Spoiler warning: This article discusses the ending of Chainsaw Man Chapter 167, “Super Smooch.”
Chapter 167 gives Denji the physical outcome he has been chasing, but not the romantic clarity he wants. The person involved is Yoru while she inhabits Asa’s body, turning what might have been a romantic payoff into an ambiguous and deeply uncomfortable reversal.
Spoilers for Chainsaw Man Chapter 167, “Super Smooch,” follow.
Chapter 167 turns Denji’s expected sexual wish-fulfillment into an uncomfortable reversal: the person involved is Yoru, but she is inhabiting Asa Mitaka’s body. The result is not a straightforward romantic breakthrough between Denji and Asa. It is a scene about divided identity, unstable desire, and an outcome that gives Denji a physical release without giving him emotional clarity.
What happens in Chainsaw Man Chapter 167?
The chapter begins with Denji and Yoru separated from the rest of the group in an alley. Yoru produces a knife and returns to the threat established in Chapter 166: removing Denji’s genitals as a way of dealing with his sexual impulses.
Denji initially resists. Then, in one of the chapter’s first reversals, he changes his mind and agrees to the procedure. The apparent direction of the scene is therefore grotesque but clear: Denji’s desire is about to be punished through extreme bodily violence.
Instead, the encounter changes course. A previous kiss appears to trigger a memory or emotional response connected to Asa. Yoru kisses Denji, continues the intimate encounter, and Denji reaches a climax. The chapter ends on an image that many readers compared with a famous moment from Neon Genesis Evangelion, although that parallel is an interpretation from readers and commentators rather than confirmed authorial intent.
The chapter’s title, “Super Smooch,” makes the reversal even stranger. Its playful, almost childish phrasing clashes with the threat of castration, the uncertainty around consent, and the emotional confusion surrounding the kiss.
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Calling the ending “anticlimactic” does not mean that nothing significant happens. The scene is shocking and consequential. The point is that it refuses to deliver the kind of payoff readers might expect after Chapter 166’s setup.
The story appears to be building toward one of two outcomes: Denji will fight to protect his body, or he will be subjected to a grotesque punishment. Instead, the threat abruptly becomes an intimate encounter. Denji gets the immediate physical outcome he wanted, but he does not receive a clear confession, a stable romantic connection, or even a simple understanding of who is responding to him.
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That distinction is central to the chapter. In a conventional romantic storyline, a climax might resolve tension between two characters. Here, it creates more questions. Denji’s desire, Yoru’s hostility, Asa’s feelings, and the reader’s assumptions all collide, but none of them settles into a clean relationship status.
In that sense, Chapter 167 gives Denji a climax while withholding the emotional satisfaction normally attached to one. The event happens, but the meaning of the event remains unstable.
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The headline’s “one person fans wouldn’t expect” is Yoru, the War Devil. However, saying simply that “Denji and Yoru have sex” or that “Asa and Denji finally get together” misses the chapter’s most important complication: Yoru is acting through Asa’s body.
Asa and Yoru are not interchangeable characters. They share a body, but they have different personalities, motives, and relationships with Denji. Yoru is the active agent for much of the scene, while the chapter also suggests that Asa’s emotional connection to Denji has influenced Yoru’s behavior. The boundary between Yoru’s actions and Asa’s feelings therefore becomes unusually difficult to separate.
The safest description is this: Denji’s unexpected climax happens during an encounter with Yoru, who is inhabiting Asa’s body, while the chapter deliberately leaves the Asa-Yoru emotional boundary unresolved.
That uncertainty is not a minor technicality. Denji has a history of confusing physical intimacy with affection, while Asa’s connection to him has always been tangled with embarrassment, loneliness, and the presence of Yoru. Chapter 167 brings all of those elements into the same scene without granting Denji the perspective needed to untangle them.
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The scene’s discomfort comes from more than its explicitness. It begins with a threat involving Denji’s body and an attempt by Yoru to control what happens to him. Even after the encounter shifts toward mutual physical participation, the earlier threat remains part of the scene’s context.
That makes it difficult to read the moment as uncomplicated romantic progress. Denji’s desire is present, but so are coercion, manipulation, divided identity, and uncertainty about whose feelings are being expressed. Readers have consequently disagreed about whether the scene should be understood primarily as disturbing, darkly comic, emotionally tragic, or consistent with Chainsaw Man’s recurring use of sexual vulnerability and violence.
It is more accurate to describe the response as divided than to claim that fans reached a single verdict. Contemporary reactions treated Chapter 167 as unusually explicit and unexpected, with some readers focusing on the consent concerns and others emphasizing how deliberately the chapter weaponizes discomfort. The fiction does not provide a simple label that resolves every aspect of the encounter.
Denji does not get the romantic breakthrough he wants
Denji has often treated sex and romance as destinations that might finally make his life feel normal. Chapter 167 turns that expectation against him. He experiences the physical event he has been pursuing, but it does not produce security, mutual understanding, or a clear bond with Asa.
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That is why the chapter’s ending can feel emotionally empty despite being so sensational. Denji is not simply rejected, nor is he rewarded in a conventional way. He is placed in a situation where his desire is fulfilled through a person whose identity and intentions are uncertain. The supposed payoff becomes another source of instability.
For Asa, the scene is equally complicated. If her feelings have influenced Yoru, the chapter suggests that Asa is emotionally present even when she is not fully in control. But that does not make Yoru’s actions automatically Asa’s actions. The narrative keeps the distinction uncomfortable rather than resolving it for the reader.
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The possible Evangelion parallel
The final image prompted comparisons with Neon Genesis Evangelion, particularly a notorious image associated with the anime’s protagonist. The comparison is understandable as a piece of visual and thematic commentary: both moments place an unsettling bodily aftermath alongside complicated questions about desire, intimacy, and the viewer’s position.
Still, the parallel should be treated as a reader or commentator interpretation, not as a confirmed reference from Tatsuki Fujimoto. Without an authoritative statement from the creator, it is safer to say that the image evokes or recalls Evangelion for some readers rather than claiming that Chapter 167 definitively recreates it.
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Where Chapter 167 appears in print
Chapter 167 is collected in Chainsaw Man, Vol. 19, the paperback manga volume listed by VIZ. Chainsaw Man Vol. 19 is a print option for readers who want this chapter as part of the collected series; buying the volume is not the only official way to read the chapter.
For digital readers, VIZ’s official Shonen Jump release provides the English chapter through its manga platform. Availability and access conditions can vary by region and service, so readers should check the current listing rather than relying on an old release description.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.What Chapter 167 ultimately accomplishes
“Super Smooch” is not primarily a romantic payoff. It is a reversal of the expectations created by Chapter 166. A threat of bodily mutilation becomes an intimate encounter; a possible Asa-and-Denji moment becomes a Yoru-and-Denji encounter filtered through Asa’s body; and a physical climax becomes a source of emotional uncertainty.
The chapter’s most important question is therefore not whether Denji and Asa are now a couple. They are not given a clear romantic status. The more revealing question is whether intimacy can mean anything stable when the participants’ bodies, identities, desires, and agency are so thoroughly entangled.
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Frequently Asked Questions
Who is Denji with in Chainsaw Man Chapter 167?
The unexpected person is Yoru, the War Devil, while she is inhabiting Asa Mitaka’s body. Because Asa and Yoru share a body and the chapter suggests Asa’s feelings influence Yoru, the scene cannot be reduced to either a simple Denji-and-Yoru encounter or a straightforward Denji-and-Asa romance.
Do Denji and Asa officially get together in Chapter 167?
No. Chapter 167 does not establish Denji and Asa as a couple or provide a conventional romantic breakthrough. It creates more uncertainty about the relationship because Yoru is acting through Asa’s body and the emotional ownership of the encounter is unclear.
What volume contains Chainsaw Man Chapter 167?
Chapter 167 is collected in Chainsaw Man, Vol. 19. Readers can also use the official digital Shonen Jump release where it is available; the paperback is not the only legal reading option.
Does Chapter 167 reference Neon Genesis Evangelion?
Some readers and contemporary explainers compared the final image with a famous scene from Neon Genesis Evangelion. That is a visual or thematic interpretation, not a confirmed statement of Tatsuki Fujimoto’s intent.
The Bottom Line
Bottom line: Chapter 167’s unexpected partner is Yoru while she inhabits Asa’s body—not simply Asa. The encounter gives Denji a physical climax but no romantic resolution, making the chapter deliberately uncomfortable, ambiguous, and emotionally anticlimactic.
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