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‘I am writing limericks and the other day I had a lollipop after seventy years’: Ruskin Bond at 88 (2022 Interview)

Ruskin Bond told Scroll.in in 2022, on turning 88, that he was writing limericks again. A 2026 interview shows he is now 92 and dictates some of his work.
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Ruskin Bond turned 88 on May 19, 2022, the day Scroll.in published his birthday interview with Sayari Debnath. He is no longer 88. He was born on May 19, 1934, and The Week’s May 27, 2026 interview with Shubhangi Shah reports that he turned 92 that year. The 2022 profile is still a useful record of how he described his writing, his childhood and his creative habits at that point in his life, and the quoted lines below are taken from it unless the text names the 2026 interview.

Two interviews, four years apart

The title quotes the 2022 profile, which opens with the limericks and the lollipop. Because the headline pairs a birthday with an age, it is easy to read it as a description of Bond today. It is not. The table shows what each interview establishes.

Detail Scroll.in profile (May 19, 2022) The Week interview (May 27, 2026)
Age stated 88, on his birthday that day 92, after his birthday on May 19, 2026
Creative work discussed Limericks and nonsense verse written “only a few days back” Friendship, childhood and writing; the 2022 limericks are not revisited
Writing method Not described as changed Dictation added; he says he dictates “a bit” because of his eyesight
Preferred writing time Not stated in the 2022 profile Mornings, which he says were his usual time in Mussoorie
Book named The Room on the Roof, published 1956, according to the profile All-Time Favourite Friendship Stories, named as his latest book at the time

The lollipop and the “seventy odd years”

The headline line comes from Bond recalling a trip to the shops, where he bought and ate a lollipop for the first time in what he described as “seventy odd years.” The profile places the anecdote beside his remark that the small pleasure made him feel as though he was having a happy childhood again. It is a personal memory, offered as a mood rather than a claim about ageing or about his diet.

Limericks and nonsense verse at 88

The interview’s most concrete news about Bond’s own work is that he had recently been writing limericks and nonsense verse. He said: “Only a few days back I was writing limericks and nonsense verse.” He explained the impulse this way: “I think life gets more ridiculous as one gets older and I am trying to put some of it into words!”

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The profile presents this as a new interest rather than a turn to a new genre. Bond had said earlier in the same conversation that he liked essays and memoirs but had written most of his work as fiction, short stories, short novels and verse. He also said he did not think he was good at fantasy, and he recalled giving up crime fiction after readers guessed the murderer early. These are his own self-assessments, not an outside review of his range.

Nature, solitude and the writing life

Asked about the advice that writers should spend time in nature, Bond described himself as someone who responds to the natural world: “I’m the sort of person who responds to the natural world.” He said nature shaped his later work, especially writing about animals and trees, but he also allowed that a writer can produce a fine book while living in a city. He did not present his own practice as a rule for anyone else.

On whether writing is solitary, he said solitude helps, while friendships and the people he met supplied material and a reason to keep going. He described himself as someone who preferred a quiet place in the mountains, not as a recluse. The same interview gives a plain reason for his output: “I’m not just writing for myself – I’m writing to make a living and I have been lucky enough to do so for the better part of my life.”

Childhood, and what he hopes children take from his books

The 2022 profile returns several times to childhood. Bond said his own was not idyllic. He spoke about his father’s death, changes in his family and his years at a boarding school in Shimla. Asked whether he writes children’s literature to give young readers the childhood he lacked, he did not accept that framing in full. He said he hoped his books might help children who face similar problems or adjustments. The 2026 interview revisits his loneliness as a child and the friendships that came later, which connects the two conversations without repeating the 2022 material.

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What changed by 2026

In the 2026 interview, Bond explained that his eyesight now limits how he works. He said that, because he cannot see well, the glasses he wears are “just for appearance,” and that “writing is different now. I dictate a bit.” He contrasted this with the past, when he wrote mainly in the mornings: “But normally, back in Mussoorie, over the years I found that the morning was the best time to write.” The interview does not give a date for when he began dictating, and it does not say how much of his recent writing is dictated.

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Reading the two interviews together

The 2022 profile records a writer who was still producing new verse at 88 and framing his work around experience, people and the natural world. The 2026 interview records the practical side of continuing at 92. Read together, they show a writer whose method has shifted while his interest in the same themes has stayed constant. For a first encounter with his books, the 2022 profile’s named title, The Room on the Roof, and the friendship collection named in 2026 are both referred to in these interviews; editions and availability vary, so check a current publisher or bookseller listing before buying.

The profile’s career figures are Bond’s and the interviewer’s, not an independent count. It reports that he had written more than five hundred short stories, essays and short novels, and that The Room on the Roof was published in 1956. Treat those as the profile’s summary.

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