A hard-edged screen image and a gentle offscreen reputation are different things; so are acting in a fight scene and having documented martial-arts or stunt preparation. The available reporting offers useful examples of both, but it does not establish the 20-person roster implied by “10 and 10.” These sourced examples are a starting point, not a definitive ranking of actors’ private character or toughness.
Actors whose tough image contrasts with reported gentleness
Yayan Ruhian
Ruhian’s ferocious action roles, including his reputation after The Raid, make for a striking contrast with the portrait in a 2015 Jakarta Post profile. It described him as a gentle husband and father and reported that he did not let his sons watch his violent films. That is a specific profile’s account of his family life, not a complete picture of his private character.
Dolph Lundgren
Ivan Drago in Rocky IV helped establish Lundgren’s imposing screen persona. In a CDLP interview, Lundgren reflected on the alpha-male image and argued for emotional openness: “A real man has to be emotional and in touch with oneself.” The statement shows how he describes toughness; it should not be treated as proof of how he behaves in every private setting.
Actors with documented martial-arts or action preparation
“The real deal” can mean many things: sustained martial-arts practice, professional competition, military service, or preparation for a particular role. The examples below document film-specific preparation or statements about training; they do not establish a universal toughness scale.
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Justin Chien
For The Brothers Sun, Chien trained with a production fight and stunt team led by stunt coordinator Justin Yu, with fight coordinators Eric Brown and Michael Lehr, according to Netflix Tudum’s production reporting. Director Kevin Tancharoen said he was “shocked at how good he got,” describing Chien as becoming a “full-on martial arts expert.” That is the director’s assessment of Chien’s progress for the show, not an independent certification or a claim about every martial-arts discipline.
Tiger Shroff
In a 2016 interview with The Indian Express about Baaghi, Shroff said he undertook about eight months of intensive physical training and learned Kalaripayattu for the film. The duration and training are his account of preparing for that role, not a measure of his ability in unrelated settings. Read the interview.
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Sean Kanan
Kanan told TIME in 2022 that he increased his training for Cobra Kai. He also explained that stunt staff built choreography around what performers could do and emphasized rehearsal and safety, drawing on an earlier on-set injury during The Karate Kid Part III. His account underlines that convincing screen combat is a coordinated performance, not simply a test of toughness. Read the interview.
Lewis Tan
In a GQ interview published May 12, 2026, Tan described training with co-star Max Huang before the interview and said he stays in a training zone year-round. This is Tan’s time-specific self-description, rather than independent verification of a fixed routine beyond that account. Read the interview.
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What these examples can—and cannot—show
- A reported gentle side belongs to the source and context describing it; a character’s screen violence does not establish the actor’s private personality.
- Role preparation documents work toward a production. It does not, by itself, prove professional fighting experience or mastery in every discipline.
- Screen fights are choreographed performances shaped by training, rehearsal, stunt expertise, and safety planning.
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