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Fantasy and speculative fiction
The Queen’s Gambit — Walter Tevis
Screen version: The Queen’s Gambit, a seven-episode limited series released in 2020. Netflix describes it as based on Tevis’s 1983 novel. The episodic format follows chess prodigy Beth Harmon’s development over time. Netflix Tudum reports that the series won 11 Emmy Awards. Read the book.
Frankenstein — Mary Shelley
Screen version: Guillermo del Toro’s 2025 feature film. Shelley’s gothic novel has inspired many screen versions; this is one particular reinterpretation, not a definitive rendering of the book. Netflix reported that sales of the movie tie-in edition rose 180% in the week after the film’s Netflix release, citing Penguin Random House. That is a reported result for one edition and one week, not evidence that adaptations generally raise book sales. Read the book.
The Witcher — Andrzej Sapkowski
Screen version: A continuing fantasy series based on Sapkowski’s novels. The franchise also includes animated films and a live-action prequel, which are separate adaptations rather than seasons of the core series. Readers looking for more of the world can turn to the novels themselves. Read the books.
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The Three-Body Problem — Cixin Liu
Screen version: 3 Body Problem, a science-fiction series based on Liu’s novels. Its story spans decades and continents, giving the screen version a broad canvas for a narrative that unfolds across the source books. Read the books.
Thrillers, mysteries, and crime
Fool Me Once — Harlan Coben
Screen version: A 2024 limited series adapting Coben’s thriller. Its central mystery follows a woman investigating evidence that her late husband may still be alive. The book offers the original version of that suspense premise. Read the book.
The Sinner — Petra Hammesfahr
Screen version: A crime series initially based on Hammesfahr’s 1999 novel. Netflix notes that the show later developed around different cases, making it an example of a series that moves beyond the source book’s initial premise. Read the book.
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The Lincoln Lawyer — Michael Connelly
Screen version: A continuing legal drama adapted from Connelly’s book series. It follows defense attorney Mickey Haller, whose cases provide the basis for the television storytelling. The source is a series of books rather than one novel. Read the books.
The Arsène Lupin stories — Maurice Leblanc
Screen version: Lupin, a contemporary series inspired by Leblanc’s gentleman thief. Netflix describes the relationship as faithful “more in spirit than in letter”: the show draws on the character and his legacy rather than simply retelling the original plots. Read the stories.
Romance and friendship
Bridgerton — Julia Quinn
Screen version: A continuing Regency romance series drawing on Quinn’s novels. It follows the eight Bridgerton siblings, with seasons focusing on different romances. The books offer further stories within the same family and social world. Read the books.
Rank #3
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People We Meet on Vacation — Emily Henry
Screen version: A feature film based on Henry’s novel. The story centers on longtime friends whose annual vacations test whether their bond is romantic. Netflix identifies the adaptation as a film; the cited guide does not establish its release status, so check current listings for availability. Read the book.
Historical stories and adaptations
Destiny of the Republic — Candice Millard
Screen version: Death by Lightning, a four-episode limited series released in 2025. Millard’s 2011 nonfiction book covers James Garfield’s rise and assassination. This is an adaptation of a documented historical account, not a novel. Read the book.
The Enola Holmes mysteries — Nancy Springer
Screen version: Feature films based on Springer’s young-adult mystery series. They follow Sherlock Holmes’s younger sister as she investigates cases of her own. Because the source is a series, the films draw on a larger set of stories than a single-book adaptation would. Read the books.
Rank #4
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The Guernsey Literary and Potato Peel Pie Society — Mary Ann Shaffer and Annie Barrows
Screen version: A 2018 feature film adapting the authors’ 2008 novel. A London writer connects with Guernsey residents and their wartime book club, linking literary community with the island’s wartime experience. Read the book.
Little House on the Prairie — Laura Ingalls Wilder
Screen version: A 2026 series based on Wilder’s book series, which draws on her childhood on the frontier. Netflix describes the source story as partly autobiographical and partly imagined, a useful distinction when reading it as history. Read the books.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Nonfiction and organized crime
I Heard You Paint Houses — Charles Brandt
Screen version: Martin Scorsese’s feature film The Irishman, an adaptation of Brandt’s 2004 book. The nonfiction book portrays organized crime in postwar America. Its screen counterpart is a feature film rather than a multi-episode series. Read the book.
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Should you read the book before watching?
There is no requirement to read first. Start with the screen version if you want to discover the premise visually, or begin with the book if you prefer to form your own picture of the characters and setting. Reading afterward can reveal details, subplots, or character context that a screen adaptation handles differently; the amount of difference depends on the title.
Format can affect how a story is presented, but it does not guarantee fidelity. A film condenses a story into feature length, while a series can distribute it across episodes. Netflix Tudum describes the appeal of the episodic form as combining “all the visual possibilities of a movie along with the added benefits of a long runtime and a chapter-style, episodic structure.” That is Netflix Tudum’s explanation, not a rule that every series is more faithful or complete than a film.
For a wider view of adaptations’ reach, Netflix reported more than 4.5 billion global views for book adaptations in 2025. The figure is Netflix’s company-reported audience measure, not an independently audited total across the screen industry. Netflix’s announcement also cites individual publisher reports of sales changes, which should be understood as specific examples rather than a general outcome for authors or books.
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