destruction. The film’s refusal to mythologize its subjects gives it lasting credibility.

#14 – Gridlock’d (1997)

Often overlooked, this dark comedy captures the bureaucratic obstacles that complicate recovery. Tupac Shakur and Tim Roth portray users who want help but are thwarted by systems not designed for urgency or compassion. Its realism emerges from frustration rather than despair.

#13 – Drugstore Cowboy (1989)

Gus Van Sant’s film depicts addiction as routine rather than spectacle. Matt Dillon’s character is neither glamorized nor demonized, just deeply habituated. The film understands addiction as behavioral conditioning reinforced by community and superstition.

#12 – The Panic in Needle Park (1971)

Revisited here for its historical importance, the film’s documentary-style detachment was radical for its time. It portrays addiction not as a downfall arc but as a lifestyle governed by scarcity and improvisation. Its influence can be felt in decades of social realist cinema.

#11 – A Thousand Junkies (2017)

Written by former addict Charles Everest, the film’s authenticity comes from lived experience. Conversations revolve around logistics, money, and access rather than pleasure. It captures the monotony of addiction that many films ignore.

Rank #2

Wonderland

• DVD

$8.25

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#10 – Half Nelson (2006)

Ryan Gosling’s portrayal of a functional addict challenges assumptions about competence and control. The film accurately reflects how addiction can coexist with professional responsibility while quietly eroding boundaries. Its realism lies in ambivalence rather than collapse.

#9 – Requiem for a Dream (2000)

Often cited for its intensity, Darren Aronofsky’s film earns its place through psychological precision rather than shock value. The fragmented editing mirrors compulsive thought patterns. While stylized, its depiction of obsession and denial remains clinically resonant.

#8 – Traffic (2000)

Steven Soderbergh’s multi-narrative approach contextualizes addiction within policy, privilege, and enforcement. The teenage storyline avoids moralizing, showing how quickly experimentation becomes dependency. Its strength lies in systemic perspective.

#7 – Clean and Sober (1988)

One of the earliest mainstream films to treat recovery seriously, this drama focuses on accountability and community. Michael Keaton’s performance highlights the defensive charm common in early sobriety. The depiction of treatment settings remains notably accurate.

#6 – Heaven Knows What (2014)

The Safdie brothers’ film is grounded in the lived experiences of its co-writer and star, Arielle Holmes. Addiction here is chaotic, repetitive, and emotionally raw. The film refuses narrative comfort, mirroring the instability it depicts.

#5 – Leaving Las Vegas (1995)

While centered on alcoholism, its depiction of self-annihilating dependency is unsparing. Nicolas Cage’s performance captures the cognitive narrowing that accompanies late-stage addiction. The film’s honesty lies in its refusal to offer redemption.

#4 – Trainspotting (1996)

Danny Boyle’s adaptation balances dark humor with brutal consequence. Its accuracy comes from understanding relapse as cyclical and peer-driven. The film’s cultural impact helped shift public conversation about heroin addiction in the UK.

#3 – Four Good Days (2020)

This understated drama focuses on the fragile window between detox and relapse. It accurately portrays the exhaustion of loved ones and the terror of early recovery. The film’s restraint makes its emotional truths resonate.

#2 – The Lost Weekend (1945)

Decades ahead of its time, this film framed addiction as illness rather than vice. Its depiction of obsession, rationalization, and withdrawal remains remarkably current. It laid groundwork for compassionate cinematic language around substance use.

#1 – Oslo, August 31st (2011)

Joachim Trier’s masterpiece portrays addiction as an existential condition shaped by memory, shame, and dislocation. Anders Danielsen Lie’s performance captures the quiet despair of someone who understands recovery intellectually but feels emotionally disconnected from it. The film’s realism is devastating precisely because it is gentle, reflective, and human.

What These Films Get Right: Common Threads of Authentic Addiction Storytelling

Across decades, genres, and cultural contexts, the most honest addiction films tend to converge on a set of shared truths. These stories resist spectacle in favor of lived experience, understanding addiction not as a plot device but as a condition that reshapes time, identity, and human connection. Their power comes from accumulation rather than shock, from repetition rather than rupture.

Addiction as a Chronic, Cyclical Process

One of the most consistent throughlines is the rejection of the single-incident narrative. These films understand relapse not as failure but as part of the illness itself, often arriving quietly and predictably. Whether it’s Trainspotting’s return to heroin or Oslo, August 31st’s emotional backslide, the cycle is portrayed as exhausting and demoralizing rather than dramatic.

This cyclical framing aligns closely with clinical understandings of substance use disorders. Recovery is not treated as a moral victory but as an ongoing negotiation with impulse, memory, and stress. By avoiding clean resolutions, these films mirror the reality faced by many in recovery.

The Interior Experience Over External Chaos

Authentic portrayals prioritize the internal logic of addiction rather than its outward spectacle. Films like Leaving Las Vegas and The Lost Weekend focus on cognitive narrowing, obsession, and the constant mental arithmetic of when and how to use again. The most devastating moments often occur in silence, not excess.

This interiority helps dismantle stereotypes that frame addiction as purely reckless or thrill-seeking. Instead, substance use is shown as a coping mechanism that gradually erodes autonomy. The result is a more empathetic lens that invites understanding rather than judgment.

The Toll on Relationships and Caregivers

Another shared strength is the attention paid to those orbiting the addiction. Four Good Days and similar films accurately depict the fatigue, hypervigilance, and boundary-setting required of loved ones. These characters are not saints or villains but people worn down by hope and disappointment.

Rank #3

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By showing addiction as a relational illness, these films reflect the realities of family systems affected by substance use. Trust becomes conditional, love becomes cautious, and support is often inseparable from grief. This perspective broadens the emotional scope without shifting blame.

Unsanitized Depictions of Treatment and Recovery

When treatment settings appear, they are rarely romanticized. Group therapy is awkward, defensive, and repetitive, while sobriety is depicted as fragile and often joyless in its early stages. Films like Clean and Sober capture the performative aspects of early recovery alongside genuine moments of reckoning.

This honesty matters, particularly for viewers seeking realism rather than inspiration. Recovery is shown as work, not transformation, defined by routine, accountability, and discomfort. The absence of cinematic uplift is itself a mark of respect for the process.

Contextualizing Addiction Within Social and Economic Reality

Many of these films situate addiction within specific social environments rather than isolating it as a personal failing. Heaven Knows What and Trainspotting root substance use in poverty, peer networks, and limited mobility. Addiction becomes both symptom and survival strategy.

By acknowledging structural factors, these stories resist simplistic explanations. They suggest that recovery is not just about individual willpower but about access, stability, and community. This framing deepens the cultural significance of these films beyond individual character studies.

Refusal of Easy Redemption

Perhaps most importantly, authentic addiction films do not promise catharsis. Some characters improve, others do not, and many exist in unresolved limbo. The refusal to guarantee redemption, as seen most starkly in Leaving Las Vegas and Oslo, August 31st, honors the unpredictability of real lives.

This narrative restraint is what ultimately separates realism from exploitation. By allowing discomfort, ambiguity, and even despair to remain, these films create space for empathy rather than closure. They trust the audience to sit with complexity, just as addiction demands in reality.

Breaking the Myths: How These Movies Avoid Sensationalism and Moral Panic

Where many mainstream portrayals treat addiction as spectacle or cautionary tale, the films in this ranking take a quieter, more disciplined approach. They resist the urge to shock through excess or simplify through punishment. Instead, they dismantle the myths that have long shaped public fear and misunderstanding around substance use.

Rejecting the “Rock Bottom” Fantasy

One of the most persistent myths about addiction is the idea that it inevitably leads to a dramatic, singular collapse. These films reject that framework, showing addiction as a prolonged state rather than a sudden fall. Characters in films like Half Nelson or Take Shelter continue teaching, parenting, working, and socializing, even as their substance use erodes them internally.

By avoiding the fantasy of a decisive bottom, these stories reflect clinical reality. Many people live with addiction for years without a clear turning point. The damage is incremental, often invisible, and deeply normalized within daily routines.

Substance Use Without Demonization or Glamour

Another common cinematic trap is oscillating between glamorization and demonization. The films here occupy neither extreme. Drug use is shown as functional, habitual, and often disappointingly mundane, stripped of both allure and horror.

In The Panic in Needle Park and Candy, intoxication is not framed as rebellion or ecstasy, but as temporary relief followed by emotional and physical debt. The camera does not linger to seduce the viewer, nor does it recoil to shame the character. This neutrality is what makes the portrayals feel honest.

Avoiding the “Good Addict / Bad Addict” Binary

Moral panic thrives on categorization, dividing people into those deemed redeemable and those written off as lost causes. These films resist that binary by refusing to sort characters into moral hierarchies. Addiction is not portrayed as a test of character, but as a condition shaped by trauma, access, and circumstance.

Films like Heaven Knows What and Drugstore Cowboy present characters who are compassionate in one moment and destructive in the next. This inconsistency is not framed as hypocrisy, but as human contradiction. By allowing addicts to be neither heroes nor villains, the films undermine the moral frameworks that fuel stigma.

Shifting Focus From Consequences to Continuity

Sensational portrayals often fixate on consequences: overdoses, arrests, deaths. While these realities are not ignored, they are not treated as narrative endpoints. What matters more is what continues afterward, the return to the same environments, relationships, and coping mechanisms.

In Oslo, August 31st and Leaving Las Vegas, the absence of spectacle forces attention onto internal states rather than external punishment. The films ask viewers to observe, not judge, emphasizing duration over disaster. This approach reflects how addiction actually operates, as a sustained condition rather than a series of dramatic events.

Rank #4

The Connection [DVD]

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Trusting the Audience Over the Message

Perhaps the most radical choice these films make is refusing to instruct the viewer how to feel. There are no didactic warnings, no moral summaries, no reassurance that lessons have been learned. The filmmakers trust the audience to sit with ambiguity and discomfort.

This restraint is what prevents moral panic from taking hold. By presenting addiction without agenda, these films allow empathy to emerge organically. They do not argue that addiction is tragic or criminal or heroic; they show it as human, and leave the reckoning to the viewer.

Cultural and Historical Impact: How These Films Shaped Public Understanding of Addiction

These films did more than refine cinematic language around addiction; they intervened in public discourse. Released across different decades and cultural contexts, they arrived at moments when addiction was being framed narrowly as moral failure, criminal threat, or personal weakness. By grounding substance use in lived experience, they challenged audiences to reconsider what addiction looks like and who it affects.

Countering the War on Drugs Narrative

Many of the most influential addiction films emerged in direct or indirect opposition to the punitive logic of the War on Drugs. During an era dominated by zero-tolerance policies and incarceration, films like Drugstore Cowboy and Traffic presented addiction as a public health issue entangled with economics, trauma, and policy failure. These portrayals quietly but forcefully undermined the idea that punishment could resolve dependency.

By showing the futility of enforcement without support, the films exposed the human cost of criminalization. Viewers were asked to see addicts not as abstract threats but as people navigating systems stacked against them. That reframing helped shift conversations away from blame and toward accountability at a societal level.

Normalizing Addiction Across Class, Gender, and Geography

Earlier portrayals often confined addiction to urban poverty or countercultural excess. The films ranked here broadened that lens, depicting substance use across social strata and national boundaries. From the middle-class despair of Requiem for a Dream to the quiet isolation of Oslo, August 31st, addiction was shown as neither exotic nor exceptional.

This normalization was culturally significant because it disrupted the illusion of distance. Audiences who might not recognize themselves in traditional addiction narratives were confronted with familiar environments and recognizable emotional patterns. Addiction became legible not as an “other” problem, but as a human vulnerability.

Influencing How Recovery and Relapse Are Understood

One of the most lasting impacts of these films is how they reshaped expectations around recovery. Rather than presenting sobriety as a clean narrative arc, films like Half Nelson and Beautiful Boy emphasized relapse, ambivalence, and exhaustion. Recovery was portrayed as ongoing labor, not redemption.

This depiction aligned more closely with clinical realities and recovery research, and it subtly educated audiences without didacticism. By showing how relapse fits into, rather than negates, the recovery process, the films helped reduce shame around non-linear healing. That shift has had tangible influence on how relapse is discussed in both media and support communities.

Creating Space for Empathy Without Exploitation

Culturally, these films expanded the emotional vocabulary available for talking about addiction. They resisted spectacle and avoided reducing suffering to shock value, allowing empathy to arise from observation rather than manipulation. This approach contrasted sharply with media coverage that relied on sensational imagery and cautionary framing.

As a result, viewers were encouraged to engage with addiction as a condition requiring understanding rather than judgment. The films did not demand sympathy, but they made indifference difficult. In doing so, they contributed to a broader cultural shift toward seeing addiction as a shared social responsibility rather than an individual moral failing.

Lasting Influence on Contemporary Storytelling

The legacy of these films is evident in modern television, independent cinema, and even documentary storytelling. Contemporary portrayals increasingly favor long-term character studies over dramatic collapse, a direct inheritance from the restraint and honesty of earlier works. Addiction narratives today are more likely to center interiority, context, and continuity.

This influence matters because representation shapes policy, funding priorities, and public will. By insisting on accuracy and humanity, these films helped lay the groundwork for a more informed and compassionate cultural understanding of addiction. Their impact continues not through slogans, but through the quiet recalibration of how stories about substance use are told and received.

Notable Omissions and Honorable Mentions

Any ranking that prioritizes clinical accuracy and social realism will inevitably leave out titles that are culturally significant, emotionally powerful, or widely beloved. In many cases, these omissions reflect not a failure of empathy, but a difference in narrative intent. Some films aim for metaphor, heightened stylization, or mythmaking rather than the granular realities of addiction as a lived condition.

Other exclusions stem from scope. Several exceptional films focus on addiction tangentially, or treat substance use as one thread among many, making them difficult to rank alongside works that place addiction at their narrative core. Still, their contributions to how audiences understand dependency, relapse, and recovery deserve acknowledgment.

Stylized Visions That Sacrifice Clinical Precision

Darren Aronofsky’s Requiem for a Dream remains one of the most frequently cited addiction films, and its visceral impact is undeniable. However, its operatic escalation and symbolic excess intentionally distort time, physiology, and behavior. The film communicates terror effectively, but it does so through exaggeration rather than behavioral realism.

Best Value

28 Days

$12.99

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Similarly, Trainspotting captures the cultural texture of heroin use in 1990s Edinburgh with remarkable energy and wit. Its tonal volatility and dark humor resonate with many viewers who have lived adjacent to addiction, yet its narrative compressions and aesthetic bravado often override the slower, more repetitive realities of dependency.

Films Centered on Crime, Not Condition

Titles like Scarface and Blow loom large in popular culture, shaping public imagination around drugs for decades. While they depict substance use and its consequences, addiction itself functions more as a narrative accelerant than a condition requiring sustained attention. The emphasis remains on ambition, excess, and downfall rather than compulsion, tolerance, or withdrawal.

These films often reinforce the idea that addiction is inseparable from criminality or moral collapse. That framing can obscure the socioeconomic, psychological, and medical dimensions that contemporary research identifies as central to substance use disorders.

Honorable Mentions Worth Seeking Out

Heaven Knows What offers a raw, semi-autobiographical look at street-level heroin addiction, notable for its non-professional cast and refusal to aestheticize suffering. Its inclusion here reflects respect for its authenticity, even if its fragmented structure limits broader contextual analysis.

Ben Is Back provides a grounded portrait of early recovery and relapse anxiety within a family system. While its timeframe is compressed for dramatic effect, its depiction of parental hypervigilance and the omnipresence of triggers aligns closely with real-world recovery dynamics.

Don’t Worry, He Won’t Get Far on Foot approaches addiction through humor and disability, acknowledging the role of injury, self-loathing, and community accountability. Its lighter tone may undercut some of its insights, but its refusal to frame recovery as moral purification is quietly subversive.

Why These Distinctions Matter

Separating omission from dismissal is essential when discussing addiction on screen. Films operate under different aesthetic and commercial pressures, and not all are designed to function as realistic case studies. Yet when realism is the metric, precision matters.

Honorable mentions expand the conversation without diluting its standards. They remind viewers that understanding addiction requires multiple lenses, while reinforcing why accuracy, restraint, and context remain the most powerful tools cinema has for humanizing substance use without exploiting it.

Watching With Care: Content Warnings, Educational Value, and Recovery-Aware Viewing

Films that depict addiction with honesty often do so by refusing to look away. That commitment can be illuminating, but it also carries emotional and psychological risk, particularly for viewers with lived experience. Watching with care means understanding what these films contain, how they function as learning tools, and when it may be necessary to create distance rather than immersion.

The Importance of Clear Content Awareness

Accurate addiction narratives frequently include depictions of relapse, overdose, self-harm, and untreated mental illness. These moments are not included for shock value in the films ranked here, but their cumulative impact can still be destabilizing. Viewers should approach them with the same intentionality they would any material dealing with trauma.

Content warnings are not about censorship or dilution. They allow audiences to make informed choices, to pause or step away when needed, and to contextualize difficult scenes as representations rather than instructions or inevitabilities.

Educational Value Without Clinical Reduction

Many of these films are used in classrooms, training programs, and peer recovery spaces because they dramatize mechanisms that textbooks struggle to animate. Tolerance, compulsion, denial, withdrawal, and the erosion of social bonds are shown as processes, not isolated failures. That distinction is crucial for understanding addiction as a chronic, relapsing condition rather than a singular moral event.

At their best, these movies invite discussion rather than deliver conclusions. They encourage viewers to ask why certain characters fall through systemic gaps, how trauma compounds substance use, and what recovery realistically demands beyond abstinence alone.

Recovery-Aware Viewing and Emotional Safety

For individuals in recovery or those supporting someone who is, timing and setting matter. Watching alone late at night may produce a different response than viewing in a moderated group or educational environment. Recovery-aware viewing prioritizes self-regulation, grounding, and the recognition that stepping away is a form of care, not avoidance.

Some films on this list may resonate deeply at one stage of recovery and feel overwhelming at another. There is no universal prescription for engagement, only an ongoing negotiation between curiosity, vulnerability, and stability.

Why These Films Still Matter

Despite the risks, avoiding serious addiction cinema altogether carries its own cost. Silence and distortion have historically done more harm than exposure grounded in empathy and accuracy. These films counter narratives that reduce addiction to spectacle, crime, or moral collapse, replacing them with portraits of human beings shaped by biology, environment, and circumstance.

When approached thoughtfully, they can foster understanding, challenge stigma, and remind viewers that recovery is neither linear nor rare, even when it remains offscreen.

In ranking these films, the goal was never to crown a definitive depiction of addiction, but to highlight cinema’s capacity to meet the subject with humility and rigor. Watched with care, these stories do more than reflect reality. They help shape a cultural language that treats addiction not as a failure of character, but as a deeply human condition deserving of honesty, patience, and compassion.

Quick Recap

Bestseller No. 1

Pleasure Unwoven: An Explanation of the Brain Disease of Addiction

70 minutes; filmed in Hi-Definition; widescreen version; soundtrack available on CD

$43.99

Bestseller No. 2

Wonderland

DVD

$8.25

SaleBestseller No. 3

Video Game Addiction: How to End Your Video Game Addiction Once and For All

$5.49

Bestseller No. 4

The Connection [DVD]

$28.15

Bestseller No. 5

28 Days

$12.99

Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon at the time of purchase will apply.