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Nosferatu is a Christmas movie in a distinctly gothic sense: Christmas arrives in the story, shaping its imagery and atmosphere, while the film’s release date gave director Robert Eggers a reason to make one seasonal detail more explicit. The result is not a family holiday film, but a horror story that sets dread against the familiar sights and feelings of Christmas.
Christmas is part of the story, not just the release campaign
In a December 24, 2024 interview with io9/Gizmodo, Eggers said the film reaches Christmastime around its midpoint. He pointed to a Christmas tree, conversations about the holiday, and a music-box scene. The box originally played Mozart; after the Christmas release date was set, he asked for it to play “O Tannenbaum” instead.
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That distinction is the key to the “twisted Christmas movie” description. Christmas is present within the fictional world, with its decorations and music, while horror supplies the counterpoint. The holiday is not merely a marketing label attached to a December premiere.
Producer Chris Columbus also saw dramatic potential in Christmas’s emotional contrasts. In a Vanity Fair interview, he recalled being interested in the way joy and emotional lows can coexist during the holiday. He connected that idea to his earlier film Gremlins, saying, “Gremlins was the moment when I realized that setting something dark against a peaceful and beautiful backdrop was interesting.” In Nosferatu, the contrast is not comic mischief against festive calm; it is gothic horror against a season associated with warmth and celebration.
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- Genre: Horror
- Number of Discs: 1
- Number of Tracks: 0
- Rating: R
- Director: Robert Eggers
Why the film opened on Christmas Day
The setting and the release date reinforce each other, but they are not the same thing. Focus Features proposed a U.S. Christmas Day release, and Eggers said he embraced it. In the same io9 interview, he explained that the story was already around Christmas by its midpoint and that the date prompted his request to change the music-box piece to “O Tannenbaum.”
Columbus offered a complementary account of the release discussion to Vanity Fair: the team considered Halloween, but the October weekends they reviewed already had horror films scheduled. He said Focus Features head Peter Kujawski raised Christmas Day, which made sense for a story set at Christmastime. That is Columbus’s recollection of how the date was discussed, rather than a separately documented statement of the studio’s strategy.
Rank #2
- Genre: Horror; Thriller
- Number of Discs: 2
- Number of Tracks: 0
- Rating: R
- Number of Albums: No
What makes Eggers’ version of the vampire frightening
The holiday backdrop is only one part of the film’s approach to horror. In a first-person Guardian essay published December 27, 2024, Eggers wrote that he first saw F. W. Murnau’s 1922 Nosferatu when he was nine. He remembered the vampire’s nails, hunched posture and pointed skull as frightening, and the degraded 16mm VHS transfer made the film seem unearthed from the past. After beginning his screenplay roughly a decade before the essay, he felt responsible for making the vampire as frightening as possible.
Eggers framed that goal against vampire portrayals he saw as increasingly attractive, introspective or relatable. That is his interpretation of the character’s cultural trajectory, not a settled history of vampire fiction or cinema. His own stated aim was to restore a more frightening presence to the figure.
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Rank #3
- Remastered in HD from the archival 35mm restoration by the Friedrich-Wilhelm-Murnau-Stiftung
- Featuring Hans Erdmann's original 1922 score in 5.1 Surround or 2.0 stereo
- Includes The Language of Shadows, a 52-minute documentary on F.W. Murnau
- Starring Max Schreck as Nosferatu, based loosely on Bram Stoker's Dracula
- From the Kino Classics label
Atmosphere comes from accumulated details
Eggers’ attention to Christmas details fits his broader view of how a period film creates atmosphere. A Directors Guild of America recap of a Los Angeles membership-screening Q&A on December 8, 2024, records him saying, “Creating an atmosphere is an accumulation of details.” He described details that affect performance even when they are not the focus of a scene: Aaron Taylor-Johnson wore a period male corset that changed how he moved, while Emma Corrin encountered letters written between her character and her husband.
Such choices make the setting feel lived in rather than decorative. In Eggers’ account, details both visible and unseen help actors inhabit the world and can deepen an audience’s belief in its supernatural elements. A Christmas tree or a familiar carol can work the same way: it belongs to the characters’ world, not simply to the film’s promotional calendar.
Rank #4
- Factory sealed DVD
A collaborative film with Eggers’ sensibility intact
Eggers described Nosferatu as intended to be his most “approachable movie.” He credited Columbus, known for films including Home Alone and Harry Potter, as the main creative producer and a mentor. Eggers and cinematographer Jarin Blaschke meticulously storyboarded the film with a storyboard artist; Columbus reviewed those boards and identified story beats that needed attention.
Eggers called Columbus’ instinct for conventional Hollywood storytelling a useful counterweight to his and Blaschke’s more art-driven impulses. He said Columbus was there to help make it the best Robert Eggers film it could be, not to make it a Chris Columbus film. Eggers also said Focus Features supported his creative control. This balance helps explain how a highly stylized gothic horror film could aim for accessibility without shedding the director’s meticulous approach.
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Where to check official film information
Focus Features’ U.S. film page lists Nosferatu as dated December 25, 2024, identifies Eggers as writer and director, and describes it as a gothic tale of obsession. Its “Watch at Home” link does not, in the information cited here, name a viewing service, so it is not enough to establish current rental, purchase, disc, or subscription availability. The official page also lists Nosferatu-branded apparel: a hoodie, logo hat, embroidered crewneck and beanie; stock and retailer availability may change.
The official trailer page uses the campaign phrase “Only in theaters this Christmas.” That describes the film’s original theatrical campaign, not where it can be watched now.
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